"Reúne un conjunto de artículos inicialmente como ponencias en el Seminario Diálogo sobre Comunicación para el Desarrollo concebido como un espacio de reflexión, balance crítico e identificación de desafíos sobre el camino recorrido por la Especialidad a lo largo de casi dos décadas en la f...ormación de comunicadores y comunicadoras." (Editorial)
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"Seit März 2007 organisieren lokale und internationale Aktivist*innen in verschiedenen Teilen Afghanistans beinah täglich Aktivitäten mit den unterschiedlichen Techniken des Theaters der Unterdrückten (TdU) des Brasilianers Augusto Boal (1931-2009) sowie anderen emanzipatorischen Theatermethoden.... In diesen rund zehn Jahren kontinuierlicher Anwendung hat sich das sogenannte „Applied Theatre“ als zentral für die systematische Arbeit mit dem Thema Straflosigkeit bzw. Aufarbeitung von mittlerweile knapp 40 Jahren des ununterbrochenen gewalttätigen Konflikts erwiesen. Hauptzielgruppe der verschiedenen Theateraktivitäten sind die direkten Angehörigen der nach Schätzungen etwa drei Millionen Menschen, die in den unterschiedlichen Konfliktperioden ums Leben gekommen sind. Einige wenige waren bereits zuvor in offiziell registrierten Opfer- oder Witwenverbänden organisiert, während die meisten mit ihrer Trauer allein blieben und isoliert um das bloße Überleben kämpften." (S.52)
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"Building on the work of Robert Chambers and Arturo Escobar, 'Communicating development with communities' is an empirically grounded critical reflection on how the development industry defines, imagines and constructs development at the implementation level. Unpacking the dominant syntax in the theo...ry and practice of development, the book advocates a move towards relational and indigenous models of living that celebrate local ontologies, spirituality, economies of solidarity and community-ness. It investigates how subaltern voices are produced and appropriated, and how well-meaning experts can easily become oppressors. The book propounds a pedagogy of listening as a pathway that offers a space for interest groups to collaboratively curate meaningful development with and alongside communities." (Back cover)
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"There is a strong evidence base showing that SBCC programs can help improve malaria prevention and treatment behaviors. However, more work needs to be done to ensure that best practices are documented and used consistently. The review provides recommendations for strengthening peer-reviewed researc...h papers by including strategic communication processes in journal articles. Reporting program exposure is essential for establishing the role of SBCC interventions in malaria prevention and treatment behaviors." (Conclusions)
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"Debates about the visual representations of global poverty have been going on for many years, yet the experiences and views of those featured have been notably absent. 'The People in the Pictures' addresses that gap. Save the Children commissioned research in the UK, Jordan, Bangladesh and Niger, t...o listen to and learn from those who contribute their images and stories, as well as members of their communities. The research explored: what motivated people to agree to Save the Children filming or photographing them or their children; how people experienced and perceived the image-making process; how people felt about their portrayal in the resulting Save the Children communications. The research highlighted many areas of good practice, as well as some concerns and challenges. It has resulted in a set of recommendations to embed greater agency and accountability for contributors into Save the Children’s image making." (Back cover)
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"Video Ethnography in Practice is a brief guide for students in the social disciplines who are required to produce an ethnographic video, the most significant new methodological technique in 21st century social analysis. The authors, both accomplished videographers, cover the basic techniques of cre...ating a video that documents human culture and behavior with true stories of the process of videography throughout. This text shows how new technologies like smart phones, widely available video editing software, and YouTube, have turned video ethnography into something that is within reach of students in a conventional course framework." (Publisher)
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"Campaigns are likely to be more successful when they include messages about legal penalties for non-compliant behaviour and fresh information, and when they reach a large proportion of the intended audience. Digital campaigns must therefore work alongside laws and policies. Legislation can be a key... tool in changing behaviour and perceptions of cultural and social norms. Laws and policies that make violent behaviour an offence send a message to society that it is not acceptable.Success is more likely if messages are tailored to audiences using social marketing principles and create a supportive environment that enables the intended audience to make changes – e.g. by mobilising communities in support of the campaign.To develop effective campaigns, it is also important to use research, such as interviews with key stakeholders and focus groups with members of the target audience, to determine existing attitudes and beliefs and ways of motivating people to change their behaviour.Campaign messages should also be pre-tested to ensure they are understood correctly and to minimize any unintended negative effects.The most successful interventions work with experienced organisations to develop and deliver sophisticated television/radio programming and communications combined with community mobilisation strategies aimed at changing gender-related norms and behaviours." (Overview, p.3)
