"This study examines how digital disinformation occurs through the creation and sustenance of figures or cultural tropes. It focuses primarily on the figure of the ecommittees, a phenomenon that refers to online fake accounts mobilized by various political actors to tarnish their opponents and propa
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gate their own ideologies online. Based on a frame analysis of Egyptian news articles published between 2011 and 2021, we trace the emergence of this figure in the wake of the 25th of January revolution, its development over time, and its impact on (dis)information. We illus trate how the framing of ecommittees contributes to an atmosphere of chaos and confusion about the digital realm, and how such framing tactics can be understood as a practice of digital authoritarianism. The study proposes a novel theoretical and methodological approach to studying disinformation from a cultural studies perspective that is centered around the role of every day media messages." (Abstract)
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"In this article, we use Shoemaker and Reese’s hierarchy of influences (HOI) model as a framework to investigate the ways in which Egyptian journalists perceive the influences exerted on them in the context of the post-Arab Spring transition. Our findings show that perceptions of limitations to jo
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urnalism practice can extend to all levels in the HOI model and that journalistic autonomy is particularly impeded due to factors at the social system level. This leads to an adaptation of the HOI model as we find that the perceived closure of the public sphere and a complicated network of clientelism at the social system level has impacted journalism practice negatively in Eg ypt and has a wider influence on the rest of the four levels in the model. In other words, routines, individuals, organizations, and social institutions all seem to mediate the social system’s influence on journalistic behavior." (Abstract)
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"This article investigates news distortion within the Arab media ecosystem, as manifested on Arab media Facebook pages and perceived by Arab journalists during the COVID-19 pandemic. A textual analysis was conducted on 6 news Facebook pages affiliated with major local media channels in 6 Arab countr
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ies: Egypt, Saudi Arabia, the United Arab Emirates, Kuwait, Lebanon, and Tunisia. In addition, a survey was administered to 116 Arab journalists residing in these countries. The findings revealed five main distortion categories in pandemic reporting: (1) overestimating the official response, (2) underestimating the public response, (3) diverting readers’ attention, (4) concealing information about the outbreak, and (5) posting unverified information. Moreover, the findings indicate that news distortion in Arab media during the pandemic is often influenced by institutional, rather than individual, pressures, including those from media organizations, government institutions, and societal norms." (Abstract)
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"This bulletin summarises the key findings and recommendations for strengthening collective efforts on communication and community engagement in the Libya floods response. The findings are drawn from a qualitative consultation with more than 30 representatives from the humanitarian community conduct
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ed in November 2023–January 2024." (About this bulletin)
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"This study examines the perceptions of Egyptian journalists of the effectiveness of professional training in digital journalism and determines the training-needs of journalists to adapt to innovative journalism practices. The study applies mixed descriptive methods based on The Motivation–Hygiene
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theory of what motivates employees. Data analysis is based on an online questionnaire with a snowball sample of 134 Egyptian journalists from different media outlets and in-depth interviews with 10 journalists and professional trainers, between June 2019 and August 2020. Findings reveal that the impact of hygiene factors is stronger than that of motivation factors. This study shows that hygiene factors negatively influence professional training and inhibit any positive impacts of motivation factors. The findings of this study are significant to media organizations and professional training providers." (Abstract)
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"The appearance of new media and its enormous diffusion in the last decades of the 20th century and up to the present has greatly increased and diversified the reception of Egyptian themes and motifs and Egyptian influence in various cultural spheres. So-called popular or pop culture (cinema, genre
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fiction, TV-series, comics, graffiti, computer and video games, rock and heavy music, radio serials, among others) often makes use of narratives and motifs drawn from the observation and study of ancient Egypt, updated and reinterpreted in various ways, and which is now the subject of study by scholars of Egyptology. The present monograph seeks to provide new evidence of this interdisciplinarity between Egyptology and popular culture. It explores the conscious reinterpretation of the past in the work of contemporary authors, who shape an image of the Egyptian reality that in each case is determined by their own circumstances and contexts." (Publisher description)
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"This chapter looks at the status of the freedom of the press, and the legal possibilities and obstacles that affect media’s ability to hold power to account and safeguard the principles of democracy. The legal environment in countries as diverse as the United States, Egypt, and Sweden differs gre
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atly, and affects the ability of journalists to report news to citizens that enables them to take part in the public discourse, based on theories on the public sphere. And according to theories on democracy, informed citizens can be seen as a requirement for democracy. Thus, certain conditions are necessary for journalism to be considered the fourth estate, and arguments for this are based on comparing the working conditions for independent professional journalists by semi-structured interviews with local journalists. Aspects discussed are access to official documents, media’s right to protect anonymous sources and the increase in intimidatory tactics against reporters, as the three countries are in different ways applying laws in order to regulate the media and their ability to hold power to account." (Abstract)
