"The halting progress of the Tunisian media reform reflects the uncertainty and vulnerability of the political reform. As Professor of Communication and Democracy Katrin Voltmer contends, emerging media systems are unique types that are a blend of inherited structures, the constraints of the transit
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ions, and the reform movement’s choices. The new Tunisian media system retains features of the old regime while embedding the contradictions and struggles that paint the emerging political system. Eleven years after the Jasmine Revolution, the media reform is still governed by ambiguity, having turned into a field of political struggle between progressive and conservative forces and their allies. The president’s recent move to suspend the parliament and his highly controversial referendum on a new constitution granting him extraordinary powers, which passed following an unprecedented level of low turnout, have plunged the democratic consolidation process into turmoil. Sharp divisions have emerged between Saeid’s supporters and opponents, exacerbating uncertainty and ambiguity." (Conclusion)
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"This article traces how the Afghan cultural, media, and arts sectors have gone through cycles of boom and bust in tandem with the country’s tumultuous history in recent decades, starting with the prewar golden era in the 1960s and 1970s, then focusing on the post-9/11 internationally funded media
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expansion, and finally on the Taliban’s return to power. The current exodus of human talent, due to forced migration, dispossession, and displacement, amounts to a profound cultural loss. But the country has already been transformed by the influence of a period of media freedoms and an emergent public sphere that created space for democratic debate and cosmopolitan cultural expression." (Abstract)
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"Against the backdrop of a highly precarious situation for journalists, a severe economic crisis is unfolding within Afghan media houses, according to a survey on the current state of the media sector in Afghanistan conducted by DW Akademie and partner organizations. Data were collected in February
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2022. 175 Afghan media professionals responded anonymously to an online survey. The results cast new light on the far-reaching changes within the sector. Half a year after the Taliban took power, most Afghan media houses are facing collapse." (Introduction)
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"Using the coup as a vantage point, interviewees for this report were asked to reflect on three main questions: What have we learned about past media reform efforts? With hindsight, what are the legacies, best practices, and lessons learned? With a view to the future, what does the media’s respons
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e to the coup teach us about reform and resilience? One of the important lessons their collective reflections and analysis show is that over the past decade the media assistance approach in Burma should have been more strategic, nuanced, grassroots driven, flexible, and inclusive, with a greater focus on opportunities to support local initiatives, coalitions, and actors. Other important lessons learned concern risks and security, including the importance of digital security literacy and mechanisms, as well as building widespread capacity in volatile contexts with greater risk of repression." (Conclusion)
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"The purpose of this study is to assess the threats and supporting mechanisms present in the Georgian media environment in 2022. Observation of the media environment, similar to the previous year’s research, was based on the evaluation of the participants involved in the research and further compa
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rative analysis." (Abstract)
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"In the mid-1990s, the Taliban took control of Afghanistan for the first time. They banned photography, TV, music, and all forms of entertainment. Soon after, the Taliban banned the internet in early 2001, and then-Foreign Minister Mawlavi Wakil Ahmad Muttawakil famously stated, “We want to establ
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ish a system in Afghanistan through which we can control all those things that are wrong, obscene, immoral, and against Islam.”
After being dislodged from Afghanistan following the 2001 U.S. intervention, however, the Taliban’s approach to media changed dramatically. Over the course of the movement’s two-decade insurgency, the Taliban developed a complex media strategy that contributed significantly to its rapid military advance and takeover of Afghanistan by August 2021. Since then, their media strategy has shifted again as the movement attempts to transition from insurgency to a governing body. As such, the Taliban’s current strategy builds on the ideological foundation from the 1990s combined with a continuation of certain tactics and approaches adopted during two decades of insurgency. This article divides the Taliban’s media strategy into three phases accordingly: the movement’s first period of rule from 1996 to 2001, the 2001-2021 insurgency, and their return to power following the fall of Kabul in August 2021. It discusses each phases’ distinct characteristics, shared aspects with other phases, and what the evolution in the Taliban’s media strategy reveals about the future trajectory of the information environment in Afghanistan." (Page 1)
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"[...] Since returning to power in August 2021, the Taliban has imposed a new media control regime, which has three key features: restriction, gender-discrimination, and repression with impunity. First, the Taliban has passed several media policies, imposing extreme constraints on press freedom and
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media rights. Any sort of critical reporting on topics related to the government or the public is banned. The Taliban regulate the content of publications and broadcasts, imposing broad, vaguely worded prohibitions. For example, under the new regulations, media content that contradicts “Islamic values,” “Afghan values,” and “public interest” is prohibited. No operational definitions have been provided for these terms, nor an objective standard for assessing and determining breach. This has caused uncertainty and confusion about what the media can and cannot publish and broadcast, often resulting in precautionary media self-censorship. The new rules also give the Taliban sweeping powers to directly control the media and news output, barring broadcast and publication of matters and content that has not been officially sanctioned by Taliban official/s. These restrictions and interferences limit the right and ability of the Afghan media to seek, receive and impart information freely and independently.
