"This book makes English speakers aware of the dimensions, operation, and significance of the globalisation of television in the Spanish-speaking world. Second only in scale to the market for English-language programming, the Spanish-language market embraces not just most nations of South and Centra...l America but also Spain, and even the United States – the sixth largest Spanish-speaking country in the world. This intercontinental space is connected physically by satellite communication, and culturally by a common language and heritage which binds it as both a ‘geolinguistic region’ and an ‘imagined community’ which certain media corporations, Latin American and North American, seek to exploit. A similar phenomenon with regard to Brazil and the Portuguese-speaking world is also examined, with special attention to its comparable features and points of exchange with the Spanish-speaking world. The book chronicles and analyses the development and structure of the globalisation of these markets as a ‘Latin world’." (Abstract)
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"This reference guide provides comprehensive information on how the Spanish language is copyedited for publication. The book covers these major areas: language basics: capitalization, word division, spelling, and punctuation; language conventions: abbreviations, professional and personal titles, nam...es of organizations, and nationalities; bibliographic format, particularly how Spanish differs from English; Spanish language forms of classical authors' names; literary and grammatical terminology; linguistic terminology; biblical names and allusions; a dictionary of grammatical doubts, including usage, grammatical constructions of particular words and phrases, verbal irregularities, and gender variations." (Publisher)
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"No scholarly consensus exists about how the terms 'memory' and 'collective memory' may most fruitfully inform historical study. Hence there is still much room for reflection and clarification in this branch of cultural history. How war has been remembered collectively is the central question in thi...s volume. War in the twentieth century is a vivid and traumatic phenomenon which has left behind it survivors who engage time and time again in acts of remembrance. Thus this volume, which contains essays by outstanding scholars of twentieth-century history, focuses on the issues raised by the shadow of war in this century. Drawing on material from countries in Europe, and from Israel and the United States, the contributors have adopted a 'social agency' approach which highlights the behaviour, not of whole societies or of ruling groups alone, but of the individuals who do the work of remembrance, who feel they have a duty to remember, and who want to preserve a piece of the past. More specifically, the traumatic collective memory resulting from the horors of the First World War, the Spanish Civil War, the Second World War, and the Algerian War is examined through studies of public forms of remembrance, such as museums and exhibitions, literature and film, thus demonstrating that a popular kind of collective memory is still very much alive." (Publisher)
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"This article explores how women's community radio can contribute to a feminist public sphere and serve as a tool for women's empowerment through the media. Compared to film, TV and newspapers, radio is a relatively under researched and under valued area of the media. An extension of this situation ...is the paucity of theoretical and empirical studies regarding women and radio. The purpose of this article is to contribute to a theory of women's radio and its relation to practice. Employing feminist readings of Habermas' theory of the public sphere, it is possible to develop a concept of a women's or feminist public sphere in relation to women's community radio. This article discusses whether and how this is emerging through the opportunities that women have in terms of access, training and development in community radio. With empirical data from women's radio stations and projects in different parts of Europe, radio as a potential feminist public sphere is explored, and a foundation laid for a further grounding of an understanding of how alternative media can be a tool for women's empowerment." (Abstract)
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"The purpose of producing a second edition of the World Communication Report was pragmatic: the aim was to provide a reference work for decision-makers, planners, researchers, students, media professionals and the general public. In view of the scope of the subjects covered and the rapid outdating o...f certain features, this Report makes no attempt to be exhaustive, but brings out the convergence between information technology, information and communication and their applications in the various media (written press, news agencies, radio and television) and provides statistics on the changes observed in this field. It also attempts to highlight the major problems connected with the development of new information and communication technologies, such as the regulation of networks, media attitudes to violence and access of women to the media. The question that lies at the heart of this report may be summed up as follows: how are we to reinvent our patterns of thought and knowledge in the context of the technological multimedia revolution, which is proving both profound and irreversible?" (Preface)
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"Many women and men professionally engaged in advertising do have sensitive consciences, high ethical standards and a strong sense of responsibility. But even for them external pressures — from the clients who commission their work as well as from the competitive internal dynamics of their profess...ion — can create powerful inducements to unethical behavior. That underlines the need for external structures and systems to support and encourage responsible practice in advertising and to discourage the irresponsible. Voluntary ethical codes are one such source of support. These already exist in a number of places. Welcome as they are, though, they are only as effective as the willingness of advertisers to comply strictly with them. "It is up to the directors and managers of the media which carry advertising to make known to the public, to subscribe to and to apply the codes of professional ethics which already have been opportunely established so as to have the cooperation of the public in making these codes still better and in enforcing their observance." We emphasize the importance of public involvement. Representatives of the public should participate in the formulation, application and periodic updating of ethical codes. The public representatives should include ethicists and church people, as well as representatives of consumer groups. Individuals do well to organize themselves into such groups in order to protect their interests in relation to commercial interests." (Conclusion, p.20)
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"This brief volume looks at institutional interactions between the news media (both print and electronic) on the one hand, and government policymakers and humanitarian agencies on the other. Case studies from Liberia, Northern Iraq, Somalia, the former Yugoslavia, Haiti, and Rwanda distill some of t...he experiences gained from calamities that have elicited widely varying coverage and responses." (About the book, p.123)
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"For me, growing up in Detroit, Coughlin was a fascinating figure of local lore: both loved and hated, he was clearly someone whose career cannot be reduced to a single dimension. It may well be argued that the conventional standards of biography should not be applied to media figures, for theirs is... a life of fused private and public selves. In the case of Charles Coughlin, to know the real man behind the microphone is certainly beyond the ken of the author. Here lies the particular dilemma of this study: how to discern whether the subject is the mirror of his audience or its manipulator. And this remains the problem regardless of how one feels about his message. Moreover, the temptation to obliterate this duality—inner versus other-directed self—must be set aside. For as a media personality Charles Coughlin was both the creator and the captive of his enthusiastic public." (Preface)
