"This book critically examines how the media assistance and broader "development" sectors have appropriated the catch-all concept of sustainability, originally rooted in economic and environmental fields, to suit their agendas. Analysing 289 project evaluations conducted globally between 1999 and 20
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19, it scrutinizes the tacit discourses underpinning what Pierre Bourdieu termed "the imperialism of the universal" in fostering media systems in the Global South. The book reveals how processes of self-legitimation operate within an increasingly competitive aid market, highlighting a shift from "post-missionary" approaches to business-driven models. Focusing on the often-overlooked African context, it explores nuanced coping capacity in Uganda and the Eastern DRC. Amid questioning of the populist wave as well as power-motivated new entrants, it challenges the recurring aid pattern, emphasizing the urgency of centering social impact and values in media assistance. It offers essential insights for scholars and practitioners navigating the evolving geopolitics of development and public diplomacy. Michel Leroy has been active in media action for over 25 years, both as an implementer and as a consultant. A member of an international research programme on media action, he holds a doctorate from the University of Dortmund. He is now a researcher focusing on the social impact." (Publisher description)
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"In an era when hashtag campaigns like #MeToo and #BlackLivesMatter capture global attention for victims of injustice, politicians and corporations are now spending billions employing Cambridge Analytica-type consultancies to manufacture disinformation - employing trolls, cyborgs and bots to disrupt
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dialogue and drown-out dissent. In the first study of its kind, this open-access book presents a range of case studies of these emerging dynamics across Africa, mapping and analyzing disinformation operations in ten different countries, and using innovative techniques to determine who is producing and coordinating these increasingly sophisticated disinformation machines. Drawing on scholars from across the continent, case studies document the actors and mechanisms used to profile citizens, manipulate beliefs and behaviour, and close the political space for democratic dialogue and policy debate. Chapters include examinations of how the Nigerian government deployed disinformation when the #EndSARS campaign focused attention on police brutality and corruption; insights into how pro-government actors responded to the viral #ZimbabweanLivesMatter campaign; and how misogynists mobilized against the #AmINext campaign against gender-based violence in South Africa." (Publisher description)
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"[...] L’objectif de ce mémoire de DEA était de démontrer la manière dont les journalistes construisent leurs identités lorsqu’ils analysent l’actualité de la semaine sur le plateau de Télé 50. Nous avons considéré l’émission ayant fait objet d’analyse, de discours médiatique.
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C’est pour cela, nous l’avons analysée sous plusieurs facteurs partant des considérations théoriques allant dans le sens du débat télévisé et de l’analyse conversationnelle issue des dynamiques interactionnelles amenant à la construction identitaire des protagonistes. [...] Après l’analyse de l’épisode, nous avons conclu que la visée dominante de l’émission était de faire surgir une vérité, informer voire révéler et pousser les protagonistes à dévoiler leurs positionnements à travers leurs discours. Nous avons retenu dans cette analyse, au regard des identités construites, quatre positionnements des journalistes Kinois. Le premier positionnement est celui des journalistes pro-pouvoir ceux qui sont sous l’inféodation politique des gouvernants. Le deuxième positionnement est celui des journalistes pro-opposition ceux qui sont sous l’inféodation politique des opposants congolais. Le troisième positionnement est celui de ceux des centristes, ceux qui s’efforcent de demeurer Église au milieu du village. Ils ne travaillent pas pour des intérêts partisans mais pour l’intérêt supérieur du public et le bien-être social. Le dernier positionnement est marqué par les journalistes qui sont en quête de positionnement c’est-à-dire ceux qui ne se sont pas encore situés par rapport au régime actuel caractérisé par une mosaïque des partis politiques pro-pouvoir." (Conclusion generale, pages 175-178)
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"This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book
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unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics." (Publisher description)
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"En contexte d’élections hors pair comme en 2023 en RDC, on s’attendrait à une contestation populaire des résultats. Mais le contraire s’est avéré vrai. Comment expliquer ce paradoxe ? A travers une approche herméneutique, sous-tendue par la recherche documentaire et l’observation dire
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cte, cet article démontre ce paradoxe s’explique par le fait que la CENI a bien managé avec la de communication visant l’intercompréhension à travers le two step flow of communication. En effet, au lieu de s’adresser aux contestataires de droit, les candidats, elle s’est plutôt adressée à l’opinion publique. Mais pour bien atteindre cette dernière, elle est passée par les confessions religieuses, la MOE CENCO- ECC notamment, dont elle s’est servie comme boucliers en même temps qu’elle les neutralisait à travers une subtile dynamique adaptation-résilience. Mais attention ! Certains éléments qui fondent le dialogue, à savoir la vérité : la justesse, la sincérité et la pertinence ont été bafoués. La crise reste donc latente." (Abstract)
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"In 2023, Advancing Rights in Southern Africa (ARISA) through its consortium partner, Internews, undertook the most comprehensive review yet of laws affecting media practice and the freedom of expression, including cyber laws, penal codes, constitutions and acts of parliament, in the sixteen Souther
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n African Development Community (SADC) countries. The Information Ecosystem Analysis (IEA) provides an in-depth overview of the legal provisions that have been enacted or are in various stages of becoming laws in the region, and are being used by SADC governments to stifle and limit press freedom and public debate. Each of the sixteen SADC countries are included as individual country chapters in this report, providing country-specific legal analyses of the relevant Cyber security and related laws used by the respective country’s governments to stifle freedom of expression. The approach used by the researchers considered the legislative environment together with literature on the relevant topics, court cases and media reports about the application of specific laws and focused on incidents of where laws were used, dating from 2020 to present. The respective country analyses have been informed by extensive virtual interviews conducted with journalists, civil society representatives and academics in the region. Attention was also given to countries holding elections in 2023 and 2024." (Executive summary)