Second, the Taliban has passed policies specifically targeting Afghan women in the media. These restrictions give the Taliban control over women’s attire and the nature and scope of their involvement in the media, restraining their freedom of expression and movement, as well as their ability to perform their tasks effectively. The general travel restrictions on women and girls make it almost impossible for women to work, in particular, limiting the ability of female journalists from gathering information or contributing to field reporting. The Taliban’s antiwomen media policies and practices are aimed towards excluding Afghan women from the media and public life.
Third, the Taliban treats the Afghan media and media-related affairs as a security threat. The Taliban security and intelligence agencies are increasingly involved in controlling media affairs. Taliban operatives use repressive measures against members of the Afghan media in claiming to enforce the new regulations. Afghan journalists and other members of the media have been subjected to heavy surveillance, intimidation, and arbitrary arrest and detention. Cases of beatings, enforced disappearances, and extrajudicial killings have also taken place." (Executive summary, pages 1-2)
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"Media, during Taliban five years period from 1996–2001, had been totally suffocated. Only limited number of print media would publish to spread the propaganda of Taliban Emirate under Sharia Law. Post-Taliban era, media landscape obtained new image with the establishment of democratic government.
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Independent media were allowed to operate in accordance with the formation of new constitution of 2004. Since the two decades of war after 9/11, media have still been maintaining its responsibility in Afghanistan to rise and promote the voice of right, equality and justice, defend human rights and spread public awareness in order to serve for social responsibilities. Despite continued challenges media outlets and journalists have made tremendous progress which it has resulted in harm of their personal life from time to time due to threats of insecurity, war, warlords, strongmen, corrupted actors in government as well as in attacks of Taliban and ISIS insurgents. Hence, media outlets and journalists have been carrying on their responsibilities despite of availed risks to them and their families. In this paper, it has been viewed the status of media freedom, process of development and continued challenges to media freedom and journalists." (Abstract)
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"Since gaining independence after the dissolution of the Soviet Union in 1991, Ukraine has lurched along an unsteady path toward accountable democratic governance. Yet despite the country's volatile politics and the escalating conflict with Russia leading up to the full.scale invasion of Ukraine in
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February 2022, Ukrainian reformers and their allies have made significant progress in reshaping the country's media climate." (Page 1)
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"International assistance actors have played an important role in supporting media reforms in Ukraine. Their long-term, continuous efforts planted the seeds for groundbreaking media environment changes during Ukraine’s democratic transition. International donors’ sustained engagement in Ukraine
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laid the groundwork for the major transitions, primarily by facilitating the emergence and development of the vibrant and powerful local civil society. Notwithstanding the prolonged periods of “lost hope” and stagnation, which might have discouraged some other activists from policy development and advocacy, Ukrainian CSMOs have managed to pursue their strategic priorities even under challenging circumstances and quickly consolidated their efforts at a crucial moment in Ukraine’s modern history — right in the aftermath of the Revolution of Dignity, in the spring of 2014. Ukrainian CSOs were ready and courageous enough to step in when the state and its institutions were extremely weakened and to assume their roles in certain fields. Both the CSMOs and donors jumped at the opportunity presented by the revolution: several innovative media reforms, which had been drafted and redrafted over many years, were adopted in a matter of few weeks in the spring of 2014. That success would have been impossible without the preparatory work done during the preceding years." (Conclusion, page 20)
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"This book provides a comprehensive approach of the media, journalism and politics in Sub-Saharan Francophone Africa. The author argues that there are common features that the media and journalism share in the seventeen countries of Francophone Africa and these make the local media systems different
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from what they are in neighboring English-speaking African countries, and in the rest of the world. The approach of the media in French-speaking Africa has not only to be “de-Westernized”, but also to step out of general overviews considering “African media." This project shows the historical, political, economic and sociological characteristics of the media systems of seventeen French-speaking countries of Africa." (Publisher description)
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"In a country like Ethiopia which is rich in languages, politics, cultures, and values and which experiences an exponentially growing population, media and the access to plural information is crucial for peace and development. This study finds, however, that the number of media and the diversity of
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their contents have not grown commensurate with the country’s character, while public trust also remains low. The independent journalism and media self-regulation are also in their early stages. This country report formulates data-driven, context-specific, and actionoriented recommendations to the government, journalism schools, civil society organizations, development partners and the media to achieve a strong Ethiopian media landscape that is supportive of freedom of expression and journalist safety, as well as conducive to the development of free, independent, and pluralistic media." (Back cover)
