"Combining approaches from the social sciences and the humanities, the book provides an interdisciplinary perspective while outlining a transnational history of films that either document or fictionalise the favelas, shantytowns, Elendsviertel, gecekondu, barrios populares or chawls of our diverse 'planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film and media culture. From Jacob Riis's How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of slum representations of different historical periods and regions to outline how contemporary film and media practices relate to their past predecessors. It focuses thereby particularly on the way filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes of representation to convey life in our 'planet of slums'." (Publisher)
Contents
Introduction, 1
1 Slums on and off Screen, 16
I. GLOBAL CURRENTS, 41
2 Sensational Remediations, 43
3 Documentary Mappings, 69
4 Neorealist Narratives, 91
5 Third Docufictions, 115
6 Postmodern Bricolages, 140
7 Digital Realisms, 164
II. LOCAL EXPRESSIONS, 193
8 Favelas on Screen, 195
9 Bombay Cinema, 225
Conclusion, 257