"Die vollständig aktualisierte und erweiterte Neuauflage des etablierten Werks bietet Informationsspezialistinnen und -spezialisten aus allen Sparten einen umfassenden Überblick über die Entwicklungen und die Typologie wissenschaftlicher Informationsressourcen. Darauf aufbauend werden rund 430 In...formationsressourcen, die für die allgemeine und fachspezifische Informationsrecherche von besonderer Bedeutung sind, in ihren Inhalten und Funktionalitäten sowie ihrer Bedeutung vorgestellt. Klassische bibliothekarische Ressourcentypen wie Bibliothekskataloge, Bibliographien, Nachschlagewerke und Portale für Fachinformationen werden dabei ebenso berücksichtigt wie Forschungsdatenverzeichnisse, Patent- und Normdatenbanken, Angebote zu Statistiken, Open-Access- und Open-Educational-Resources-Publikationen sowie Datenbanken zu Zeitungen, Bildern, Filmen und Audiomaterialien. Die Verbindung von einführender Typologie und konkreter Vorstellung zentraler Ressourcen sorgt dafür, dass das hier vermittelte Grundwissen unmittelbar in der beruflichen Praxis einsetzbar ist." (Verlag)
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"Drawing on a series of player and developer interviews and surveys conducted over the last five years, including some recent ones, this book provides a sense of how games have become a part of the culture of the region despite its huge diversity and plurality and opens up avenues for further study ...through vignettes and snapshots of the diverse gaming culture. It addresses the rapid rise of videogames as an entertainment medium in South Asia and, as such, also tries to better understand the recent controversies connected to gaming in the region In the process, it aims to make a larger connection between the development of videogames and player culture, in the subcontinent and globally ..." (Publisher)
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"Whatever level of experience you have, this classic text will provide you with the key skills you need to complete a visual methods research project, understand the rationale behind each step, and engage with the contexts and power relations that shape our interpretation of visual images. With a cl...ear step-by-step approach that is easy to dip in and out of, the book features: key examples in every methods chapter to demonstrate how the methods work in practice and with different visual materials; 'focus’ and ‘Discussion’ features that help you practice your skills at specific parts of the methods and understand some of the method’s complexities; guidance on researching using digital visual media, such as Instagram and TikTok, integrated throughout the book." (Publisher)
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"Mixed Methods Perspectives on Communication and Social Media Research addresses the need for a discipline-cum-methodology-tailored book that navigates the current research spectrum of communication and social media ("CommSocMed"). It examines contemporary and relevant issues that intertwine the exp...ansive spheres of CommSocMed. Authored / professionals with extensive academic and in-depth research and industry experience, the book highlights research-based themes that mirror qualitative and quantitative methodologies vis-à-vis socio-cultural, political, educational, and organisational issues and challenges. The first two sections present the mutually interwoven disciplines of CommSocMed where research works cover a comprehensive range of designs such as narrative analysis, case study, recombinant memetics, discourse analysis, visual semiotics, ethnography, content analysis, feminist theory, descriptive-survey, descriptive-correlational, model-building/testing, experimental, and mixed methods. The third section is a concluding segment which synthesises all the scholarly contributions in this volume." (Publisher)
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"En algunos de los países, en mayor medida España y los EE.UU. Hispanos, la ficción ocupa de un modo consistente al menos el 40% de los tiempos de programación. Esto, en países que por niveles de ingreso deberían ser los con un mayor grado de acceso a otras fuentes de contenidos audiovisuales ...de ficción, como la televisión de pago o las plataformas de streaming. En contraste a estos casos, se observa a Argentina, Brasil y México, donde la ficción apenas supera el 15% en los años de mayor participación y se acerca al 10% en otros. Paradojalmente, tanto Brasil como México son países productores y exportadores de ficción al resto de la región. A medio camino entre ambos extremos se observa a Chile, Colombia, Perú, Portugal, Uruguay y Venezuela, en los años en que ha sido posible observar su comportamiento. Siendo la televisión abierta un sistema de contenidos estructurados en horarios asociados a las rutinas del hogar, cabe preguntarse por diferencias de roles y usos de la televisión por parte de las audiencias o la eventual sustitución de estos roles por medios o géneros alternativos. El segundo plano es de tendencia. Salvo por el caso de España, la tendencia general pareciera ser hacia una disminución de la participación de la ficción en la programación. Y, aunque los Top 10 de títulos de ficción más vistos ofrecen una mirada muy parcial del conjunto, en ellos también se observa una disminución en el tiempo de los niveles de audiencia alcanzados." (p.24-25)
