"Maria Repnikova reveals the webs of an uneasy partnership between critical journalists and the state in China. More than merely a passive mouthpiece or a dissident voice, the media in China also plays a critical oversight role, one more frequently associated with liberal democracies than with autho
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ritarian systems. Chinese central officials cautiously endorse media supervision as a feedback mechanism, as journalists carve out space for critical reporting by positioning themselves as aiding the agenda of the central state. Drawing on rare access in the field, Media Politics in China examines the process of guarded improvisation that has defined this volatile partnership over the past decade on a routine basis and in the aftermath of major crisis events. Combined with a comparative analysis of media politics in the Soviet Union and contemporary Russia, the book highlights the distinctiveness of Chinese journalist-state relations, as well as the renewed pressures facing them in the Xi era." (Publisher description)
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"Although television is still the number one media for Ukrainians, it continues to lose its audience share. The positions taken by other traditional media (e.g. radio, print) remain stable. The growth in the size of the online population has stagnated and the number of internet users and those getti
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ng news from social networks has decreased, which could have been caused by restrictions to access to popular social networks and websites in Ukraine (e.g. VKontakte, Odnoklassniki). The share of passive media audience is increasing - over a one month period, a higher number of people did not use media to obtain news. This is especially true when it comes to younger audiences." (Key findings, page 5)
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"With regard to professional role orientations, Russian journalists found it most important to report things as they are and to educate the audience. The relevance of these roles was fairly undisputed among the interviewed journalists as the relatively low standard deviations indicate. Likewise, the
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re was a strong consensus among the respondents over the little importance of supporting government policy and conveying a positive image of political leadership. Still, a majority of journalists in Russia found it important to provide advice, orientation and direction for daily life, to advocate for social change, to provide the kind of news that attracts the largest audience, to provide analysis of current affairs, to tell stories about the world, to be a detached observer, to let people express their views, to promote tolerance and cultural diversity, and to support national development. Politically more assertive roles, on the other hand, were supported by only a minority of respondents. Following traits belong to these roles: influencing public opinion, setting the political agenda, and acting as adversary of the government." (Journalistic roles, pages 1-2)
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"While other studies have shown that mass media can influence a person's attitudes and opinions in the region, none has explored what effect social media can have on orientations toward democracy in the region. In the following paper, I build several hypotheses based on previous studies of media eff
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ects and democratic survival. I then employ survey data to empirically test whether social media increases support for democracy. The study finds that not only does using social media increase support for democracy, but also simple usage rather than information seeking provides more consistent effects on a person's support for democracy in CEE." (Abstract)
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"Global Media Giants takes an in-depth look at how media corporate power works globally, regionally, and nationally, investigating the ways in which the largest and most powerful media corporations in the world wield power. Case studies examine not only some of the largest media corporations (News C
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orp, Microsoft) in terms of revenues, but also media corporations that hold considerable power within national, regional, or geolinguistic contexts (Televisa, Bertelsmann, Sony). Each chapter approaches a different corporation through the lens of economy, politics, and culture, giving students and scholars a thoughtful and data-driven guide with which to interrogate contemporary media industry power." (Publisher description)
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"In Tschechien ist die Qualitätspresse in einer schwierigen Lage. Der Markt ist klein, die Kosten sind hoch und die Erträge bescheiden. Zeitungen und Nachrichtenmagazine werden ihrem Anspruch, seriöse Berichterstattung zu bieten, oft nicht gerecht. Die Verantwortung für die Boulevardisierung war
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lange den ausländischen, überwiegend deutschen Medienhäusern zugeschrieben worden, die in den 1990er Jahren in Tschechien investiert und den Pressemarkt dominiert hatten. Seit der Weltwirtschaftskrise 2008 haben sich diese Investoren zurückgezogen, die neuen Eigentümer sind meist tschechische Großunternehmer. Doch die Qualität der Berichterstattung ist nicht zwangsläufig besser geworden. Die Frage, wie frei die Presse ist, stellt sich vielmehr noch dringlicher. Dies gilt insbesondere für die Erzeugnisse aus dem Hause MAFRA, das dem Agrofert-Konzern des Großunternehmers und Finanzministers Andrej Babiš gehört." (Abstract)
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"The crisis in Ukraine has accentuated the position of Russian television as the government’s strongest asset in its information warfare. The internet, however, allows other players to challenge the Kremlin’s narrative by providing counter-narratives and debunking distorted information and fake
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images. Accounting for the new media ecology—through which strategic narratives are created and interpreted, this article scrutinizes the narratives of allegedly fake news on Channel One, perceiving the fabricated stories as extreme projections of Russia’s strategic narratives, and the attempts of the Ukrainian fact-checking website Stopfake.org to counter the Russian narrative by refuting misinformation and exposing misleading images about Ukraine. Secondly, it analyses how Twitter users judged the veracity of these news stories and contributed to the perpetuation of strategic narratives." (Abstract)
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"El presente volumen recoge diferentes enfoques teóricos y metodológicos sobre las memorias, transiciones políticas e identidades en Alemania, Argentina y España, buscando establecer comparaciones y puntos de convergencia en sociedades signadas durante el siglo XX por regímenes políticos autor
