, Collective Memory
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Collective trauma

D+C: development and cooperation, volume 0, issue 1 (2023), pp. 21-31
Other Editions: alos published in German

Memory and erasure: Gukurahundi and the culture of violence in Zimbabwe

Bulawayo; Harare: Centre for Innovation and Technology (CITE); Weaver Press (2022), xxxi, 153 pp., bibliogr. p.137-153
ISBN 978-1-77922-419-4 (pbk); 978-1-77922-421-7 (pdf)
"Memory and Erasure brings together young and established Zimbabwean scholars and activists who explore with fresh eyes the failure to overcome the terrible legacies of this period. At its heart is recognition that justice cannot be achieved while Gukurahundi’s perpetrators remain in power and sti... more
"Los medios de comunicación son grandes aliados en la sensibilización y apropiación del legado de la Comisión de la Verdad. El Informe Final brinda la oportunidad de difundirlo a través de una variedad de formatos innovadores que vayan más allá del registro de historias. Los contextos explica... more
"The exhibition focuses on how young people envision their identities in their respective countries: what mental images do they collectively have about their life experiences. Thus, this project seeks to present collective memories from different parts of the world in an exhibition that will promote... more

Endlich genug von Hitler oder bitte noch mehr? Verlage als vergangenheitspolitische Akteur

In: Aufarbeitung des Nationalsozialismus: ein Kompendium
Magnus Brechtken (ed.)
Bonn: Bundeszentrale für politische Bildung (bpb) (2021), pp. 489-505
ISBN 978-3-7425-0772-3

Aufarbeitung des Nationalsozialismus: ein Kompendium

Bonn: Bundeszentrale für politische Bildung (bpb) (2021) Sonderausg., 718 pp., illustr., index
ISBN 978-3-7425-0772-3
Other Editions: Göttingen: Wallstein Verlag, 2021

Mitlaufen, zuschauen, mitfühlen: Holocaust-Erinnerung im Fernsehen der Bundesrepublik Deutschland

In: Aufarbeitung des Nationalsozialismus: ein Kompendium
Magnus Brechtken (ed.)
Bonn: Bundeszentrale für politische Bildung (bpb) (2021) Sonderausg., pp. 506-533
ISBN 978-3-7425-0772-3

Kino und Katharsis? Bilder vom Nationalsozialismus im deutschen Film

In: Aufarbeitung des Nationalsozialismus: ein Kompendium
Magnus Brechtken (ed.)
Bonn: Bundeszentrale für politische Bildung (bpb) (2021) Sonderausg., pp. 534-556
ISBN 978-3-7425-0772-3

Remember me: memory and forgetting in the digital age

Cambridge; Medford, MA: Polity Press (2021), viii, 155 pp., bibliogr. p.138-147, index
ISBN 978-1-5095-4504-9 (pbk); 978-1-5095-4505-6 (online)
Other Editions: Italian ed.: Ricordati di me: La rivoluzione digitale tra memoria e oblio. Torin: Bollati Boringhieri editore, 2020
"... The past does not really exist: it is only a story we tell ourselves. But what happens when we tell this story not only to ourselves but also to our followers, when it is recorded not only on our social media pages but also on the pages of hundreds or thousands of others, making it something th... more

Journalism and memory

In: The handbook of journalism studies
Karin Wahl-Jorgensen; Thomas Hanitzsch (eds.)
New York; London: Routledge (2020) 2nd ed., pp. 420-434, bibliogr. p.431-434
ISBN 9781138052895 (pbk); 9781138052888 (hbk); 9781315167497 (online)
"The aim of this chapter is to consider the past, present, and future of journalism and memory in two senses: first, as time periods in the evolution of this area of research and, second, as thematic elements in the scholarship on journalism and memory. In other words, how does journalism address so... more

The representation of genocide in graphic novels: considering the role of Kitsch

Cham: Palgrave Macmillan (2019), ix, 230 pp., 13 illustr., 5 colour illustr.
ISBN 978-3-030-03626-3 (ebook); 978-3-030-03625-6 (print)
"This book mobilises the concept of kitsch to investigate the tensions around the representation of genocide in international graphic novels that focus on the Holocaust and the genocides in Armenia, Rwanda, and Bosnia. In response to the predominantly negative readings of kitsch as meaningless or in... more

