"Russia uses a strategy of gendered disinformation in Ukraine to silence women journalists and create a certain negative image of gender equality and the role of women in democratic societies. Online violence can take on a variety of worms: doxxing, sectoring, trolling, cyberstalking, threats of vio
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lence and cyberbullying, as well as certain forms of disinformation and malinformation. There are essentially no data or research about the nature and scope of gendered disinformation as a phenomenon in Ukraine. This subject is not yet the focus of the Center for Combating Disinformation or the The Center for Strategic Communication under the Ministry of Culture and Information Policy of Ukraine. It can be assumed that this problem is erroneously believed to be insignificant. Content analysis of the information space of Ukraine and Russia (media, social networks, radio, television) using the information and analytical service Attack Index in the period from February 24, 2022 to August 2023 showed the presence of gendered disinformation about Ukrainian journalists." (Key findings)
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"Before launching a full-scale invasion of Ukraine on February 24, 2022, Russia had maintained a low-scale war with Ukraine since early 2014. That conflict, which culminated in the annexation of the Crimean peninsula and the ongoing Donbas war, received less international attention than the 2022 ful
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l-scale invasion. Due to the Kremlin’s propaganda channels, troll armies, and “useful idiots” in the West and beyond, Russia was able to control the narrative on the situation in Donbas and Crimea and significantly diminish both support and interest toward Ukraine throughout 2014–2022. Yet, things changed after the start of the full-scale war in 2022. In 2022, Ukraine shifted international views on the Russian invasion. Ukraine’s efforts significantly contributed to Russia’s digital isolation and mainstreamed Ukraine’s counter-narratives using open-source data, digital allies, and successful communication campaigns." (Abstract)
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"ReSounding Poverty offers a microethnography of economic networks that impact the daily lives of Romani musicians on the borders of the former Soviet Union and the European Union. It argues that the development aid allotted to provide economic assistance to Romani communities, when analyzed from th
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e perspective of the performance arts, continues to marginalize the poorest among them. Through their structure and programming, NGOs choose which segments of the population are the most vulnerable and in the greatest need of assistance. Drawing on ethnographic research in development contexts, ReSounding Poverty asks who speaks for whom within the Romani rights movement today. Framing the critique of development aid in musical terms, it engages with Romani marginalization and economic deprivation through a closer listening to vocal inflections, physical vocalizations of health and disease, and emotional affect. ReSounding Poverty brings us into the back rooms of saman, mud and straw brick, houses not visited by media reporters and politicians, amplifying the cultural expressions of the Romani poor, silenced in the business of development." (Publisher description)
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"Wie denken gewöhnliche Russ:innen wirklich über die Entscheidung von Präsident Putin, in die Ukraine einzumarschieren? Obwohl einiges dafürspricht, dass frühere Umfragen, die Zustimmungswerte um 60 % für den Krieg zeigen, als genuine Signale der russischen öffentlichen Meinung gewertet werde
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n können, untersucht dieser Beitrag eine Reihe von Gründen, warum diese Umfrageergebnisse mit großer Vorsicht behandelt oder gar ignoriert werden sollten. Gründe dafür sind u. a. die staatliche Zensur, die Selbstzensur der Bevölkerung und eine verzerrte Beantwortung der Fragen, das Vorhandensein von Protesten sogar in einem autoritären Umfeld in Russland, als auch die Tatsache, dass einige der früheren Umfragen nach einem hypothetischen Einmarsch fragten, über den viele Russ:innen wohl nicht ausreichend nachgedacht haben könnten. Allerdings führt der Beitrag an, dass die plausibelste Erklärung für den offensichtlichen anfänglichen Rückhalt für den Krieg in der Manipulation der öffentlichen Meinung durch staatliche Kontrolle der Kommunikationskanäle und der weitverbreitete Einsatz von Zensur, Propaganda und Desinformation im eigenen Land als auch im Ausland liegt." (Seite 6)
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"Maidan, Krim und Russland bilden 2014 einen Fokus der Berichterstattung, als Proteste v. a. in Kiew in eine Staatskrise münden und die Halbinsel Krim von Russland annektiert wird. Diese einschneidenden Ereignisse werden von Medien eingeordnet und in Sinnzusammenhänge eingebettet. Die vorliegende
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Medien-Frame-Analyse untersucht das Bild, das seinerzeit in den kommentierenden Texten der reichweitenstärksten deutschen Printmedien geprägt wurde. Sie begreift Meinung als über den Begriff des Frames in den Texten nachweisbar, den sie theoretisch daraus herleitet, wie Menschen mit (Eigen-)Kategorien die Welt verstehen und sortieren. Mit einer operationalisierbaren Definition des Begriffes Frame können so die Meinungsspektren nachgezeichnet werden." (Verlagsbeschreibung)