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"In this book, we attempt to integrate three different research approaches: (1) the traditional social-psychological approach that emphasizes cultural differences and how these differences influence communication, (2) the interpretive approach that emphasizes understanding communication in context, ...and (3) the critical approach that underscores the importance of power and historical context to understanding intercultural communication, including postcolonial approaches. We believe that each of these approaches has important contributions to make to the understanding of intercultural communication and that they operate in interconnected and sometimes contradictory ways. In this eighth edition, we have further strengthened our dialectical approach, which encourages students to think critically about intercultural phenomena as seen from these various perspectives." (Preface, p.xx)
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"La acción mundial por el clima aparece como una de las prioridades, cuando no como la principal prioridad, de la agenda internacional. […] Los países deberán implementar planes de acción multidimensionales que contendrán regulaciones orientadas a que las distintas industrias minimicen al má...ximo sus impactos medioambientales, incluida, por supuesto, la industria editorial. No resulta exagerado señalar, por tanto, que esta transición hacia prácticas mucho menos nocivas para el medio ambiente constituye uno de los mayores retos que deberá enfrentar el sector editorial en un plazo que puede ser más corto de lo que se piensa. El desafío es mayúsculo porque no solo se trata de utilizar papeles que cumplan unos estándares determinados, que es lo que se suele tener en mente cuando se habla de edición ecológica o ecoedición, sino que implica calcular y mitigar los impactos ambientales del libro desde el proceso de edición hasta su llegada a manos de los lectores. Con este dosier, el Cerlalc busca contribuir a instalar este tema en los sectores editoriales de sus países miembro. Los artículos aquí reunidos ofrecen elementos para entender las múltiples dimensiones del impacto ambiental de la industria editorial y dan algunas pistas para empezar a pensar una hoja de ruta de a cara a la transición. Es, en cualquier caso, una primera aproximación, que esperamos sirva para iniciar un diálogo entre las partes interesadas. Como se señala en uno de los artículos, la ecoedición no es solo medir, mitigar y comunicar los impactos ambientales de la edición, producción y comercialización de un libro, sino que es también un acuerdo del sector." (Editorial, pp. 5-7)
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"Offering a fundamental overview of the main technological developments that have influenced the growth of digital publishing, the author introduces students to the key terms and concepts that make digital publishing possible. The four key publishing sectors (professional reference, academic, educat...ion and trade) are explored in detail, providing students with the technical literacy to understand digital developments and examine the growth of new business models. In this edition, sections have been updated to address the growth of audiobooks, reading apps, metadata, and open access, while original case studies address key issues such as digital-first publishing, EPUB, social media and crowdsourcing. Also covered are the key issues and debates that face the industry as a whole, such as pricing and copyright, and their impact on the industry is explored through relevant case studies. Taken together, the chapters examine the challenges of digital publishing and explore the opportunities it provides to develop new and diverse audiences." (Publisher)
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"Im Oktober 1923 ging das erste offizielle deutsche Rundfunkprogramm auf Sendung. Auch 100 Jahre später ist das Radio nicht aus der Medienwelt wegzudenken, ob als Informationsquelle, Kulturproduzent oder musikalischer Tagesbegleiter. Stets im Zeichen politischer, gesellschaftlicher und technischer ...Entwicklungen stehend, hat es immer wieder seine Wandlungsfähigkeit und Relevanz unter Beweis stellen können. Dieses Buch wirft Schlaglichter auf die verschiedenen Facetten der deutschen Radiogeschichte und wagt zugleich einen Ausblick in die Zukunft des ebenso langlebigen wie vielseitigen Mediums." (Burchrückseite)
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"Der vorliegende Band stellt erstmals die deutschsprachige Kinder- und Jugendliteratur in ihrer diachronen Entwicklung vom Mittelalter bis zur Gegenwart unter Genderaspekten dar. Die Kapitel zu den einzelnen Epochen geben dabei jeweils Überblicke über die relevanten Diskurse der Zeit und stellen e...xemplarisch wichtige Werke unter der Genderperspektive vor. Indem gezeigt wird, wie Kinder- und Jugendliteratur einerseits die herrschenden gesellschaftlichen Genderkonstrukte reflektiert und andererseits neue Konzepte oder gar Utopien entwirft, widmet sich der Band einem aktuellen Thema, das über kulturwissenschaftliche Fragen hinausweist." (Verlag)
