"What makes an independent regulator is not simply institutional design. Moreover, independence does not imply that regulators are anonymous, silent, or above and beyond the policy arena. Regulators interact with ministries, who are ultimately responsible for developing the policies for the regulate...d sector; with parliaments, who approve those policies and often evaluate their implementation; with the regulated industry, which needs to comply with the decisions of the regulator; and with citizens, who are the ultimate beneficiaries of the actions of governments and regulators. These interactions are inevitable and desirable. The balance between the appropriate and undue influence that can be exercised through these interactions is at the core of the discussion on the independence of regulators. This report identifies the critical points where undue influence can be exercised by looking at the rationale – the why – and the practical implications – the how – of independence. It builds on a review of the academic literature to pinpoint why independence matters and what independence is expected to bring. It relies on responses to a survey conducted among 48 regulators of 26 OECD and partner countries across all economic sectors to identify how independence is translated into practice." (Foreword, p.3)
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"The enormous collection of user-generated content (UGC) in the form of YouTube videos from the Syrian war provides an unprecedented and diverse collection of shared digital memories of conflict and violence. The central question of this article asks what the value is of UGC on YouTube for legal evi...dence of war crimes and future Transitional Justice. It is beyond doubt that the surge of uploaded videos from the Syrian uprisings revolutionized the way in which contemporary wars are observed and documented. The sheer amount of user-generated content online has given rise to manifold ways of interpreting what is happening on the ground, inspired creative resistance, led to a surge of professional and independent Syrian documentary films and increased the connectivity between those who undergo the war inside the conflict zone and those who are observing the situation from a safe distance. Many YouTube clips from Syria are likely to be rejected as stand-alone legal evidence though, as it often lacks sourced information about meta-data, date, time, geographical coordinates, identity of the participants, the identity of the perpetrator, and other contextual information crucial to establishing judicial facts for war crimes prosecution. The everexpanding body of videos from Syria will give rise to a wide and varied landscape of interactive media that has surpassed the old approach of political mainstream media to inform and possibly manipulate their audiences for their own agendas, whatever those may be. As a platform of digital memory and space to express moral outrage, YouTube served a crucial and important role in the Syrian crisis and the UGC is of immense value for digital memorialisation and historicization of the Syrian crisis. The vast amount of UGC on YouTube was categorized in 8 different types of footage and we can conclude that only small number of videoclips on YouTube can in fact function as crime-based evidence for war crimes. This does not mean that the UGC on YouTube has no value, however as a legal evidence it can be problematic to use YouTube videos if not corroborated and verified properly. The main issue is the lack of meta-data in many of the UGC on YouTube. The YouTube video revolution in Syria did bring to the surface many brave video activists who are now professionally involved in producing high quality footage for international news broadcasters, the most recent example of that is the important work of Waad al Kataeb inside eastern Aleppo with the British Broadcaster Channel Four News (Channel 4 2016). Through a series of edited 5-6 minute mini stories from the ground, Al Kataeb’s work provides a credible and important source of evidence." (Conclusion, p.22-23)
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"This book explores the complex organisational issues surrounding the capture or kidnapping of journalists in areas of conflict and risk. It explores how journalists 'becoming news' is covered and the implications of that coverage, how news organisations prepare for and respond to such events, and h...ow kidnapping and ransom insurers, victim recovery firms, journalists' families, and governments influence the actions of news enterprises. It considers how and why journalists are kidnapped, how employers and journalists' organisations respond to kidnappings and why freelancers are particularly at risk as well as suggesting best practices for preventing and responding to kidnappings." (Back cover)
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"Russian speakers in Estonia, Latvia and Lithuania rank Kremlin-backed media as the least trustworthy among international, Russian Federation and domestic news sources, according to research presented by the Broadcasting Board of Governors. In addition, only those survey respondents who considered R...ussian-backed media to be credible showed a majority support for President Vladimir Putin’s domestic and international policies. In the three Baltic nations and Moldova, consuming Russian-backed media did not correlate with support for Russia’s policies. The BBG data found that domestic media ranked first in trustworthiness in Estonia (80 percent) and Latvia (79 percent). International media took first in Lithuania (74 percent) and in Moldova there was a statistical tie between international media (45 percent), Russian-backed media (42 percent) and domestic media (42 percent)." (BBG website)
