"We undertook a systematic review to understand (i) how motherhood is represented across different media, (ii) how the modalities of media domains influence the motherhood representations that they offer, (iii) the gaps in recent research on the subject. We searched 7 databases for all studies inves
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tigating the representation of motherhood in media texts, in any geographical location, published after 31 December 2016. We identified 55 studies as relevant to the search criteria and undertook a thematic analysis of their findings. Our contribution is to offer a framework that summarizes and contrasts key themes of motherhood and tensions within and between motherhood ideologies as identified in different media domains." (Abstract)
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"Nationen basieren auf Ein- und Ausschlussmechanismen, die in öffentlichen Mediendiskursen ausgehandelt werden. Im heutigen Europa sind Referenzen zu Religion und spezifisch zum Islam bei der Verhandlung nationaler Zugehörigkeit zentral. Bisherige Analysen öffentlicher Debatten zum Islam in Europ
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a haben gezeigt, dass Fragen der Geschlechtergleichstellung im Vordergrund stehen und muslimische Frauen häufig Bilder kollektiver Differenz markieren. Mirjam Aeschbach legt anhand einer detaillierten Analyse aktiver Medienbeiträge muslimischer Diskursakteurinnen von 2016 bis 2019 dar, wie diese in der Öffentlichkeit Bilder nationaler Zugehörigkeit aufgreifen und sich aneignen - und wie diese Bilder so potentiell in Frage gestellt werden." (Verlagsbeschreibung)
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"Digital Religion refers to the contemporary practice and understanding that religion takes place in both online and offline contexts, and how these contexts intersect with each other. Scholars in this growing field of Digital Religion studies recognize that religion has been influenced by its engag
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ement with computer-mediated digital spaces, including not only the Internet, but other emerging technologies, such as mobile phones, digital wearables, virtual reality, and artificial intelligence. The Oxford Handbook of Digital Religion provides a comprehensive overview of religion as seen and performed through various platforms and cultural spaces created by digital technology. The text covers religious interaction with a wide range of digital media forms (including social media, websites, gaming environments, virtual and augmented realities, and artificial intelligence) and highlights examples of technological engagement and negotiation within the major world religions (i.e., Buddhism, Christianity, Hinduism, Islam, and Judaism). Additional sections cover the global manifestations of religious community, identity, ethics, and authority, with a final group of chapters addressing emerging technologies and the future of the field." (Publisher description)
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"This new edition of Latin American History Goes to the Movies uses a variety of feature films as a method of studying key historical themes in Latin America, from pre-Columbian cultures to contemporary debates. The book provides historical context as a way of interpreting Latin American filmography
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, offering multiple classroom viewing options per chapter theme. Each chapter is dedicated to a central concept or issue, such as stereotypes, conquest and colonialism, revolution, religion, gender, and politics. The second edition includes four additional chapters on dictatorships, LGBTQIA+ issues, the environment, and Indigenous peoples. Twenty new films, including La Fiesta del Chivo, Fresa y Chocolate, Embrace of the Serpent, and Roma appear throughout this edition, presenting additional perspectives and updates for today’s readers. The discussions of films and the history behind them offer a flexible and nuanced approach to understanding Latin American cultures, differentiating between stereotypical depictions and the realities of history." (Publisher description)
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"A total of 4,094 news stories were collected and analysed across 12 selected media outlets for a period of one month, from 2 January 2023 to 31 January 2023, by trained monitors. This study revealed a grim picture of women’s under-representation and misrepresentation in Cambodian news. This is a
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call to action for media owners and managers, senior editors, journalists, journalist associations to be intentional about women’s presence and portrayal in the news, to report the news from women’s perspectives and to regard women in news as an everyday topic rather than a marginalised topic. It is also a call to action to the Royal Government of Cambodia to support the Ministry of Women’s Affairs to monitor women’s presence and portrayal in news and in media outlets and to call out breaches to the Joint Prakas On Media Code of Conduct for Reporting on Violence Against Women, and to redress the gender imbalance of government spokespeople across all Ministries. This study did not extend to examining the impact on society of women being under-represented and misrepresented in news. Nevertheless, we do know that news media help shape public discourse and who or what is selected to appear in the news and how individuals are portrayed can influence people’s attitudes, beliefs and behaviours (Flood & Pease, 2009).
