"This commentary argues that caring about mental health and well-being in journalism begins with journalists, but it also should include corresponding care for news audiences." (Abstract)
"Öffentlichkeit ist der zentrale Begriff in Diskussionen über Demokratie und politische Partizipation. Johanna Montanari erweitert den Öffentlichkeitsbegriff postkolonial, indem sie den globalen Süden nicht als defizitären Raum "nachholender Modernisierung" beschreibt, sondern die Anstrengungen
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um die Herstellung von Öffentlichkeit unter eingeschränkt demokratischen Bedingungen ernst nimmt. Anhand der journalistischen Praxis einer englischsprachigen Tageszeitung in Jordanien [Jordan Times] zeigt sie, dass Öffentlichkeit immer kuratiert wird und sich universal verstandene Versprechen der Moderne lokal aneignet. Ihre Ergebnisse fordern zur Reflexion der Auslassungen westlicher Diskurse auf." (Verlagsbeschreibung)
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"Comprising 41 chapters by a team of international contributors, the companion is divided into three parts: histories; approaches; thematic considerations. The chapters offer wide-ranging explorations of how forms of mediation influence communication, social relationships, cultural practices, partic
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ipation, and social change, as well as production and access to information and knowledge. This volume considers new developments, and highlights the ways in which anthropology can contribute to the study of the human condition and the social processes in which media are entangled." (Publisher description)
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"With the liberalisation of the airwaves and the rising use of mobile phones since the 2000s, call- and text-in shows have become popular and lively features on broadcast media in Eastern Africa. Amidst expanding possibilities for listeners to speak and contribute to live radio broadcasts, new ways
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of imagining the position of the audience emerge. The audience is not simply comprised of passive listeners of publicly broadcast information, but actively engaged in contributing and reacting to what is aired. Yet the nature and political potential of the ‘audience-public’ is not straightforward. Interactive radio and TV shows are not just introducing specific audience members into the discussion, but who they are, what they represent, their influence and contribution to the space are uncertain. As audience members engage, those who manage and shape the broadcast must imagine, interpret and respond. Each participant in the discussion –whether listening, or involved in the station – producing, hosting, etc. – must come to terms with the nature of the interaction, Who is engaged? How should they respond? What are their reasons for being engaged and how might the introduction of this indeterminate audience-public relate to their intentions? Given the plurality of subjectivities, information, roles and intentions of those involved, the audience and why it matters can be imagined in multiple and competing ways. This paper interrogates how different actors involved in the radio broadcast imagine and respond to audience participation, and how these imaginaries become politically significant. This paper draws predominantly on interview and observation data on the perspectives of station hosts, guests and frequent callers of selected media houses and interactive broadcast shows in Zambia and Kenya. It examines the dynamic, plural and conflicting ways in which the audience is being reconstructed as an active ‘public’. In so doing, it shows the centrality of the imagined audience in the construction of the broadcast as a ‘public’, specifically how the indeterminate audience becomes the basis for competing imaginaries about power, authority and belonging. The political significance of the ‘audience-public’, it is argued, lies in the very fact that multiple and competing imaginaries are at play, which are invested in by actors pursuing diverse ends and thereby create tangible political effects." (Abstract)
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"With essays on audiences in ancient Greece, early modern Germany, Soviet and post-Soviet Russia, Zimbabwe, contemporary Egypt, Bengali India, China, Taiwan, and immigrant diaspora in Belgium, each chapter examines the ways in which audiences are embedded in discourses of power, representation, and
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regulation in different yet overlapping ways according to specific socio-historical contexts." (Publisher description)
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"Por su propia naturaleza, trabajar eficazmente por el derecho de las personas a ser escuchadas es una tarea compleja y multidimensional, y requiere acciones a diferentes niveles y sectores, valiéndonos de diversas estrategias. El objetivo de esta guía es orientar nuestro trabajo y hacer hincapié
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en este elemento esencial. Plasma el objetivo de cambio de Oxfam Internacional sobre el derecho de las personas a ser escuchadas y su propósito es ayudarle a analizar detalladamente la complejidad inherente y a tomar decisiones sobre los distintos enfoques que se deben poner en marcha para alcanzar sus objetivos." (Introducción a la guía de aprendizaje, página 3)
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"El consumo de televisión se ha convertido en una actividad cotidiana para millones de personas. Pero, ¿qué sabemos acerca del telespectador? ¿Cómo se le ha investigado? ¿Qué adjetivos se le han asignado? ¿Qué finalidades ha tenido su estudio? Éstas son las preguntas que intenta responder
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este libro. En él, se recogen las diferentes corrientes que han definido el estudio de la audiencia de televisión a lo largo del siglo XX tanto desde la perspectiva más académica (efectos, usos y gratificaciones, y estudios culturales) como desde la comercial (estudios de medición). Ahora bien, es la necesidad de encontrar nociones y herramientas para abordar el presente lo que guía este recorrido por el pasado. De este modo, plantea cuestiones como la vigencia del concepto de masa, a pesar de la cada vez más extendida idea de una audiencia activa, o la necesidad de ir más allá en el ámbito de los estudios culturales, frente a las numerosas -y a veces hasta encarnizadas- críticas que éstos están recibiendo. Aceptada la idea de que una manera de investigar es también una manera de observar el mundo, que propicia unas explicaciones y excluye otras, en esta obra también se reflexiona acerca del papel del investigador." (Descripción de la casa editorial)
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"Millions of people all over the world are avid members of the television audience. Yet, despite the central place television occupies in contemporary culture, our understanding of its complex and dynamic role in everyday life remains surprisingly limited. Focusing on the television audience, Ien An
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g asks why we understand so little about its nature and argues that our ignorance arises directly out of the biases inherent in prevailing official knowledge about it. She sets out to deconstruct the assumptions of this official knowledge by exploring the territory where it is mainly produced - the television institutions. Ang draws on Foucault's theory of power/knowledge to scrutinize television's desperate search for the audience, and to identify differences and similarities in the approaches of American commercial television and European public service television to their audiences. She looks carefully at recent developments in the field of ratings research, in particular the controversial introduction of the `people meter' as an instrument for measuring the television audience. By defining the limits and limitations of these institutional procedures of knowledge production, Ien Ang opens new avenues for understanding television audiences. Her ethnographic perspective on the television audience gives new insights into our television culture, with the audience seen not as an object to be controlled, but as an active social subject, engaging with television in a variety of cultural and creative ways." (Publisher description)
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"lre partie: généralités — IIe partie: le contexte et les cadres sociaux — Ille partie: influences et conséquences — Les problèmes et leurs approches - Nature et possibilités de diffusion par les ondes — Les moyens et leur mise en oeuvre — Le public — La radio-télévision dans les
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loisirs — Effets d'ordre intellectuel — Effets moraux et sociaux — Conclusions." (Jean-Marie Van Bol, Abdelfattah Fakhfakh: The use of mass media in the developing countries. Brussels: CIDESA, 1971 Nr. 413, topic code 450)
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