Digital memory studies: media pasts in transition

New York; London: Routledge (2018), xii, 313 pp., illustr.
ISBN 978-1-317-26742-3 (pdf); 978-1-315-63723-5 (ebook); 978-1-138-63937-9 (hbk); 978-1-138-63938-6 (pbk)

Filmische Zeugenschaft im Abseits: kulturelle Dekolonisierungsprozesse und Dokumentarfilme zwischen Mosambik und Portugal

Bielefeld: transcript (2018), 284 pp., illustr.
ISBN 978-3-8376-4506-4 (print); 978-3-8394-4506-8 (pdf) CC BY
Other Editions: Universität Gießen, Doctoral Thesis, 2016
"Wie wird koloniale Gewalt historisch thematisiert? Wie gehen dokumentarische Filme und geschichtspolitische Diskurse mit ihr um? Robert Stock nähert sich diesen Fragen mit kritischem Blick auf den Kolonialkrieg Portugals in Afrika und den nationalen Befreiungskampf Mosambiks. Dabei fokussiert er s... more

O Holocausto no cinema

Revista do Instituto Humanitas Unisinos, volume , issue 501 (2017), pp. 14-49
ISSN 1981-8769 (print); 1981-8793 (online)

Der Film Hara Harwaa Reihaby von Emma Chodzaa als Instrument der staatlichen Beeinflussung des kollektiven Gedächtnisses in Abchasien

Frankfurt, Oder: Bachelor Thesis Europa-Universität Vidriana (2016), 53 pp., 7 illustr., bibliogr. p.42-45
"Die Fallanalyse hat gezeigt, dass eine Erzählung vom Krieg 1992-93 propagiert wird, die einer abchasischen Version des Narrationsschemas 'Die Vertreibung von fremden Feinden' entspricht. Ein zentrales Element der Erzählung ist zudem, so ergab die Interpretation, eine betont positive Darstellung d... more

Disaster drawn: visual witness, comics, and documentary form

Cambridge, Mass.; London: Belknap Press; Harvard University Press (2016), 359 pp., illustr., index
ISBN 978-0-674-50451-6 (hbk); 978-0-674-49564-7 (online)
"In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by d... more

Ctrl + Z : the right to be forgotten

New York; London: New York University Press (2016), xiii, 269 Seiten, illustr., bibliogr. p.232-252, index
ISBN 978-1-4798-8170-3 (pbk)
"The central thesis of Crtl+Z is that a digital right to be forgotten is an innovative idea with a lot of possibilities and potential. The idea simply needs to be opened up, reframed, and restructured. The extreme options currently on the table limit the many ways to think about digital redemption a... more

Memory on trial: media, citizenship and social justice

Wien; Zürich: Lit (2015), ii, 186 pp., illustr.
ISBN 978-3-643-90531-4 (pbk)
"This book approaches the memory sharing of groups, communities and societies as inevitable struggles over the interpretation of, and authority over, particular stories. Coming to terms with the past in memory work, alone or with others, is always unsteady ground and the activation of memory will al... more

Humor gráfico: manual de uso para la historia

Los Polvorines: Universidad Nacional de General Sarmiento Ediciones UNGS (2015), 123 pp., bibliogr. p.113-123
ISBN 978-987-630-203-6
Other Editions: Revised version of an appendix to the author's doctoral thesis, Universidad de Buenos Aires in 2010
"El primer capítulo, titulado “Hacia una conceptualización del humor gráfico”, se propone aportar herramientas conceptuales y teóricas que nos permitan concebir al humor gráfico como un tipo particular de discurso social. El capítulo comienza con un intento de organización conceptual de l... more

Trauma and public memory

Basingstoke, Hampshire; New York: Palgrave Macmillan (2015), xii, 231 pp., index
ISBN 9781137406798 (print); 978-1-349-48806-3; 978-1-137-40680-4 (ebook)
"This collection of essays and interviews offers perspectives on traumatic experience from the social and public side of the equation. Like other books in the Palgrave Macmillan Memory Studies Series, it is concerned with redressing the balance of public memory through a focus on what has been negle... more