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"Media development assistance and media systems research are intricately connected: by describing, assessing, and attempting to change them, media development actors produce knowledge about media systems and directly impact them. This research review explores the intersections of academic media syst
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ems research and practices of describing and assessing media landscapes in the media development sector and suggests how both could learn from each other. In what follows, the most important publications on media systems since the Cold War era will be reviewed, tracing the ongoing process of refining concepts and definitions. Alongside a geographical broadening of the research scope, models as well as methodological approaches have been questioned and reinvented. The review places a special focus on the peculiarities of researching media systems in sub-Saharan Africa. Referring to academic as well as grey literature, it suggests points of departure for meaningfully linking academic knowledge and practitioners’ knowledge about media systems, concluding with recommendations for informed practice." (Abstract)
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"The State of the Media-topical study is an in-depth presentation of selected issues affecting the media’s operating environment in a given period. This edition covers the period January-June and highlights various issues that had potential to affect the role of the media in the period under revie
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w. The rationale of the study is the nexus between a good operating environment for the media and the facilitation of democratic governance, access to information and freedom of expression." (Executive summary)
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"This Media Landscape Guide provides a snapshot of the current media in Ukraine, including the historical background to the media, media trends and freedoms, languages in the different media, media access and barriers for different groups in the community, audiences and their preferences. It conside
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rs why people use the different types of media and what content they consume. The guide looks at the impact of fake news and misinformation and the role of the media in addressing these. It also considers the role the media is playing in facilitating two-way communication in Ukraine. Finally, it gives an overview of each media sector, including digital and social media, radio, television, print and other traditional forms of mass communication." (Introduction)
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"This Media Landscape Guide provides a snapshot of the media in Colombia, including the audiences, the producers, the preferences of different groups in the community, the communications culture, and the languages associated with the media. It gives an insight into the role of media in development w
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ork, crisis preparedness, recent disasters, and the (at time of writing) ongoing COVID-19 response. The guide also gives an overview of each media sector including digital and social media, radio, television, print and other traditional forms of mass communication. It should be noted that with the constantly changing nature of the media landscape, this is not a comprehensive overview of all media outlets and platforms but rather a snapshot summary of those most relevant at the time of writing." (Introduction)
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"This Media Landscape Guide provides a snapshot of the media in Pakistan, including the audiences, the producers, the preferences of different groups in the community, the communications culture, and the languages associated with the media. It gives an insight into the role of media in development w
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ork, crisis preparedness, recent disasters, and the (at time of writing) ongoing COVID-19 response. The guide also gives an overview of each media sector including, digital and social media, radio, television, print and other traditional forms of mass communication. It should be noted that with the constantly changing nature of the media landscape, this is not a comprehensive overview of all media outlets and platforms but rather a snapshot summary of those most relevant at the time of writing." (Introduction)
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"This Media Landscape Guide provides a snapshot of the media in Morocco, including the audiences, the producers, the preferences of different groups in the community, the communications culture, and the languages associated with the media. It gives an insight into the role of media in development wo
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rk, crisis preparedness, recent disasters, and the (at time of writing) ongoing COVID-19 response. The guide also gives an overview of each media sector including, digital and social media, radio, television, print and other traditional forms of mass communication. It should be noted that with the constantly changing nature of the media landscape, this is not a comprehensive overview of all media outlets and platforms but rather a snapshot summary of those most relevant at the time of writing." (Introduction)
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"This Media Landscape Guide provides a snapshot of the media in Burkina Faso, including the audiences, the producers, the preferences of different groups in the community, the communications culture, and the languages associated with the media. It gives an insight into the role of media in developme
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nt work, crisis preparedness, recent disasters, and the (at time of writing) ongoing COVID-19 response. The guide also gives an overview of each media sector including, digital and social media, radio, television, print and other traditional forms of mass communication. It should be noted that with the constantly changing nature of the media landscape, this is not a comprehensive overview of all media outlets and platforms but rather a snapshot summary of those most relevant at the time of writing." (Introduction)
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