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"This book, produced on behalf of the IFLA Copyright and other Legal Matters (CLM) Advisory Committee, provides basic and advanced information about copyright, outlines limitations and exceptions, discusses communicating with users and highlights emerging copyright issues. The chapters note the sign...ificance of the topic; describe salient points of the law and legal concepts; present selected comparisons of approaches around the world; highlight opportunities for reform and advocacy; and help libraries and librarians find their way through the copyright maze." (Publisher)
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"The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the ...authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century." (Publisher)
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"The FIRN meta-research aggregates and examines feminist research from the global South focused on questions around unequal access to online participation, the implications and impact of datafication, online gender-based violence, and gendered digital economies in the global South [...] While the re...port shows how feminist theory and methodologies circulate differently in different parts of the world and communities of practice, it's also testament to a shared political conviction to challenge the status quo and work towards a more feminist internet." (Foreword, p.i-iii)
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"Controversy Mapping is the first book to introduce readers to the observation and representation of contested issues on digital media. Drawing on actor-network theory and digital methods, Venturini and Munk outline the conceptual underpinnings and the many tools and techniques of controversy mappin...g. They review its history in science and technology studies, discuss its methodological potential, and unfold its political implications. Through a range of cases and examples, they demonstrate how to chart actors and issues using digital fieldwork and computational techniques." (Back cover)
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"Media of the Masses investigates the social life of an everyday technology - the cassette tape - to offer a multisensory history of modern Egypt. Over the 1970s and 1980s, cassettes became a ubiquitous presence in Egyptian homes and stores. Audiocassette technology gave an opening to ordinary indiv...iduals, from singers to smugglers, to challenge state-controlled Egyptian media. Enabling an unprecedented number of people to participate in the creation of culture and circulation of content, cassette players and tapes soon informed broader cultural, political, and economic developments and defined "modern" Egyptian households. Drawing on a wide array of audio, visual, and textual sources that exist outside the Egyptian National Archives, Andrew Simon provides a new entry point into understanding everyday life and culture. Cassettes and cassette players, he demonstrates, did not simply join other twentieth century mass media, like records and radio; they were the media of the masses. Comprised of little more than magnetic reels in plastic cases, cassettes empowered cultural consumers to become cultural producers long before the advent of the Internet." (Publisher)
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"This OA book investigates the methodological and ethical dilemmas involved when working with digital technologies and large-scale datasets in relation to ethnographic studies of digital migration practices and trajectories. Digital technologies reshape not only every phase of the migration process ...itself (by providing new ways to access, to share and preserve relevant information) but also the activities of other actors, from solidarity networks to border control agencies. In doing so, digital technologies create a whole new set of ethical and methodological challenges for migration studies: from data access to data interpretation, privacy protection, and research ethics more generally. Of specific concern are the aspects of digital migration researchers accessing digital platforms used by migrants, who are subject to precarious and insecure life circumstances, lack recognised papers and are in danger of being rejected and deported. Thus, the authors call for new modes of caring for (big) data when researching migrants' digital practices in the configuration of migration and borders. Besides taking proper care of research participants' privacy, autonomy, and security, this also spans carefully establishing analytically sustainable environments for the respective data sets. In doing so, the book argues that it is essential to carefully reflect on researchers' own positioning as being part of the challenge they seek to address." (Publisher)