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"Since the end of genocide in 1987 Zimbabwe has remained a zone of ‘conflicts’, and the enduring debates surrounding this genocide, especially in public-owned but state-Controlled media, call for critical attention. Three years after independence, in 1980, Zimbabwe was plunged into a genocide na...med ‘Gukurahundi’ (meaning the rain that washes the chaff away after harvest) that lasted until 1987. This article argues that there has been a clash of ‘interests’ playing out in the mediation of this yet-to-be-officially addressed genocide. Through evidence from public-owned media, the media that carry the official voice of the ruling party, I argue that public media have seen genocide from conflicting and complex angles, making it difficult to reach a consensus suitable for national building based on genocide truths, meanings and effects to Zimbabweans. I specifically use the Unity Accord-associated holiday, the Unity Day, and its associated debates to pursue two arguments. First, public media have played an ambiguous role in appreciating the conflictual and multipronged nature of the genocide within ZANU-PF. Second, public media have largely been supportive of, and even complicit in, official silences on genocide debates and memory. The article uses public sphere and narrative analysis as frameworks for understanding the operations of public media journalism in the mediation of genocide nearly 30 years after its occurrence." (Abstract)
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"2016 marks a new phase for Free Press Unlimited. The funding cycle of the Dutch Co-financing for development (MFS) ends in 2015. Free Press Unlimited was active in 5 alliances set up under that system, representing roughly one third of its annual turnover. In 2016 a new long term grant from the Dut...ch Ministry of For eign Affairs will start, coinciding with the formation of Free Press Unlimited’s new strategy. The organisational strategy already foreseen in the Multi Annual Strategic Plan (2013 – 2017) has gained clarity, substance and body in 2015. Last year, besides the aid-development cycle and the existing larger projects for Youth and Media and the Sudan, large projects have been developed for Syria, a growing technology portfolio, as well as the Russian Language Area. The organisational strategy is paired with a thematic focus, build around 5 themes and for all these themes a Theory of Chance has been defined. The themes are: 1. Safety for Journalists; 2. Media and Accountability; 3. Journalism in Conflict Areas; 4. Gender and Media; 5. Children, Youth and Media. To execute the new strategy and operational these new themes, it is also necessary to have a suitable and matching Planning, Monitoring and Evaluation (PME) system in place within the organisation. Free Press Unlimited believes that PME should also have a learning aspect incorporated. Therefore, we have devised the MEAL system. MEAL stands for Monitoring and Evaluation for Accountability and Learning. Planning, of course, will be an essential part as well. The preparation for this adjusted PME-system is in full process with implementation starting as of January 2016. This new system will be used for all Free Press Unlimited’s projects as well as for the partners we work with. More information about MEAL can be found in chapter 6." (Management Summary, p.3)
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"La organización del texto que sigue recorta, con fines analíticos, diez nudos críticos de la tarea periodística en materia de cobertura de casos policiales. Para su exposición se han tomado materiales que fueron objeto de reclamos ante esta Defensoría o que fueron seleccionados de los monitor...eos de noticieros que se realizan periódicamente, así como de fragmentos de las reuniones realizadas con trabajadores de la comunicación durante estos tres años. La totalidad de los casos que se mencionan -una selección pequeña del universo de reclamos recibidos por el organismo- fueron debatidos con los trabajadores de los medios de comunicación -desde los periodistas hasta las productoras-, de modo de reflexionar de manera conjunta acerca de lo que las audiencias habían reclamado y la perspectiva que esta Defensoría tiene sobre cada uno de ellos. En casi todos los casos, dichos debates concluyeron en actividades de capacitación, lectura de materiales específicos y debates sobre legalidades, legitimidades y potenciales abordajes alternativos. Abordajes que posibilitaran realizar la actividad profesional en materia policial sin que ésta vulnerara derechos." (Introducción, p.8)
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"Der Beitrag stellt die Erkenntnisgewinnung durch Vergleich als das zentrale Merkmal komparativer Forschung vor und erläutert, wie das Komparative als Kern eines Forschungsvorhabens in der Kommunikationsforschung einzulösen ist. Er zeichnet die bisherige Entwicklung der komparativen Kommunikations...forschung nach, stellt ihre Leistungen vor dem Hintergrund des methodischen Vorgehens heraus und skizziert die Herausforderungen dabei. Mit einem Einblick in die Anwendung vergleichender Forschung in kommunikationswissenschaftlichen Teildisziplinen, der mit ihr verbundenen Theoriebildung sowie einer kurzen Darstellung von Leerstellen und Desiderata wird der Überblick zur Methode des Vergleichs vervollständigt." (Abstract)