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"Combining approaches from the social sciences and the humanities, the book provides an interdisciplinary perspective while outlining a transnational history of films that either document or fictionalise the favelas, shantytowns, Elendsviertel, gecekondu, barrios populares or chawls of our diverse '...planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film and media culture. From Jacob Riis's How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of slum representations of different historical periods and regions to outline how contemporary film and media practices relate to their past predecessors. It focuses thereby particularly on the way filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes of representation to convey life in our 'planet of slums'." (Publisher)
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"This online guide is designed to: inform a wide range of organisations about Internet hotlines and their essential role in forming a comprehensive national response to online child sexual exploitation and abuse ... ; advise organisations that are considering or are already planning to set up an Int...ernet Hotline about the main requirements and considerations; recommend good practice in relation to the hotline status, structure, operations and interinstitutional relationship; connect potential hotline operators with hotline development support available from the INHOPE Foundation, experienced INHOPE member hotlines around the world, leading initiatives and support available from law enforcement, NGOs, the private sector and governmental partners around the world." (p.1)
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"Videos have been used to successfully raise awareness on disability inclusion in many contexts. They can play a powerful role in helping transform negative attitudes that prevent the full and equal participation of persons with disabilities. Producing a video - even a short one - has many component...s to consider, so it is important to approach it with a detailed plan, as you would with any project. This toolkit is designed to help you create video(s) that include persons with disabilities at all stages of the process. This toolkit is relevant to all video making, not just those that directly relate to disability as a topic. All videos, whether or not they are about disability, can and should take an inclusive approach. There are many talented persons with disabilities who are able and willing to contribute to making video or films." (p.4)
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"Over the past decade there has been a growing interest in participatory video, but accounts have often been celebratory and uncritical. At the same time there has been an ever-increasing multiplicity of interpretations, thus making participatory video seem ‘nebulous’ and ‘perplexing’. This ...special section seeks to develop some of the critiques developed over the past five years, by bringing together a series of provocative thought pieces. Through this special section we seek to continue to develop a critique of participatory video as both a methodology and method." (p.401)
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"Organizations strive to persuade the public to change beliefs or behavior through expensive media campaigns. Designers painstakingly craft resonant and culturally sensitive messaging that will motivate people to buy a product or take active steps to improve their health. But once these campaigns le...ave the controlled environments of focus groups and advertising agencies, the public interprets and distorts the campaigns in ways their designers never intended or dreamed. In 'Best Laid Plans', Terence E. McDonnell argues that these well-designed campaigns are undergoing “cultural entropy”: the process through which the intended meanings and uses of cultural objects fracture into alternative meanings, new practices, failed interactions, and blatant disregard. Using AIDS media campaigns in Accra, Ghana, as its central case study, the book walks readers through best-practice, evidence-based media campaigns that fall totally flat. Female condoms are turned into bracelets, AIDS posters become home decorations, red ribbons fade into pink under the sun—to name a few failures. These damaging cultural misfires are not random. Rather, McDonnell makes the case that these disruptions are patterned, widespread, and inevitable—indicative of a broader process of cultural entropy." (Back cover)
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"This handbook will guide you in telling the stories of your community. This handbook is full of information about the basics of storytelling. Rules, story structure, and three important elements of a story that keep the narrative moving." (p.2)
"Two main factors influence how we might assess the quality of a massive open online course (MOOC): purpose and perspective. By purpose we mean the reason(s) the MOOC has been developed and facilitated. By perspective we mean who is measuring the quality. These two factors are intrinsically linked. ...From a university perspective, investing in setting up and running a MOOC in, for example, Clinical Trials, may be a worthwhile investment if it serves the purpose of extending global reputation. But for a learner, the purpose of participating in the MOOC could be to network with other students. The university may measure quality by monitoring the scale and reach of the students — so, if the MOOC has over 25,000 participants from 46 countries, it could be viewed as high quality. However, learners may find it difficult to connect with other students on the MOOC platform. For this reason, the MOOC will appear low quality to them. This link between purpose and perspective makes the measurement of quality challenging. The present Guidelines for Quality Assurance and Accreditation of MOOCs have been developed to guide the selection of quality metrics by four stakeholder groups: governments, accreditation bodies, institutions and learners. There are two stages for using the guidelines. The first stage involves identifying the purpose(s) of the MOOC from the stakeholders’ perspectives. In the second stage, stakeholders are encouraged to reflect on the metrics that will determine whether that purpose has been achieved. A range of quality metrics, associated with different stages of learning (before, during or after MOOC creation and participation), is provided in Appendix 1. Each of the stakeholder groups is likely to be interested in different stages of the learning process and different measures." (p.4-5)