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"O objetivo deste texto é realizar apontamentos sobre a (não) participação de mulheres negras no rádio. Através do método de pesquisa dedutivo, e do uso da técnica de pesquisa documental e bibliográfica, a partir de diferentes procedimentos de codificação teórica (FLICK, 2009) para anál
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ise dos dados encontrados, iremos tratar a lacuna nos estudos de rádio sobre a presença, ou não de mulheres negras em diferentes instâncias da produção, consumo e/ou recepção. Os resultados mostram que as lacunas históricas associadas ao racismo reforçam a invisibilização de vínculos sociais e contratos de leitura em relação entre a mulher negra e o rádio brasileiro, sobretudo o meio comercial." (Resumo)
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"The study finds that provisions for gender equality and sensitivity in media regulations and national policies have two distinct features. The earlier provisions were concerned more about decency, obscenity and other such issues mainly from a moralistic perspective. The main concerns seemed to have
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been protecting the morality of society from effects of such contents, rather than protecting the rights of women. Then over the last couple of decades, gender-related provisions in media regulation and policies have been markedly influenced by development concerns. Media advocacy for women development along with other development goals started occupying a central space in regulatory and policy frameworks. This era might have introduced a rights perspective but gender-equality in the media organisations has not been the dominant primary approach. Provisions on „gender-sensitivity" were more frequent. The laws and regulations lack a requirement for equal coverage of women or other gender minorities in media content as well. The policies may have some requirements of this from the perspective of development in various sectors." (Executive summary, pages 10-11)
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"The chapter examines how news coverage of feminist protests in Mexico, one of the most violent countries in the world for women and for journalists, has changed in mainstream Mexican media since the #MeToo movement’s revitalization after 2017. With few exceptions, news coverage in Mexico, a count
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ry in the Global South, has historically emphasized disruptive behavior and the use of violence rather than the grievances of protesters. This trend follows the protest paradigm, which contends that media coverage tends to disparage protesters and hinder their role as political actors. However, the trend in coverage has begun to shift over the past several years, yet minimal scholarly discussions have occurred about temporal and geographical variations in news coverage of feminist mobilizations in Mexico. Given the recent increase in feminist demonstrations and upsurge in violence against women, this chapter provides findings from qualitative content analyses of 1007 news articles from 25 Mexican news media and agencies and assesses how they reported on the annual International Women’s Day marches on March 8 for the 2018–2020 time frame. These analyses concentrate on four dimensions of news coverage that focus on women’s protests: the evolution of topics in the news narrative; the tone of the coverage focusing on demonstrations; source selection; and news frames. The chapter demonstrates that journalists in Mexico have begun to shift away from the typical protest paradigm when covering demonstrations, and that they have moved toward a more assertive framing of women’s demands." (Abstract)
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"The South Asia Center for Media in Development (SACMID), addresses gender disparity both within the workplace and media content. Its main focus is utilizing the Gender Media Monitoring Tool to tackle these issues. The data collected through media monitoring is subsequently employed for advocacy ini
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tiatives involving multiple stakeholders. The paper aims to evaluate the project activities carried out by SACMID within PRIMED (Protecting Independent Media for Effective Development), focusing on their efforts to promote gender sensitivity in the media sector in Bangladesh. The primary objective is to assess the effectiveness of SACMID’s interventions by examining the degree to which the monitored outlets as well as stakeholders within the media sector have seen positive changes by themselves or in the sector a whole when it comes to the level of gender sensitive content reporting (and gender sensitivity in the newsrooms). We also wish to look into the level of success in SACMID’s attempt to establish itself as a known stakeholder on gender and media in Bangladesh." (Introduction, page 3)
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"La representación de la mujer en el cine de Colombia ha tendido a estar asociada a nociones de sumisión, victimización o sexualización, sugiriendo una cierta uniformidad, invisibilidad y repetición acerca de su existencia social y cinematográfica. A pesar de esta complejidad cultural e histó
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rica, existe una serie de producciones colombianas hechas en el nuevo milenio que trascienden los sesgos de género patriarcales y las dicotomías morales sobre la mujer en la pantalla grande. Teniendo en cuenta la sanción de la Ley de Cine 814 de 2003, la cual ha tenido un impacto positivo en el sector cinematográfico colombiano, este libro propone examinar de forma inédita, conjunta y crítica, diversas maneras en que las mujeres son representadas en un grupo de películas de ficción colombianas del siglo XXI. Bajo un prisma interdisciplinario de estudios de cine, feministas, poscoloniales y subalternos, este trabajo ofrece un enfoque temático y un análisis textual de un total de doce películas en el que se analizan imágenes de la mujer en el cine de Colombia, reconociendo sus raíces en las normas que ha establecido el patriarcado, y sus eventuales transgresiones. De este modo, este libro explora e invita a celebrar representaciones diversas y emergentes de la mujer entendiendo el silencio y la sumisión como factores subversivos, los tipos de emancipación de la mujer dentro de grupos al margen de la ley, y la sexualidad y el deseo de las mujeres como agentes de cambio al hablar de la feminidad. Esta obra argumenta que la Ley de Cine creó un espacio para que los y las cineastas representaran los límites de las normas de género hegemónicas en la sociedad colombiana y los esfuerzos que se vienen haciendo para desafiarlas a través de su cine." (Resumen)
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