"Der Beitrag stellt die Erkenntnisgewinnung durch Vergleich als das zentrale Merkmal komparativer Forschung vor und erläutert, wie das Komparative als Kern eines Forschungsvorhabens in der Kommunikationsforschung einzulösen ist. Er zeichnet die bisherige Entwicklung der komparativen Kommunikations...forschung nach, stellt ihre Leistungen vor dem Hintergrund des methodischen Vorgehens heraus und skizziert die Herausforderungen dabei. Mit einem Einblick in die Anwendung vergleichender Forschung in kommunikationswissenschaftlichen Teildisziplinen, der mit ihr verbundenen Theoriebildung sowie einer kurzen Darstellung von Leerstellen und Desiderata wird der Überblick zur Methode des Vergleichs vervollständigt." (Abstract)
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"Die in diesem Open-Access-Buch zusammengeführten interdisziplinären Untersuchungen des „Forums Privatheit“ gehen der Frage nach, wie sich die Verwirklichungsbedingungen von Privatheit und Selbstbestimmung durch die Digitalisierung aller Lebensbereiche radikal ändern. Nahezu jede Lebensregung... hinterlässt Datenspuren, ermöglicht vielfältige und intensive Datensammlungen über Menschen, unterstützt Verhaltensbeeinflussungen und verstärkt Ungleichgewichte in der Informationsmacht. Es analysiert die Auswirkungen der Digitalisierung auf den rechtlichen und politischen Schutz der Grundrechte, die ökonomischen Beziehungen, die gesellschaftliche Integration und die individuelle Entfaltung. Das Buch zeigt aber auch auf, wie Digitalisierung und ihre gesellschaftlichen Rahmenbedingungen technisch, sozial, ökonomisch und rechtlich gestaltet werden können, um Privatheit und Selbstbestimmung zu schützen." (Verlag)
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"The book brings together experts from Media and Communication Studies with Postcolonial Studies scholars to illustrate how the two fields may challenge and enrich each other. Its essays introduce readers to selected topics including »Media Convergence«, »Transcultural Subjectivity«, »Hegemony..., »Piracy« and »Media History and Colonialism«. Drawing on examples from film, literature, music, TV and the internet, the contributors investigate the transnational dimensions in today's media, engage with local and global media politics and discuss media outlets as economic agents, thus illustrating mechanisms of power in postcolonial and neo-colonial mediascapes." (Publisher)
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"The primary objective of this book is to present a wide range of community radio projects, not so that the “ideal” model can be identified, but in the hope that the book will serve as a useful tool for community broadcasters and potential community broadcasters looking to create or adapt models... of community radio that are suited to the specific conditions they face. This objective of facilitating an international exchange of experiences and ideas has been AMARC’s primary motivator since the first World Conference of Community Radio Broadcasters took place in 1983. The use of radio as a tool for cultural and political change, while a growing phenomena, is not new. Indeed, the first participatory community radio stations surfaced almost simultaneously in Colombia and the United States over forty years ago. Since that time, innumerable participatory radio projects have attempted to promote community-led change in a variety of ways. Some of these projects have attempted to foster this change by providing formal education in areas such as literacy and mathematics, or by promoting agricultural techniques suited to a particular vision of development defined by the central government. This type of project has been common in the Third World, especially in Africa and Asia. Sri Lanka’s Mahaweli Community Radio (chapter 13) is one example of such a project. Other projects have been more political and have attempted to support the organisational and cultural initiatives of marginalised communities. These are the projects that tend to involve listeners in a participatory process. Haiti’s Radio Soleil (chapter 9) and Zoom Black Magic Liberation Radio in the United States (chapter 10) are two examples. Following the tradition of participatory communication, most of the chapters in this book are not written by impartial observers but by people with first-hand knowledge of community radio and with direct experience in the projects they write about." (Introduction)
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"An Integrated Approach to Communication Theory and Research provides an in-depth overview of communication studies as well as integrating theory with research. This new edition provides a comprehensive overview of current theory and research written by the top theorists and researchers in each area.... It has been updated to address the growing influence of technology, changing relationships, and several growing integrated approaches to communication and includes seven new chapters on digital media, media effects, privacy, darks side, applied communication, relational communication, instructional communication, communication and the law. The book continues to be essential reading for students and faculty who want a thorough overview of contemporary communication theory and research." (Publisher)
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"Welcome to the world of melodrama—and to the melodramas of the world. This book introduces nearly one hundred cinematic masterpieces from various periods and different cultural contexts—ranging from early Hollywood to emergent and popular Bollywood, from Latin American and New German Cinema to ...contemporary Nollywood, from classic melodrama and commercial blockbusters to arthouse film and meta-melodrama, while also encompassing a number of other local forms and styles in their hybrid or revisionist varieties. Our collection features discussions of seemingly timeless stories of love and loss, demonstrating the possibility and power of melodramatic plots to portray the overcoming of differences and antagonisms. Yet it also reveals how the melodramatic code is time and again used for asserting political claims and articulating critique—and hence for (re)producing powerful dichotomies of good vs. evil, innocence vs. corruption, virtue vs. vice. Melodrama performs and rehearses moral conflict and emotional crisis management on a broad scale, involving intimate relationships and familial relations, on the one hand, and global constellations of oppression, violence, war, and regime changes, on the other. Thus, like no other genre, melodrama indeed makes the political personal and the personal political." (Introduction, p.13)
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