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"The media can make a real difference in the way people think about and act on disasters. Reporters, commentators, editors, broadcasters, and all members of the media can do more than just inform and raise awareness about disasters. By exploring the root causes of disasters and their social dimensio...ns, the media can help communities and countries understand more fully what it is that makes them vulnerable, and what they can do to increase their capacities to cope with disasters.The objective of this media kit is to give members of the media a basic knowledge of key disaster management principles and concepts in order to enable them to make an active and meaningful contribution to creating safer and more resilient communities. The media kit has been developed with reference to particular issues and challenges which media practitioners are likely to encounter in Lao PDR." (p.4)
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"Dans cet article, je réfléchis à la relation entre don et marché éditorial en Afrique francophone ainsi qu’à son évolution. Comme je l’observe, l’intensification du don et la diffusion de l’idée qu’il n’y a pas de livres en Afrique coïncide avec l’essor de ce que l’on appel...le ‘la mondialisation éditoriale’ à partir du début des années 80. Je relève par ailleurs que cette période correspond à la mise en place du plan d’ajustement structurel (PAS) par les institutions dites ‘de Bretton-Woods’. Dans les années qui suivront, le secteur éditorial sera un des premiers touchés par les mesures d’austérité imposées par les bailleurs internationaux ... Comme je l’observe, le don de livres importé par une diversité de structures occupe une place historique en Afrique francophone, participant à l’omniprésence de l’édition du Nord. L’édition africaine se trouve alors réduite à la portion congrue de 10% des livres présents en librairies. Idem pour le livre scolaire, monopolisé à plus de 80% par l’édition étrangère, essentiellement française. Un des arguments prioritaires du don de livre en Afrique, c’est qu’il n’y a pas (ou pas assez) de livres. C’est en fait, peut-être, l’inverse: il y a un monopole du livre étranger qui ne permettrait pas au livre africain de rayonner suffisamment pour être connu/reconnu dans le monde. Le don serait donc la ‘fin de chaine’ d’un processus de minorisation: il contribuerait à la sous-représentation documentaire, voire à la dévalorisation des productions africaines, véhiculant l’image d’un continent de friche éditoriale… Mais tout comme cette vision est simplificatrice, il est réducteur de limiter le don à un processus strictement inégalitaire et partie prenante d’un système économique et idéologique de domination culturelle: c’est précisément cette diversité du don qui en rend l’analyse passionnante. Dans cet article, je propose une analyse des pratiques de don et de ses différents visages en Afrique francophone. Comme je le montre, son évolution est intrinsèquement liée à une histoire institutionnelle et aux relations de coopération développées entre États africains et bailleurs internationaux, depuis le matin même des Indépendances (fin des années 50/début des années 60). Celles-ci ont tout d’abord concerné séparément les développements structurel et culturel, avant que ne commence à naitre une idée de culture comme condition du développement économique." (Résumè, p.5-6)
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"The role of communication in planned social change is portrayed as a linear conduit for inducing pro-development behavior change in the "undeveloped" world. Later versions of social change communication started incorporating culture and participation into multicultural participatory development pro...grams. This essay suggests that development discourses, including their later incarnations incorporating culture and participation, serve as vehicles for capitalist market promotion. These new forms of planned social change communication, scripted in the narratives of local empowerment, community-based participation, and entrepreneurship, work to systematically erase subaltern communities. Building on the theoretical framework of the culture-Centered approach (CCA), I examine the ways in which dialogues with the margins of development discourse resist these dominant conceptual categories of development. The subaltern, standing in for the popular, resists neoliberal interventions through her active participation in popular politics." (Abstract)
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"This article explores the role that nongovernmental organizations play in the changing landscape of international news. Drawing on archival analysis and 65 interviews with nongovernmental organization professionals, it examines the resource commitments and values guiding research at leading humanit...arian and human rights nongovernmental organizations. It finds that staff size, country coverage, and reporting capacity have increased substantially over time and now rival the resources found in major news organizations. Interviews reveal that nongovernmental organization work is guided by values of accuracy, pluralism, advocacy, and timeliness. These values overlap with and sometimes extend commonly held journalistic values, but they are not reducible to them. Findings suggest that nongovernmental organizations provide important ‘boots on the ground’ coverage of international affairs, even as their imbrication with journalistic practices raises important normative questions for nongovernmental organizations, journalists, and news audiences." (Abstract)
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"This article discusses the trial of visual research methods in a socio-economic research and development project with women subsistence farmers and their families in two regions of Papua New Guinea. It reports on the benefits and challenges of three visual research methods (drawing, participatory p...hotography, and picture elicitation) to explore the agricultural practice of women subsistence farmers and their families. The paper discusses the potential of these methods for enhancing community engagement, reducing the power imbalance between researchers and participants, and promoting dialogue and reflection to better understand the needs and practices of subsistence farmers." (Abstract)
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