"What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of
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Congo, Laura Edmondson explores performance through the lens of empire. Instead of celebrating theatre productions as expression of cultural agency and resilience, Edmondson traces their humanitarian imperatives to a place where global narratives of violence take precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural workers manipulate narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities." (Publisher description)
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"The volume digs beneath the standardised and universalised veneer of professionalism to unpack routine practices and normative trends shaped by local factors, including the structural conditions of deprivation, entrenched political instability (and interference), pervasive neo-patrimonial governanc
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e systems, and the influences of technological developments. These varied and complex circumstances are shown to profoundly shape the foundations of journalism in Africa, resulting in routine practices that are both normatively distinct and equally in tune with (imported) Western journalistic cultures. The book thus broadly points to the dialectical nature of news production and the inconsistent and contradictory relationships that characterise news production cultures in Africa." (Publisher description)
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"In this moment of unprecedented humanitarian crises, the representations of global disasters are increasingly common media themes around the world. The Routledge Companion to Media and Humanitarian Action explores the interconnections between media, old and new, and the humanitarian challenges that
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have come to define the twenty-first century. Contributors, including media professionals and experts in humanitarian affairs, grapple with what kinds of media language, discourse, terms, and campaigns can offer enough context and background knowledge to nurture informed global citizens. Case studies of media practices, content analysis and evaluation of media coverage, and representations of humanitarian emergencies and affairs offer further insight into the ways in which strategic communications are designed and implemented in field of humanitarian action." (Publisher description)
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"Seit mehr als 20 Jahren herrscht Bürgerkrieg im Kongo. Über drei Millionen Menschen haben bereits ihr Leben verloren. Der Kampf um Rohstoffe wie Coltan, Zinn und Kupfer, an denen der Ostkongo reich ist, spitzt sich weiter zu. 2015 inszenierte der Schweizer Regisseur und Theaterautor Milo Rau das
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Kongo Tribunal - ein politisches Theaterstück -, um den Konflikt und seine Widersprüchlichkeiten öffentlich darzustellen und die gegensätzlichen Positionen, die Interessen und Unvereinbarkeiten zu entschleiern. Durch ein symbolisches Urteil am Ende des Tribunals sollten die Verantwortlichkeiten festgestellt und öffentlich gemacht werden. Milo Rau lud Opfer, Milizionäre, Regierungsvertreter, Oppositionelle, Unternehmer und Vertreter internationaler Organisationen ein und verhandelte mit ihnen drei Fälle, die symbolisch für den Konflikt stehen sollten. Dieses Buch ist eine Verschriftlichung des Tribunals. Milo Rau gewährt Einblicke in sein Regietagebuch und verdeutlicht durch Bilder und Fotos die Eindringlichkeit des Theaterstücks. Im Buch eingebunden sind zudem Interviews, Zeitungsartikel, Reden und Reaktionen. Auch wenn es eine symbolische Verhandlung war, weckt das Theaterstück Hoffnung auf die Möglichkeit eines solchen Tribunals." (Verlagsbeschreibung)
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"La publication de ce "Manuel de protection des journalistes" rentre justement dans le cadre des actions que mène JED pour la sécurisation des journalistes et autres professionnels des médias dans leur travail. Cette sécurisation, nous essayons de la promouvoir par la sensibilisation, et par des
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sessions de formation à l'intention des professionnels des médias. Mais JED n'a, ni les moyens, ni le pouvoir d'assurer la sécurité physique des journalistes, qui est de la seule responsabilité de l'autorité publique. L'initiative de ce petit "Manuel de protection des journalistes" fait suite au constat malheureux de la multiplication des attaques et des agressions des journalistes que nous enregistrons souvent pendant les périodes de campagnes électorales. Beaucoup de journalistes et correspondants de la presse nationale ou internationale sont souvent pris pour cibles lors des manifestations politiques, et leurs matériels de travail détruits. Plus particulièrement, lors des manifestations politiques qui ont tendance à dégénérer ou à déraper, les