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"Bourgault investigates three principal influences: the pre-colonial legacy of the oral tradition, the presence of an alienated managerial class, and the domination of African nations by systems based on political patronage. The first two chapters provide the theoretical framework. Subsequent chapte...rs look at the management of the electronic media, radio and television broadcasting in content and practice, the history of print media, and the discourse style found in the press. This work provides a wealth of historical information on media systems, particularly those of the former anglophone and francophone countries, together with recent developments in satellite communication, small-systems technology, and the current move toward decentralization and privatization. Bourgault also considers the political shifts affecting Africa in the 1990s and offers a radical blueprint for more responsive and informative media in the sub-Saharan area." (Publisher)
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"Über die Wandlungsprozesse, die derzeit in der osteuropäischen Medienlandschaft stattfinden, ist wenig bekannt. Die Diskussion und die Entwicklung in allen ehemaligen Ostblockländern ist von besonderem wissenschaftlichen Interesse und von praktischer Bedeutung - auch vor dem Hintergrund der gesa...mteuropäischen Integration. Das Buch gibt Antworten auf die Fragen nach dem Wandel der Medienorganisation, dem Wandel der ökonomischen Situation der einzelnen Medien im jeweiligen Land, dem Wandel des Medienangebots, dem Wandel der Mediennutzung bei Rundfunk, Film und Printmedien und nicht zuletzt zur Veränderung der Beziehung Staat-Medien." (Klappentext)
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"The primary objective of this book is to present a wide range of community radio projects, not so that the “ideal” model can be identified, but in the hope that the book will serve as a useful tool for community broadcasters and potential community broadcasters looking to create or adapt models... of community radio that are suited to the specific conditions they face. This objective of facilitating an international exchange of experiences and ideas has been AMARC’s primary motivator since the first World Conference of Community Radio Broadcasters took place in 1983. The use of radio as a tool for cultural and political change, while a growing phenomena, is not new. Indeed, the first participatory community radio stations surfaced almost simultaneously in Colombia and the United States over forty years ago. Since that time, innumerable participatory radio projects have attempted to promote community-led change in a variety of ways. Some of these projects have attempted to foster this change by providing formal education in areas such as literacy and mathematics, or by promoting agricultural techniques suited to a particular vision of development defined by the central government. This type of project has been common in the Third World, especially in Africa and Asia. Sri Lanka’s Mahaweli Community Radio (chapter 13) is one example of such a project. Other projects have been more political and have attempted to support the organisational and cultural initiatives of marginalised communities. These are the projects that tend to involve listeners in a participatory process. Haiti’s Radio Soleil (chapter 9) and Zoom Black Magic Liberation Radio in the United States (chapter 10) are two examples. Following the tradition of participatory communication, most of the chapters in this book are not written by impartial observers but by people with first-hand knowledge of community radio and with direct experience in the projects they write about." (Introduction)
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"Mediante esta recopilación de artículos, Calandria pretende aportar diversas reflexiones sobre el papel que la radio viene desempeñando en nuestro país, tanto a nivel masivo, como en los esfuerzos por construir radios alternativas de carácter popular. Se demuestra así, como el medio no es un ...simple instrumento de manipulación o liberación, sino un espacio de comunicación y de construcción de relaciones, que han generado intercambios y "enredos" entre la cultura popular y la de masas." (Tapa posterior)
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"Many of the essays in this volume seek to interpret traditional Asian approaches to communication in the light of modern Western concepts. At one level, this might appear to compromise the integrity of the Asian approaches. However, it needs to be stressed that this is a calculated strategy on the ...part of the authors. The objective of the rediscovery of this terrain of Asian approaches to communication is to revitalize and expand the field of communication by drawing on these rich resources. In order to do this, one must first gain legitimacy for these approaches in the eyes of Western and Western-trained Asian communication scholars. It is for this reason that many of the authors in this volume have thought it fit to explicate Asian approaches in relation to Western concepts. This book, which addresses itself to the task of rediscovering a terrain for communication theory, consists of 13 essays. The opening essay argues for the compelling need to study Asian approaches to communication. It does this by pointing out how Asian approaches to the study of communication can supplement, enrich, and challenge Western approaches. It points out that the Asian approaches should no longer be ignored as they can prove to be extremely productive in widening the discourse of communication metatheory." (Introduction, p.xii)
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"Presenta un perfil global de la evolución de la radio en el país. Se analiza su desarrollo histórico y sus características actuales, relevando las preferencias radiales y musicales de los oyentes populares de Gran Lima y el impacto de este medio masivo en el mundo campesino. Atención especial ...merece el acelerado crecimiento de la radio educativa o radio participativa de los últimos años. Equipos representativos de diversas regiones del Perú ofrecen un balance de sus experiencias." (tapa posterior)
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"This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world's films. Roy Armes sets out initially to place this huge output ...in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World's most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema." (Publisher)
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"Instead of describing typical systems in their entirety ...," says Head in his foreword, "I decided to organize the text on the basis of the common problems faced by all systems" to show the basic, universal demands and dilemmas they all must face as each interacts with its particular national sett...ing. His purpose is to enable students, after allowances for limitations imposed by national settings, to appraise the system critically by comparing reality with the ideal possibilities. Thus, he discusses, in terms of the various systems, their origins, their politics of both ownership and access, their laws, regulation, economics, facilities, programming and programs, audience research, transborder broadcasting, and broadcasting and freedom. Although intended as a text, this has much wider uses." (Eleanor Blum, Frances G. Wilhoit: Mass media bibliography. 3rd ed. Urbana: University of Illinois Press, 1990 Nr. 652)
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