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"This book focuses on the politics, ethics and stereotypical pitfalls of representational practices surrounding Gender-Based Violence (GBV) from a global perspective. The originality of the volume is linked to its cross-disciplinary perspective as the topic of representing GBV is analyzed across the
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domains of philosophy/epistemology, fiction and the arts (including literature, film, television series and music) and non-fictional representations in the media (including broadcast media, online/print journalism, transmedia activism). The volume identifies contemporary representational practices and the theoretical and critical responses, examining various aspects of popular culture from around the world. In doing so, the editors put feminism in conversation with global trends to identify its cultural frontline." (Publisher description)
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"Hidden information, double meanings, double-crossing, and the constant processes of encoding and decoding messages have always been important techniques in negotiating social and political power dynamics. Yet these tools, "cryptopolitics," are transformed when used within digital media. Focusing on
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African societies, Cryptopolitics brings together empirically grounded studies of digital media to consider public culture, sociality, and power in all its forms, illustrating the analytical potential of cryptopolitics to elucidate intimate relationships, political protest, and economic strategies in the digital age." (Publisher description)
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"Greater North Kivu is a region in the East of the DRC characterized by an unending socio-cultural and political crisis that has brought about insecurity, war, massacres, and land conflicts since 1996. Efforts to resolve this war crisis to restore justice and peace have not been successful. The aim
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of this research was to evaluate the film practice in the Greater North Kivu region in the context of this war situation and if those films which were set against this reality had messages that focused on sustainable peace. The specific research questions of the study were: What could be the varying contexts of war and related conflicts from which each of the selected films acquires its character? In what way do the cinematographic messages reflect the context of war in the Greater North Kivu? How do the thematic messages aim to sensitize the population towards peace in the region? What are the opportunities and challenges of film making for peace in the region? What construct emerges as a typology of context and types of persuasion messages that may emerge from selected films of the study. The study adopted a qualitative research design, and constructivism and interpretivism philosophical research paradigms. The target population consisted of film makers in the Greater North Kivu, civil society, community and government leaders. The study concluded that the multiple contexts of the war manifest in the character of the variety of films produced but that the film codes reflecting this reality aim to break and change it thereby creating a new grammar for a new context. In addition, the film for sensitizing works with strategies of arousing emotions that are carefully selected with great sensitivity because of the fragile context of the war situation in its causes, consequences, and what is to be done. The thesis of this study is that the many contexts of the war situation in the region of study manifest themselves in the selected films chosen for the research. In a simultaneous manner the film maker’s codes aim to break the existing contexts to new beginnings. While the film codes may be of the grammar of existing context, their very ambition and motivation is to introduce a new grammar for a vision of a new context, transforming the old one. Based on the findings of the current study, the study recommends the film makers to continue to use potent symbolism in their stories to effectively sensitize the population to the situation and promote the necessary actions. The study recommends to the government and policymakers makers to allocate resources towards the Ministry of Arts and Culture to support local film production, recognizing its potential as a tool for peacebuilding and societal change." (Abstract)
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"Ce numéro porte un regard critique sur la crise que traverse actuellement la Province du Nord Kivu, et la RDC en général, à cause de la nouvelle guerre imposée au pays par le mouvement rebelle M23. Connaissant une période sécuritaire sombre qui y a motivé l’instauration d’un État de si
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ège, la Province du Nord-Kivu, et plus particulièrement dans les Territoires de Rutshuru et Masisi, est encore objet d’attaques du Mouvement du 23 mars (M23). Dans ces Territoires et dans une moindre mesure celui de Nyiragongo, le son assourdissant et macabre des armes n’arrête pas de sonner dans les oreilles des citoyens contraints à fuir leurs lieux de résidence pour vivre à la merci des intempéries et d’une pénurie humanitaire sans nom dans des camps des déplacés comme refugiés de guerre dans leur propre pays. Il trouble la tranquillité de ces derniers et les assomme, prétendument suite à la non-exécution des accords dits du 23 mars 2009 entre le Gouvernement congolais et le Congrès National pour la Défense du peuple (CNDP)." (Dos de couverture)
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"All respondents had experienced online violence. Misogynistic hate speech, sexists’ comments, body shaming as well as slut shaming was common among the women journalists and WHRDs interviewed. These threats were also extended to their families, friends, relatives and networks. Another frequently
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mentioned attack was the attempted hacking into women’s email. Most of the women interviewed reduced their online activity and presence in response to online violence whereas others deactivated some of their online accounts. The story theme most often identified in association with increased attacks was gender, followed by politics and elections, human rights and social policy. Anonymous or unknown attackers are the most frequently noted source of attacks according to the women respondents. Facebook was mentioned as the least safe among social media platforms/apps used by women participants, with most of the respondents saying it was “very unsafe” compared to Twitter. Most of the women journalists did not report incidents of online violence to their employers or security personnel."