journalistes se retrouvent assez souvent victimes de ces débordements, alors qu'ils sont appelés, malgré les risques, à faire leur travail aussi sur terrain. Les médias audiovisuels sont le plus souvent touchés, car leurs équipes de reportage sont obligées d'être sur le terrain, et parfois dans le feu de l'action pour couvrir les événements. Voilà pourquoi JED a jugé utile, pour réduire un tant soit peu les risques qu'encourent les professionnels des médias, de les sensibiliser sur " Ce qu'il faut faire " et " Ce qu'il ne faut pas faire " pour ne pas s'exposer outre mesure. Tout en gardant en conscience que le risque zéro du métier d'informer n'existe pas, les mesures de précautions proposées dans ce Manuel ne sont qu'indicatives, et ne sauraient être exhaustives, tant il vrai que chacun en fonction de sa situation particulière ou de ses moyens de défense, peut adopter les attitudes et les comportements qu'il juge lui- même salutaires pour sa sécurité et celle de son entourage." (Page 4)
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"Joseph Okania fait ici l'autopsie, voire une intervention chirurgicale, de ce mal récurrent qu'est l'amateurisme de nos journalistes, lequel, bien que décrié par tous, gangrène le corps de la presse congolaise, rives droite et gauche confondues. Après une immersion complète et une laborieuse
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investigation de l'intérieur de nos médias l'ayant conduit à cerner puis débusquer ces monumentales inepties qui essaiment l'espace médiatique des deux Congos, l'auteur nous livre ses mots et ses expressions, dans une langue de très belle facture littéraire. Sans esprit réducteur et polémiste pour son objectif qui se veut d'abord être un cri d'alarme, il appelle les journalistes des deux Congos au ressaisissement, en vue de redorer le blason terni de cette noble corporation et ainsi de redonner à la presse congolaise ses lettres de noblesse." (Dos de couverture)
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"Focusing on sub-Saharan Africa and occasionally drawing comparisons with other regions of the world, this book critically addresses the development of the field focusing on the current opportunities and challenges within the African context. By using a wide variety of case studies that include Moza
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mbique, Zambia, Rwanda, Zimbabwe, Ghana, Kenya, Uganda, South Africa, Ivory Coast and Nigeria, the collection gives space to previously understudied regions of sub-Saharan Africa and challenges the over-reliance of western scholarship on political communication on the continent." (Publisher description)
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"Our study is the first to identify and analyse who is shaping African Twitter conversations during elections over the past year. The study found that 53 per cent of the leading voices on Twitter around ten elections on the continent during the past year came from outside the country in which the el
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ections were contested. Bots, and accounts displaying machine-like behaviour, were active across all elections, particularly in Kenya, where they accounted for a quarter of all influential accounts. One of the more surprising findings from the study was the limited influence politicians had on the conversation. Rwanda was the exception, where 1 in every 3 influential handles was a political account – the highest figure across all elections analysed. This doesn’t mean politicians weren’t being talked about. Many of the top hashtags included references to politicians or political parties, including #UmaAngolaParaTodos in Angola, #Weah in Liberia and #Kagame in Rwanda. This study demonstrates that people continue to seek out the voices they trust with established journalists and news outlets consistently ranked in the top three influencers across all elections. With fake news and bots influencing conversations on social media, people continue to search for traditional sources of verified, accurate information." (Introduction)
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"Between August 2017 and July 2018, CRF implemented the Kilimo Mtaji project (“agriculture makes sense” in Swahili) in Tanzania and DRC. The aim of the project was to seize the power of youth-produced radio shows and outreach events in order to share key messages that raise awareness around fina