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"This report outlines the international human rights standards and processes related the protection of freedom of expression and religious belief, and discusses regional trends and challenges. The nine country case studies include the stories of many people across the region struggling to defend fre...edom of expression and promote an understanding of free expression that this is consistent with the expression of religious views. Some of the stories are horrifying – people are being killed for what they believe and say while exercising their rights to express that belief. It also provides an overview of the relevant laws and standards which impinge on people’s rights in each of these countries. It is a challenge to governments in the region to recognise their responsibility to protect the rights of their own citizens. The Jakarta Declaration set out in this report is a stirring declaration of the responsibilities, not just of governments but of all the relevant actors. It set out a clear path to the essential task of protecting rights to free expression in the region and ultimately, to the protection of religious belief itself." (Andrew Puddephatt, p.8)
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"The book brings together experts from Media and Communication Studies with Postcolonial Studies scholars to illustrate how the two fields may challenge and enrich each other. Its essays introduce readers to selected topics including »Media Convergence«, »Transcultural Subjectivity«, »Hegemony..., »Piracy« and »Media History and Colonialism«. Drawing on examples from film, literature, music, TV and the internet, the contributors investigate the transnational dimensions in today's media, engage with local and global media politics and discuss media outlets as economic agents, thus illustrating mechanisms of power in postcolonial and neo-colonial mediascapes." (Publisher)
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"Die Fallanalyse hat gezeigt, dass eine Erzählung vom Krieg 1992-93 propagiert wird, die einer abchasischen Version des Narrationsschemas 'Die Vertreibung von fremden Feinden' entspricht. Ein zentrales Element der Erzählung ist zudem, so ergab die Interpretation, eine betont positive Darstellung d...es Kriegsalltags. Durch sie wird einerseits das bereits existierende Bild der heldenhaften Soldaten gestützt. Andererseits wird der Nachkriegsgeneration 20 Jahre nach Kriegsende eine gewissermaßen harmlose Version des Kriegsgeschehens angeboten, mittels Film und Konzerten werden begleitend affektive Erlebnisse ermöglicht. So soll die Identifikation der Nachgeborenen mit diesem Teil des abchasischen Gründungsmythos, den sie selbst nicht erlebt haben, angeregt werden." (S. 37)
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"This book has presented a critical, historically grounded analysis of the role of the war correspondent. It has highlighted the risks, the problems and the failures that have defined the role but it has also given credit where that is due and acknowledged the inspirational example of correspondents... such as William Howard Russell, Morgan Philips Price, Martha Gellhorn, Wilfred Burchett, John Pilger and Robert Fisk. Their work seems to bear testament to the ideal beloved of all journalists and writers, of ‘telling truth to power’. But as Arundhati Roy has argued, ‘Power owns the truth [and] knows the truth just as well if not better than the powerless know the truth’ (2004, p. 68). In view of everything that has gone before in this book, I think she is right. Telling truth to power does not change or lessen the risks and dangers that accompany the journalist in the war zone. And as we have seen, the risks are not equal; the level of special training, protection and institutional support journalists receive depends on the size and wealth of their media employer." (Conclusion, p.214)
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"In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by d...iverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman's first 'Maus' story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of 'atomic bomb manga,' the comic book Ore Wa Mita (I Saw It), a title that alludes to Goya's famous Disasters of War etchings. Chute explains how the form of comics - its collection of frames - lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics calls attention to itself as evidence. Disaster Drawn demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness." (Publisher)
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"As it seeks to win the hearts and minds of citizens in the Muslim world, the United States has poured millions of dollars into local television and radio programming, hoping to generate pro-American currents on Middle Eastern airwaves. However, as this fascinating new book shows, the Middle Eastern... media producers who rely on these funds are hardly puppets on an American string, but instead contribute their own political and creative agendas while working within U.S. restrictions. The Other Air Force gives readers a unique inside look at television and radio production in Afghanistan and the Palestinian territories, from the isolated villages of the Afghan Panjshir Valley to the congested streets of Ramallah. Communications scholar Matt Sienkiewicz explores how the U.S. takes a “soft-psy” approach to its media efforts combining “soft” methods of encouraging entertainment programming, such as adaptations of The Voice and The Apprentice with more militaristic “psy-ops” approaches to information control. Drawing from years of field research and interviews with everyone from millionaire executives to underpaid but ever resourceful cameramen, Sienkiewicz considers the perspectives of the Afghan and Palestinian media workers trying to forge viable broadcasting businesses without straying outside American-set boundaries for acceptable content." (Publisher)