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"In an era marked by an unprecedented refugee crisis and ongoing, seemingly unending, borderland conflicts, foreign correspondents could play a pivotal role in helping create a global public sphere that incorporates the perspectives of those who are most effected by ongoing resource-fueled wars—an
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d least powerful. However, aspects of the historical development of foreign correspondence, as well as contemporary practices, do not allow the profession to reach this potential. Borderland takes insights from postcolonial studies, international relations, development studies, and philosophy and uses the site of the world’s largest UN peacekeeping presence, in the Democratic Republic of Congo, as its case study. It examines the specific narrative styles, and news-gathering habits in these complex spaces and discovers neocolonial practices stymying ethical praxis. Brought to life through the autoethnographic descriptions and analysis of ‘behind the scenes’ events, Borderland seeks to introduce new, decolonized reporting techniques. And it argues for reporting that explores how local realities are impacted by global discourses. In a digital world where people access news direct from conflict zones, the role and value of foreign correspondents must be questioned. Borderland answers that question by proposing decolonized foundations from which foreign correspondents can be the storytellers needed in today’s global polity." (Publisher description)
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"Devenir journaliste fait rêver bon nombre des Congolais. Un métier noble dont la pratique doit allier non seulement analyse et relationnel, mais aussi travail de terrain. Une option nécessaire à l’évaluation de l’éthique et de la déontologie enseignées à l’école, mais dont l’exerc
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ice se révèle souvent difficile. Ce livre reprend les principales tournées de travail opérées par l’auteure à l’intérieur du Congo. Il mesure l’écart existant entre la pratique en studios et les logiques de terrain, de même que l’intensité du travail abattu et les difficultés rencontrées. Il revient sur la complexité du métier, le recours plus que nécessaire aux sources, la collecte et le traitement minutieux des données. À travers l’ouvrage, la journaliste fait de l’information de proximité son cheval de bataille et invite ses collègues femmes à suivre son exemple. Pour que vive à jamais son combat pour l’information !" (Description de la maison d'édition)
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"It aims at providing a holistic view of digital transformation in the agriculture sector of 47 countries in sub-Saharan Africa. The region’s digital agriculture landscape is assessed through six key themes, namely: infrastructure, digital penetration, policy and regulation, business environment,
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human capital and agro-innovation. Beyond the analysis of the region against the six focal themes, the report presents both the status-quo and challenges faced by countries in their digital transformation journeys, which can assist policymakers to identify possible areas of intervention to drive the process of agricultural digitalization in the region. It highlights the need to strengthen digital infrastructure for universal connectivity, to connect the unconnected in sub-Saharan Africa and to support the integration of digital technologies to advance digital agricultural transformation." (Foreword)
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"UNESCO’s support to the DRC in 2020 and 2021, through its Kinshasa Office, has mainly focused on the construction and consolidation of a strategic dialogue between the government, state agencies, the media, social society, academia and international organizations. This way, UNESCO helped pave the
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way for the involvement of all concerned stakeholders in discussions to develop policies and strategies to create an environment conducive to the respect and protection of freedom of expression, access to information and the safety of journalists. In October 2021, Congolese authorities approved the holding of a General Assembly of Communication and Media (Etats généraux de la communication et des médias), which will take place on 24-27 January 2022." (Page 2)
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"This survey had two main goals: 1. Report on gender equality in the media in four countries across Sub-Saharan Africa: Côte d’Ivoire, Ghana, Niger and the Democratic Republic of Congo. 2. Draw up a strategic document pinpointing the needs of industry players in these four countries, along with r
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ecommendations to inform the agency’s stance on designing and implementing new projects to support gender equality." (Introduction, page 4)
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