"This book examines various types of interplay between film and the Bible. The theme of 'Bible on film' is explored through Hebrew Bible epics including The Prince of Egypt and Noah, and Jesus films such as The Last Temptation of Christ and Son of Man. The theme 'Bible in film' is analyzed through f
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ilms including Mary Magdalene, Magnolia, and Pulp Fiction. Films that 'Reimagine the Bible' include Ex Machina and The Tree of Life, and unusual Jesus figures in Pan's Labyrinth, Dogville, and Donnie Darko are explored. 'Film as Bible' considers films such as To The Wonder, Silence, and Parasite. A conclusion explores television shows such as Dekalog and The Handmaid's Tale." (Publisher description)
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"The remarkable commercial success of Mel Gibson’s The Passion of the Christ in 2004 came as a surprise to the Hollywood establishment, particularly considering the film’s failure to find production funding through a major studio. Since then the Biblical epic, long thought dead in terms of mains
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tream marketability, has become a viable product. This collection examines the new wave of the genre, which includes such varied examples as Darren Aronofsky’s Noah (2014) and Ridley Scott’s Exodus: Gods and Kings (2014), along with the telenovelas of Latin America. Such texts follow previous traditions while appearing distinct both stylistically and thematically from the Biblical epic in its prime, making academic consideration timely and relevant. Featuring contributions from such scholars as Mikel J. Koven, Andrew B. R. Elliott and Martin Stollery, and a preface from Adele Reinhartz, the book will be of interest to students and scholars of film, television and religion." (Publisher description)
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"This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament;
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considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema)." (Publisher description)
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"It has not been uncommon in the history of Jesus in film for commercial movies of Jesus' life to be conscripted for Christian evangelism around the world. Cecil B. DeMille's The King of Kings (1927), John Krish and Peter Sykes' Jesus (1979), better known today as The Jesus Film, and Mel Gibson's Th
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e Passion of the Christ (2004) are but three notable examples. Each of those movies, however, was first produced in America for American audiences. In the case of Karunamayudu (1978), a Telugu commercial movie of Jesus' life, the target audience was South Indian viewers raised on a steady diet of mythological and social films and immersed in a pluralistic religious environment unlike any Western society at the time. In this essay I explain how and why this film, with its unique production history, was co-opted by evangelicals for Christian witness in India." (Abstract)
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"The article deals with two recent Iranian films, al-Masih (Teh Messiah) by Nader Talebzadeh and Maryam al-Muqaddasah (Holy Mary) by Shahriar Bahrani. Both movies are about religious characters shared by Islam and Christianity: Zechariah, Mary and Jesus. The article explores the way the filmmakers h
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ave made use of both Islamic and non-Islamic sources to tell their story, and it analyses the stylistic and narrative means they have employed. Are these films contributing to the mutual religious understanding of Christians and Muslims? If so, how? And if not, why not?" (Abstract)
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"Ob "Herr der Ringe", "Das Leben der Anderen" oder "Bruce Allmächtig" - in vielen populären Kino-Filmen werden Gott, die Bibel und aktuelle ethische Fragen thematisiert. Doch wie findet man den passenden Film zum jeweiligen religiös-ethischen Thema? Der Autor liefert auf kompakte Art und Weise ei
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nen Überblick über geeignete Filme aus den letzten Jahren bis zur Gegenwart. Neben erfolgreichen Blockbustern überraschen auch einige Independent-Produktionen. Die abwechslungsreiche Filmliste beinhaltet alle Genres und lädt ein, bekannte und noch unbekannte Filme kennen zu lernen." (Verlagsbeschreibung)
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"Die Filmindustrie »ist nur religiös, wenn sie einen Markt dafür sieht. Die produziert nur die Kekse, die auch gegessen werden« (Regisseur Paul Verhoeven). Auch Gott und Religion sind solche »Kekse«! Offenkundig handelt es sich bei Unterhaltungsfilmen mit religiösen Motiven um Produkte, die d