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itarios y procesos de democratización paradigmáticos. Privilegia la reflexión a partir de fuentes orales, indagación en archivos, sitios de memoria y otros documentos como representaciones literarias y cinematográficas." (Descripción de la casa editorial)
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"Russian speakers in Estonia, Latvia and Lithuania rank Kremlin-backed media as the least trustworthy among international, Russian Federation and domestic news sources, according to research presented by the Broadcasting Board of Governors. In addition, only those survey respondents who considered R
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ussian-backed media to be credible showed a majority support for President Vladimir Putin’s domestic and international policies. In the three Baltic nations and Moldova, consuming Russian-backed media did not correlate with support for Russia’s policies. The BBG data found that domestic media ranked first in trustworthiness in Estonia (80 percent) and Latvia (79 percent). International media took first in Lithuania (74 percent) and in Moldova there was a statistical tie between international media (45 percent), Russian-backed media (42 percent) and domestic media (42 percent)." (BBG website)
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"The article deals with the issue of establishing criminal liability for crimes against journalists. Areas of research on this subject are identified. The basic research and publications on issues are reviewed. The need for introducing such liability is investigated. It is indicated that several spe
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cial trains crimes against journalists were added to the Law of Ukraine "On Amendments to Certain Legislative Acts of Ukraine on Strengthening Guarantees ofJournalistic Activities" Criminal Code of Ukraine: 1) threats or violence against a journalist (art. 345-1 of the Criminal Code); 2) intentional destruction or damage to property of a journalist (art. 347-1 of the Criminal Code); 3) attempt on the life of a journalist (art. 348-1 of the Criminal Code); 4) hostage seizure of a journalist (art. 349-1 of the Criminal Code). Deficiencies are identified in the existence of separate groups of crimes - crimes against journalists due to the presence in the existing criminal law norms that punish such acts. It is also concluded that the introduction of special rules to the criminal law Ukraine should be conditional on increased (or reduced) level of social danger of the act versus offense under the general rule. It is claimed that journalists should be provided protection by the criminal law, but without creating more competition and overloading the Criminal Code of Ukraine." (Abstract)
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"The Internews annual media consumption survey shows more Ukrainians searching for news online and fewer getting their news from television. Trust in Ukrainian online media is also up, matching the trend in greater consumption. The survey also shows that Ukrainians are consuming Russian media far le
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ss than they did last year, and that trust in Russian media continues to decline." (Internews website)
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"International trade in creative industries showed sustained growth in the last decade. The global market for traded creative goods and services totaled a record $547billion in 2012, as compared to $302 billion in 2003. Exports from developing countries, led by Asian countries, were growing faster t
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han exports from developed countries. Among developed country regions, Europe is the largest exporter of creative goods. In 2012, the top 5 creative goods exporters included Germany, France, Switzerland, the Netherlands and Belgium. Exports of creative goods from developed economies grew during the period 2003 to 2012, with export earnings rising from $134 billion to $197 billion. Among developing countries, China is the largest exporter of creative goods. In 2012, the top 5 exporters were China, Hong Kong, China, India, Turkey and South Korea. Exports of creative goods from developing economies grew during the period 2003 to 2012, with export earnings rising from $87 billion to $272 billion. Developing countries are playing an increasingly important role in international trade in creative industries." (Executive summary)
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"Considering both retrospective memories and the prospective employment of memories, Memory in a Mediated World examines troubled times that demand resolution, recovery and restoration. Its contributions provide empirically grounded analyses of how media are employed by individuals and social groups
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to connect the past, the present and the future." (Publisher description)
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"Das Internet war in Russland lange ein Zufluchtsort der kritischen Öffentlichkeit. Hier gab es unabhängige Berichterstattung, als Zeitungen und Fernsehsender schon weitgehend auf Linie gebracht waren. Der Arabische Frühling und die Protestbewegung in Russland 2011/12 änderten dies. Das Putin-Re
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gime geht immer rigider gegen die Pressefreiheit im Internet vor. Es hat die Eingriffsmöglichkeiten der Aufsichtsbehörde Roskomnadzor erheblich ausgeweitet und Druck auf die großen Internetunternehmen ausgeübt, so dass sie der Installation von Überwachungs- und Sperrtechnik zustimmten. Mit dem System SORM wird seit 2015 nahezu der gesamte Datenverkehr überwacht. Um auch die freie Verbreitung von Informationen und Meinungen in den sozialen Netzwerken zu unterbinden, setzt der Kreml mittlerweile auf die direkte Einschüchterung." (Abstract)
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"Citizen Media and Public Spaces presents a pioneering exploration of citizen media as a highly interdisciplinary domain that raises vital political, social and ethical issues relating to conceptions of citizenship and state boundaries, the construction of publics and social imaginaries, processes o
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f co-optation and reverse co-optation, power and resistance, the ethics of witnessing and solidarity, and novel responses to the democratic deficit. Framed by a substantial introduction by the editors, the twelve contributions to the volume interrogate the concept of citizen media theoretically and empirically, and offer detailed case studies that extend from the UK to Russia and Bulgaria and from China to Denmark and the liminal spaces within which a growing number of refugees now live.A rich new domain of scholarship and practice emerges out of the studies presented. Citizen media is shown to embrace both physical and digital interventions in public space, as well as the sets of values and agendas that influence and drive the practices and discourses through which individuals and collectives position themselves within and in relation to society and participate in the creation of diverse publics." (Publisher description)
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