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"The spread of disinformation around Russia’s invasion of Ukraine reflects wider challenges related to the shift in how information is produced and distributed. Platform and algorithm designs can amplify the spread of disinformation by facilitating the creation of echo chambers and confirmation bi
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as mechanisms that segregate the news and information people see and interact with online; information overload, confusion and cognitive biases play into these trends. A particular challenge is that people tend to spread falsehoods “farther, faster, deeper, and more broadly than the truth”; this is particularly the case for false political news. For example, one study found that tweets containing false information were 70% more likely to be retweeted than accurate tweets. Another study found that false information on Facebook attracts six times more engagement than factual posts. In addition, feedback loops between the platforms and traditional media can serve to further amplify disinformation, magnifying the risk that disinformation can be used to deliberately influence public conversations, as well as confuse and discourage the public. The flow of – and disruption caused by – Russian disinformation has significantly increased since Russia's invasion in February 2022. In turn, Ukraine’s response to the Russian disinformation threat has built upon progress made in strengthening the information and media environment since 2014 and in establishing mechanisms to respond directly to information threats. These include efforts to provide accurate information, ensure that media organisations can continue operations, and policy efforts to combat the threats posed by Russian state-linked media." (Page 2)
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"More than nine months into the Russian invasion of Ukraine, the online methods for tracking this war are many and proliferating, including the most obvious source of all — social media networks. A 2019 law designed to keep its military from posting on social media has not deterred Russian service
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men from sharing images and updates from the frontline, not least on Telegram and the Russian social network VKontakte, potentially allowing anyone with an Internet connection to pinpoint the place, time, and sometimes individuals seen in footage of military movements. Open-source investigations (OSI), popularly and misleadingly known as open-source intelligence, is not synonymous with social media, however. OSI is any information that can be publicly accessed by others, including but not limited to online sources. That includes everything from local newspapers to satellite imagery and images shared on TripAdvisor. What it doesn’t include are two mainstays of traditional investigative journalism — non-public document leaks or closed-source reporting, otherwise known as shoe-leather reporting and interviews. Over the past few years, newsrooms have started integrating open-source methods into their coverage and building their own OSI teams. That’s in part to verify social media posts, and in part to report on places where it is simply too dangerous for journalists to venture — areas on or behind the frontlines — where open-source imagery allows a glimpse into military movements and potential war crimes. Since Russia’s invasion of Ukraine, open-source investigations have surged in prominence and the genre as a whole has attracted scrutiny, not least from state actors themselves." (Introduction)
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"This report is published quarterly and gives an overview of key communication, community engagement and accountability (CCEA) barriers and gaps across the Ukraine response, as well as recommendations for practitioners and responders to improve the use of CCEA for those affected by the crisis. Despi
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te the many CCEA-related activities happening on the ground, there are still critical gaps related to: information provision on priority topics; addressing language and translation concerns; two-way digital outreach; and CCE for marginalised groups and host communities. Many of these gaps could be addressed, and CCEA activities more effectively scaled, through a collaborative approach among international aid organisations and local media, CSOs, and diaspora- and refugee-led organisations, formal and informal." (Introduction, page 5 & Conclusion, page 21)
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"We sought to better understand Russia's disinformation on social media and generate recommendations to better meet and counter this evolving threat. We relied on an analysis of Russian military literature, investigative efforts, official reports, academic and policy literature, media reporting, and
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expert interviews. We also conducted a case study in Ukraine, interviewing a variety of key experts in the Ukrainian government and in the nongovernmental sector who are involved in confronting Russian information warfare." (Summary)
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"The war in Ukraine is just the latest instance where attention-grabbing events have fuelled the rapid spread of false or misleading news about refugees and migrants. This Issue Paper examines the challenges posed by disinformation about refugees from Ukraine, as well as the responses taken so far t