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"Der erste Teil geht auf die Anfänge des Auslandsrundfunks in Europa Ende der 1920er-Jahre sowie auf seine Rolle während des Zweiten Weltkriegs ein. Vor diesem Hintergrund wird anschließend die komplexe Gründungsgeschichte der DW nach 1945 dargestellt. Der zweite Teil des Buches beschäftigt sic...h mit dem Selbstverständnis und der Außenwahrnehmung der Rolle des Senders im Kalten Krieg. Und im dritten Teil geht es um die Neuorientierung der DW nach der Wende: Der Sender übernahm den ehemaligen Auslandsrundfunk der DDR, die Fernsehsparte sowie zahlreiche Mitarbeiter von RIAS und auch die Fremdsprachendredaktionen des »Deutschlandfunks«. Doch weder der technische und personelle Ausbau noch das neue DW-GeSetz konnten die Frage nach einer neuen Rollenbestimmung des deutschen Auslandsrundfunks befriedigend beantworten. 60 Jahre nach seiner Gründung ist die Existenz des Senders immer noch nicht selbstverständlich und wird stets aufs Neue debattiert. Durch das Aufbrechen alter Ost-West-Konfliktlinien und durch die Entstehung globaler kultureller Konflikte in den vergangenen Jahren ist die Frage nach der Funktion und der Bedeutung des Auslandsrundfunks wieder sehr aktuell." (Verlag)
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"The goal of the Field Guide is to provide methods for filmers to use so that their videos can be as valuable as possible in exposing abuse and bringing about justice. This resource will help ensure that more cameras in more hands can lead to more exposure and greater justice. Activists producing fo...otage that they hope will be used not only by journalists but also by investigators and court rooms must consider these fundamental questions: Is it clear where and when the video was filmed? Can this video be verified? Has it been tampered with or edited? Is the footage relevant to a human rights crime? Can the video’s chain of custody be proved? Would its helpfulness in securing justice outweigh its potential to undermine justice? These are some of the issues we explore throughout the guide while providing practical guidance on addressing them." (p.5)
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"El estudio de los fenómenos comunicativos en las elecciones de México de 2015 constituye el punto de análisis en el presente volumen. En el marco normativo de un órgano electoral nuevo, el Instituto Nacional Electoral, las variaciones del tratamiento informativo y la presencia de estrategias me...diáticas en la prensa, la radio y la televisión reforzaron la idea de unos medios de comunicación que fungieron como creadores de contextos interpretativos y agentes de control de la opinión pública, para el posicionamiento o deslegitimación de los candidatos ciudadanos y de los partidos políticos. Las elecciones intermedias demostraron, a pesar de la reforma electoral de 2014 y la participación de los candidatos independientes, que la regulación normativa del modelo de comunicación política tiene frente a sí a la diversidad de prácticas mediáticas y modulación discursiva como un universo de manifestaciones del lenguaje de la política, que se re-inventa a cada paso." (Editorial)
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"The crisis in Ukraine has accentuated the position of Russian television as the government’s strongest asset in its information warfare. The internet, however, allows other players to challenge the Kremlin’s narrative by providing counter-narratives and debunking distorted information and fake ...images. Accounting for the new media ecology—through which strategic narratives are created and interpreted, this article scrutinizes the narratives of allegedly fake news on Channel One, perceiving the fabricated stories as extreme projections of Russia’s strategic narratives, and the attempts of the Ukrainian fact-checking website Stopfake.org to counter the Russian narrative by refuting misinformation and exposing misleading images about Ukraine. Secondly, it analyses how Twitter users judged the veracity of these news stories and contributed to the perpetuation of strategic narratives." (Abstract)
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"Following the Arab Spring, the use of social media has become instrumental in organising activist movements and spreading political dissent in the Middle East. New online behaviours have transformed traditional communication channels, enabling young people of all backgrounds to feel politically emp...owered. But now that spring has turned to winter, what are the long-term implications of internet activism in the region? Social Media in the Arab World provides a unique insight into the role of online communications as a force for change in the Gulf States. Featuring examples as diverse as neo-patrimonial politics in Saudi Arabia and the ways an online presence affects the status of women in Kuwait, the chapters examine shifts in the political, social and religious identities of citizens as a result of increased digital activism. With contributions from a variety of inter-disciplinary experts, this wide-ranging study examines the consequences of changing power dynamics brought about by popular social media." (Publisher)
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" ... la présente brochure analyse le cadre juridique dans lequel s’inscrit la collaboration du pouvoir judiciaire avec les autres structures institutionnelles et non institutionnelles engagées dans le domaine de la liberté de la presse. Elle explique ensuite l’importance de l’information, ...d’une information indépendante et plurale dans le renforcement de la démocratie et dans la construction des Etats de droit. Examinons, dans un premier temps, le cadre juridique qui régit la liberté de la presse en RDC ainsi que la réforme qui est en cours pour réformer et adapter ledit cadre au contexte national." (Introduction, p.12)
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