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as große Publikum interessieren. Sie haben den unschätzbaren Vorteil, dass Gott und die Fragen nach dem »greater mystery out there« (Star Wars-Regisseur George Lucas) auf unterhaltsame und verständliche Weise präsentiert werden. Dies macht sich der vorliegende Band zu nutze, indem er die Filme zum Ausgangspunkt nimmt, um zentrale theologische Inhalte aufzubereiten. In der erweiterten und aktualisierten Auflage werden auch neue Filme wie etwa »Illuminati« und »Avatar« theologisch aufgearbeitet." (Verlagsbeschreibung)
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"Part I presents general categories for thinking about the intersection between religion and film, as well as an argument for an emerging line of theoretical inquiry. The chapters in Part II examine the use of film in teaching religious traditions, whether movies are seen from the critical perspecti
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ve of particular religious traditions or are used to teach the traditions themselves. Part III focuses on the use of film in the religious studies classroom, where religion or theories of religion are more generally addressed. Part IV considers the promise and challenge of using films to teach critical perspectives on fundamental human values, whether films are seen as vehicles for bringing stories into the classroom or as powerful indicators of a culture's core values." (Publisher description)
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"There are films that retell biblical narratives and there are films that allude to the Bible or otherwise build on or appropriate biblical themes and images. The eleven lively and provocative articles in this volume explore both types of film, showcasing the cinema's impact on the perception of the
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Bible in modern culture." (Publisher description)
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"Die anhaltende Kontroverse um Mel Gibsons Jesusfilm bewegt sich vor allem um drei Problemfelder: die Gewaltdarstellung, die Zeichnung der jüdischen Gegner Jesu und die Theologie des Films, insbesondere das in ihm vertretene Konzept von Opfer und Sühne. Immer wieder begegnen Fragen wie: Liegt die
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explizite Darstellung von brutalster Gewalt nicht auf der Linie alter und neuer Passionsdarstellungen in der bildenden Kunst? Steht der Film nicht in einer ehrwürdigen Tradition der Passionsfrömmigkeit - von der mittelalterlichen Kreuzesmystik bis zu Clemens Brentanos "Das Bittere Leiden unseres Herrn Jesus Christus" nach den Visionen Anna Katharina Emmericks, jenem Buch, das den Regisseur erklärtermaßen entscheidend inspiriert hat? Fällt der dem Film verschiedentlich vorgeworfene Antijudaismus nicht auf die Evangelien als seine Vorlagen zurück? Feiern wir nicht in der Eucharistie eben jenes Opfer, das der Film zwar drastisch, aber grundsätzlich doch in der richtigen Perspektive anvisiert? Ist es nicht der grausame Tod am Kreuz, der uns erlöst hat? In vielerlei Hinsicht sind Theologie und Kunstgeschichte durch den neuen Passionsfilm angefragt. Bei einem Symposiums an der Katholisch-Theologischen Fakultät Münster, zu dem die Forschungsgruppe "Kulturgeschichte und Theologie des Bildes" eingeladen hatte, nahmen ausgewiesene Fachvertreter aus der Perspektive ihrer Disziplin Stellung. Der Band enthält Beiträge von Martin Ebner, Andreas Gormans, Reinhard Hoeps, Otto Huber, Thomas Lentes, Thomas Schärtl, Martin Stuflesser, Jürgen Werbick und Reinhold Zwick." (Klappentext)
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"Since the earliest days of the movies more than a century ago, moviemakers have been intrigued by "the greatest story ever told." They have tried, with varying degrees of success, to capture the life of Jesus on film. In Jesus at the Movies Barnes Tatum has created a fascinating and exhaustively-re
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searched viewer's guide to the movies about Jesus. Tatum guides the reader film-by-film from Sidney Olcott's silent classic "From the Manger to the Cross" through Denis Arcand's award-winning "Jesus of Montreal" to the future of Jesus movies. With his experience as author, biblical scholar, and teacher on religion and film, he presents this unique look at Jesus films in all dimensions: as cinematic art, as literature, as biblical history and as theology." (Publisher description)
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