"Many have attributed anti-American sentiment within Arab countries to a highly negative information environment propagated by transnational Arab satellite TV news channels such as Al-Jazeera. However, theoretical models and empirical evidence evaluating the linkages between media exposure and opini...on about the United States remains scant. Drawing on theories of media effects, identity, and public opinion, this article develops a theoretical framework explicating how the influence of transnational Arab TV on opinion formation is contingent on competing political identities within the region. Employing 5 years of survey data collected across six Arab countries, we empirically test several propositions about the relationship between Arab TV exposure and public opinion about the United States generated by our theoretical framework. Our results demonstrate significant associations between transnational Arab TV exposure and anti-American sentiment, but also show these associations vary substantially by channel and political identification. The theoretical and policy implications of the study are discussed." (Abstract)
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"This one-volume encyclopedia features around 250 essays on the varied experiences of social movement media over the planet in the 20th and 21st centuries ... The guiding principles have been to ensure that experiences from the global South are given voice; that women are properly represented among ...contributors; that the wide spectrum of communication formats is included; that further reading is provided where relevant; and that some examples are provided of repressive social movement media, not exclusively progressive ones. Thematic essays address selected issues such as human rights media, indigenous peoples' media, and environmentalist media, and on key concepts widely used in the field such as alternative media, citizens' media, and community media. The encyclopedia engages with all communication media: broadcasting, print, cinema, the Internet, popular song, street theatre, graffiti, and dance." (Sage website)
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"Dieser Beitrag liefert einen Überblick über die Entwicklungsgeschichte und Strukturen der arabischen Satelliten-Nachrichtenfernsehsender Al-Jazeera, Abu Dhabi TV und Al-Arabiya sowie des arabischsprachigen US-Auslandsfernsehens Al-Hurra und fragt nach ihren Folgen für die Konfliktberichterstattu...ng aus dem Nahen und Mittleren Osten. Da Arbeiten zur Theoriebildung und empirische Erhebungen auf diesem noch weitgehend unerforschten Feld bislang kaum vorliegen, arbeitet der Beitrag zunächst den Forschungsstand auf. Mittels Literatur- und Dokumentenanalyse sowie Hintergrundgesprächen mit Senderverantwortlichen werden die TV-Stationen dann in die traditionellen arabischen Mediensysteme eingeordnet, wobei besonders auf die Entwicklung Al-Jazeeras eingegangen wird. Mit einer systematischen Objekttypologie wird so eine Grundlage für Anschlussforschung geschaffen. Während Al-Jazeera, Abu Dhabi TV und Al-Arabiya zweifelsohne den Medienorient revolutionierten, wird die Qualität ihres Einflusses auf die internationale Kommunikation nach den Terroranschlägen vom 11. September 2001 hinterfragt. Viele Medien im Westen betrachten die junge Generation arabischen Nachrichtenfernsehens als glaubwürdige Quelle, nutzen sie überwiegend aber nur als Bilderlieferant. Der Beitrag diskutiert zudem das Innovationspotenzial des arabischen Satelliten-Nachrichtenfernsehens im Transformations- und Demokratisierungsprozess auf dem Weg zu einer modernisierten und professionalisierten arabischen Medienwelt." (Abstract)
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"Media support should have a long term approach (3-5 years); media support should be framed to capacity building related to media production supporting development of media management targeting mainly women; development of producer skills and screenwriting targeting women and young people; developme...nt of civil society and its media capacity targeting especially Human Right focused organisations and associations; development of internal democracy in media entities, and development of a platform for young media producers in the Middle East and North Africa. Media support should mainly target the audiovisual media sector; Media support should promote exchange between different Arab regions and promote exchange between the Arab Region and the Western world." (Executive summay, p.13)
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"Is today’s changing media landscape in the Middle East empowering women? This is the first book to address the dynamics of media ecology and women’s advancement in the contemporary Middle East. The book spans both the region and media forms, from Iran’s women’s press, via Maghrebi women fil...mmakers and Egyptian political films, Palestinian TV and Hezbollah’s TV station, Al-Manar. It takes as its starting point the diverse experiencees and multi-layered identities of women and treats media institutions and practices as part of wider power relations in society. By analysing media production, consumption and texts, it reveals where and how gender boundaries have been erected or crossed." (Publisher)
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"In transcending territorial boundaries, satellite television has the potential to liberate viewers from government controls on national media. Why is this potential liberation yet to be fully realized in the Middle East? This dynamic book explores the development through the 1990s into the 21st cen...tury of cross-border television in the Middle East, exploring issues at the heart of the international political economy of communication." (Publisher)
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"The purpose of producing a second edition of the World Communication Report was pragmatic: the aim was to provide a reference work for decision-makers, planners, researchers, students, media professionals and the general public. In view of the scope of the subjects covered and the rapid outdating o...f certain features, this Report makes no attempt to be exhaustive, but brings out the convergence between information technology, information and communication and their applications in the various media (written press, news agencies, radio and television) and provides statistics on the changes observed in this field. It also attempts to highlight the major problems connected with the development of new information and communication technologies, such as the regulation of networks, media attitudes to violence and access of women to the media. The question that lies at the heart of this report may be summed up as follows: how are we to reinvent our patterns of thought and knowledge in the context of the technological multimedia revolution, which is proving both profound and irreversible?" (Preface)
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"This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world's films. Roy Armes sets out initially to place this huge output ...in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World's most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema." (Publisher)
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