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"Wars in films are […] always more than just the staging or presentation of a historical event; they offer an interpretation of these events that usually corresponds with other aspects, e. g. society's evaluation of war per se, or wishes about how specific events related to war should be commemora...ted within the public conscience. Of course, films can also act as a medium to criticize war, but the functionality of the filmic stagings of collective violence is usually determined by the interaction between producers and the audience of the film.The following chapters try to provide a variety of insights into these relationships, and although they focus on different time periods and aspects related to the semiotics, narratives, and perceptions of war in film, they all circle around certain questions related to war films in general. These are:1. To what extent do war films present historical events that are already socio-culturally embedded within national narratives, and to what extent do their semiotics support or challenge common views about wars and collective violence?2. Which conscious or subconscious images or visual semiotics are used within war films to connect the audience to the film and its narrative?3. How do films create, transport, or intensify the perception and interpretation of wars within societies?To answer these, each of the contributions of the present volume engages with specific war films and connects their respective war-related motifs and narratives with these questions." (Introduction, 7-11)
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"In some of the countries, to a greater extent Spain and the Hispanic USA, fiction consistently occupies at least 40% of the programming time. This occurs in countries that, due to income levels, should be those with a higher degree of access to other sources of fiction audiovisual content, such as ...pay TV or streaming platforms. In contrast to these cases, we can observe Argentina, Brazil and Mexico, where fiction barely exceeds 15% in the years of greatest participation and is close to 10% in others. Paradoxically, both Brazil and Mexico are fiction producers and exporters to the rest of the region. Halfway between both extremes, Chile, Colombia, Peru, Portugal, Uruguay and Venezuela can be observed in the years in which it has been possible to observe their behavior. Since open television is a system of contents structured in schedules associated with household routines, it is worth asking about differences in roles and uses of television by audiences or the eventual substitution of these roles by alternative media or genres. The second aspect is one of trends. Except for the case of Spain, the general trend seems to be towards a decrease in the involvement of fiction in programming. And, although the Top 10 most watched fiction productions offer a very partial view of the whole, they also show a decrease in time of the audience levels reached." (p.24-25)
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"Annekathrin Kohout und Wolfgang Ullrich versammeln Beiträge, die sich verschiedenen Aspekten der zeitgenössischen visuellen Kultur widmen: Was zeichnet die Kommunikation über Memes aus, und warum sind sie so beliebt? Wie funktionieren GIFs, und wie haben sich das Dateiformat und seine Nutzung ü...ber die Zeit verändert? Was bedeutet der zunehmende Einfluss von Influencerinnen und Influencern für die Rezeption und Verbreitung von Mode? Und welche Konsequenzen hat es, dass die Allgegenwart von Bildern mit der zunehmenden Verbreitung von Software einhergeht, die in der Lage ist, automatisiert Gesichter zu erkennen? Die Beiträge nehmen unterschiedliche Facetten eines tiefgreifenden kulturellen Wandels in den Blick und zeigen seine Grundlagen, Potenziale und Ambivalenzen auf." (Buchrücken)
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"This chapter explored the linguistic dimensions of Gukurahundi to show the centrality of language before, during and after the genocide. We drew on online testimonies from survivors and statements from government officials as well as visible language planning and language practices in the post-Guku...rahundi era. In doing so, we have shown how the Shona language was weaponised and continues to be deployed as a tool for perpetuating the legacy of Gukurahundi in symbolic forms. Languages are more than neutral instruments of communication; they reflect important symbolic and identity roles, particularly in post-conflict societies. In post Gukurahundi Zimbabwe, the issue of language has remained topical as language is an important means of maintaining, legitimating, effectuating and reproducing unequal relations of power. The foregoing suggests that the presentation of the Shona language within the Zimbabwean state, state-aligned institutions and in Zimbabwean society at large reflects the cultural and political antagonisms dating back to the preindependence era. It is in fact a subtle form violence that undermines everything that is different. As a continuation of conflict in symbolic and cultural ways in supposed times of peace, this has implications for processes of reconciliation. Consequently, for victims and survivors, the term gukurahundi has become a synonym and a metaphor for the structural violence and subjugation experienced contemporaneously." (Conclusion)
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