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ncial literacy and agriculture as a business, incentivise uptake of services and increase access to service providers, advocate for youth-friendly policy changes and create pathways of opportunity and access to employment for youth [...] The first chapter unpacks the communication campaign model CRF used and its achievements. The chapter further explains the reasons why this campaign model is effective in an African context. The chapter then unpacks the youth-centred approach and shares some of the achievements of this model during the pilot phase in Tanzania and the DRC. The second chapter unpacks the pedagogic approach used to capacitate the youth reporters with the ability to produce quality radio shows and conduct outreach events around these topics. The third chapter provides guidance on the use of various tools developed for the purpose of this project. These tools are the fact sheets, radio guides and outreach guides. Fact sheets are developed for youth reporters to use as factual foundations for their own research and localisation of project topics. Radio guides unpack the process of developing a specific topic for radio shows. Outreach guides look at the process of using radio skills to develop interactive live events with radio listeners, or specific targeted audiences, on a particular topic." (Pages 2-4)
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"Ce petit manuel va à titre didactique répertorier une liste d’infractions de presse pour attirer l’attention des médias et professionnels des médias sur leur responsabilité pénale dans l’exercice de la liberté de presse." (Verso)
"This report maps the current landscape in respect of digital rights and online freedom of expression in East, West and Southern Africa. It looks at the trends regarding law and policy developments, as well as recent litigation, within these regions. The report focuses on 18 countries – 6 per regi
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on – and tracks the recent developments that have taken place in these countries. Part I of the report provides an overview of the litigation before the ACHPR and the African Court on Human and Peoples’ Rights (African Court) in respect of freedom of expression. Parts II, III and IV of the report look at the trends generally in East, West and Southern Africa respectively, as well as some of the key legal and civil society actors working on digital rights and online freedom of expression, and include a snapshot of some of the notable developments – both positive and negative – that have occurred in the 18 countries under consideration in this report, as well as reflections on opportunities and challenges for vindicating digital rights within each of the countries. Lastly, Part V considers what the next possible opportunities will be for digital rights and online freedom of expression litigation in the region." (Pages 5-6)
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"The 43 country reports included in this year’s Global Information Society Watch (GISWatch) capture the different experiences and approaches in setting up community networks across the globe. They show that key ideas, such as participatory governance systems, community ownership and skills transfe
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r, as well as the “do-it-yourself” spirit that drives community networks in many different contexts, are characteristics that lend them a shared purpose and approach. The country reports are framed by eight thematic reports that deal with critical issues such as the regulatory framework necessary to support community networks, sustainability, local content, feminist infrastructure and community networks, and the importance of being aware of “community stories” and the power structures embedded in those stories." (Back cover)
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"Die iz3w erscheint in einem Land mit einer »guten Situation« für Presseerzeugnisse (globaler Index der Reporter ohne Grenzen). In vielen Ländern ist die Lage infolge von Repressionen »sehr ernst«, zum Beispiel in China, in Iran oder Sudan. Auch in Ländern zwischen diesen Extremen kann freier
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Journalismus lebensgefährlich sein, etwa in Mexiko. Dabei sind die Meinungs- und Pressefreiheit Grundvoraussetzungen für Gesellschaften, die aufgeklärte Zustände und Partizipation an politischen Entscheidungen anstreben. Es geht um demokratische, freiheitliche und soziale Regeln, die einerseits im Bewusstsein, andererseits als verbindliche Rechte verankert sind. Wir lassen Personen zu Wort kommen, die sich für diese Ziele einsetzen, und fragen uns: Wie sehen die Produktionsbedingungen für die Berichterstattung weltweit aus? Wozu braucht es freie Medien? Wo fängt die Repression an und auf welche Weise wirken sich neue Medien auf die Berichterstattung aus?" (https://www.iz3w.org/printausgaben/heft-365)
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"Das Ziel dieses Artikels ist es: 1) den Kontext der Einführung des Kinos in Kamerun zu beschreiben und 2) die Produktion und Nutzung deutscher Kinofilme in Kamerun zu erfassen und zu analysieren. Wir werden uns insbesondere mit der Frage der Entstehung des Kinos in Kamerun während der deutschen K
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olonialzeit beschäftigen und mit seinen Pionieren." (Seite 1)
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