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o address it. It inspects which disinformation actors spread false claims about Ukrainian refugees, and how. It sheds light on why migration-related disinformation is so pervasive and how disinformation narratives change over time and space. It also examines which audiences are more susceptible to online disinformation. The paper also identifies positive developments and shortcomings in the EU's responses." (Executive Summary, page 5)
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"The Russia-Ukraine war’s ramifications for Vietnam are felt beyond the economic and diplomatic realms. It has in fact become an online hotbed of conflicting and confounding narratives that demonstrate different worldviews and political leanings among Vietnamese netizens. An examination of 28 Face
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book pages/groups active in trending pro-Russia narratives finds an ‘echo chamber’ that is on a constant lookout for Russian, Western and even Chinese news sources that peddle and amplify pro-Russia and anti-Western voices. The most salient pro-Russia narratives in Vietnam’s cyberspace revolve around justifying Russia’s invasion of Ukraine, echoing anti-America and anti-imperialist worldviews, and lionising Russia while demonising Ukraine. These online groups have likely carved out a niche for the conservative segment of the Vietnamese state to shape a propaganda environment where there is space for pro-Russia and anti-Russia narratives, so that pro-Ukraine sentiments will not become predominant in the public discourse. Pro-Russia narratives in Vietnam’s cyberspace are the result of cross-pollination between sentimental attachment since the Soviet era, psychological bias towards Russia embedded in Vietnam’s education and propaganda system, and the overriding imperative to preserve the Vietnamese state’s political and ideological interests." (Executive summary)
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"Many mediators and peacebuilders are interested in using information about actors and narratives on social media to inform programming. Our starting assumption is that users of this toolkit do not have the resources to either hire a specialist social media analysis firm or to pay for commercial soc
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ial media analysis tools. Therefore, this toolkit is a practical how-to guide for mediators and peacebuilders who want to conduct their own social media analysis, offering an overview of what is possible, a practical guide to a handful of technology tools, and suggestions on analysis methods. The toolkit is also a why-to guide, offering ideas on what programming social media analysis can inform and when it is worth investing resources in this kind of analysis. The toolkit is structured in three sections:
Section 1 outlines what it is possible to do with social media data. It covers how to select the social media platforms on which to conduct analysis and explains what data it is possible to gather from each platform. It also offers three main use cases for social media analysis that can support the work of peacebuilders and mediators, explaining the kind of insights we can glean from social media data, and how they connect to relevant programming.
Section 2 outlines in detail how to work with Facebook and Twitter data. It includes how to come up with search parameters, how to decide whether to download data or view it in a search tool, how to access data from Facebook and Twitter, and how to organise data that has been collected. It also looks at analysis methods to find patterns in this data that can help peacebuilders and mediators understand what is the general narrative (netnography or narrative analysis), what people are talking about most and how (quantitative analysis), what is the tone and emotion of a narrative (sentiment analysis), and who is talking about what with whom (network analysis).
Section 3 offers case studies of social media analysis conducted to support peacebuilding or mediation programs. The case studies connect to the previous sections, illustrating how the methods and tools outlined are used in practice in our fields." (Introduction)
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"Since gaining independence after the dissolution of the Soviet Union in 1991, Ukraine has lurched along an unsteady path toward accountable democratic governance. Yet despite the country's volatile politics and the escalating conflict with Russia leading up to the full.scale invasion of Ukraine in
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February 2022, Ukrainian reformers and their allies have made significant progress in reshaping the country's media climate." (Page 1)
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"This Media Landscape Guide provides a snapshot of the current media in Ukraine, including the historical background to the media, media trends and freedoms, languages in the different media, media access and barriers for different groups in the community, audiences and their preferences. It conside
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rs why people use the different types of media and what content they consume. The guide looks at the impact of fake news and misinformation and the role of the media in addressing these. It also considers the role the media is playing in facilitating two-way communication in Ukraine. Finally, it gives an overview of each media sector, including digital and social media, radio, television, print and other traditional forms of mass communication." (Introduction)
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