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"This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can't happen; while films have found new (temporary) channels of distribution
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(most often in the forms of digital releases), the festival format appears particularly vulnerable in pandemic times. Imperfect measures, such as the move to a digital format, cannot recapture the communal experience at the very core of festivals. Given the global nature of the pandemic and the diversity of the festival phenomenon, this book features a wide range of case studies and analytical frameworks. With contributors including established scholars and frontline festival workers, the book is conceived as both a theoretical endeavour and a practical exploration of festival organizing in pandemic times." (Publisher description)
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"This open access book contributes to the discourse of Responsible Artificial Intelligence (AI) from an African perspective. It is a unique collection that brings together prominent AI scholars to discuss AI ethics from theoretical and practical African perspectives and makes a case for African valu
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es, interests, expectations and principles to underpin the design, development and deployment (DDD) of AI in Africa. The book is a first in that it pays attention to the socio-cultural contexts of Responsible AI that is sensitive to African cultures and societies. It makes an important contribution to the global AI ethics discourse that often neglects AI narratives from Africa despite growing evidence of DDD in many domains. Nine original contributions provide useful insights to advance the understanding and implementation of Responsible AI in Africa, including discussions on epistemic injustice of global AI ethics, opportunities and challenges, an examination of AI co-bots and chatbots in an African work space, gender and AI, a consideration of African philosophies such as Ubuntu in the application of AI, African AI policy, and a look towards a future of Responsible AI in Africa." (Publisher description)
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"Lebanon and Tunisia are two of the freest countries in the Middle East and North Africa, but elites in both countries seek to manipulate media organisations and individual journalists to shore up support for themselves and attack opponents. This book explores the political role of journalism in the
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se hybrid settings where democratic and authoritarian practices co-exist - a growing trend all over the world. Through interviews with journalists in different positions and analyses of key events in recent years, Journalism in the Grey Zone explains the tensions that media instrumentalisation creates in the news media and how journalists navigate conflicting pressures from powerholders and a marginalised populace. Despite 'capture' of the media by political and economic actors, journalism remains a powerful and occasionally disruptive force." (Publisher description)
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"In many countries, especially outside Europe and the United States, we find a significant further decline in the use of Facebook for news and a growing reliance on a range of alternatives including private messaging apps and video networks. Facebook news consumption is down 4 percentage points, acr
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oss all countries, in the last year.
• News use across online platforms is fragmenting, with six networks now reaching at least 10% of our respondents, compared with just two a decade ago. YouTube is used for news by almost a third (31%) of our global sample each week, WhatsApp by around a fifth (21%), while TikTok (13%) has overtaken Twitter (10%), now rebranded X, for the first time.
• Linked to these shifts, video is becoming a more important source of online news, especially with younger groups. Short news videos are accessed by two-thirds (66%) of our sample each week, with longer formats attracting around half (51%). The main locus of news video consumption is online platforms (72%) rather than publisher websites (22%), increasing the challenges around monetisation and connection.
• Although the platform mix is shifting, the majority continue to identify platforms including social media, search, or aggregators as their main gateway to online news. Across markets, only around a fifth of respondents (22%) identify news websites or apps as their main source of online news – that’s down 10 percentage points on 2018. Publishers in a few Northern European markets have managed to buck this trend, but younger groups everywhere are showing a weaker connection with news brands than they did in the past.
• Turning to the sources that people pay most attention to when it comes to news on various platforms, we find an increasing focus on partisan commentators, influencers, and young news creators, especially on YouTube and TikTok. But in social networks such as Facebook and X, traditional news brands and journalists still tend to play a prominent role.
• Concern about what is real and what is fake on the internet when it comes to online news has risen by 3 percentage points in the last year with around six in ten (59%) saying they are concerned. The figure is considerably higher in South Africa (81%) and the United States (72%), both countries that have been holding elections this year.
• Worries about how to distinguish between trustworthy and untrustworthy content in online platforms is highest for TikTok and X when compared with other online networks. Both platforms have hosted misinformation or conspiracies around stories such as the war in Gaza, and the Princess of Wales’s health, as well as so-called ‘deep fake’ pictures and videos." (Executive summary, page 10)
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"Adjusting the focus to the time and research of the present, this chapter analyzes two case studies that occurred before and after the revitalization of the global #MeToo movement in 2017. The selected cases investigate how women have used social media platforms to combat VAW. The first case is Daf
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tar Hekayat El Mudawana, a blog that was created to expose sexual harassment and rape crimes—such as the #Fairmont_crime, which involved the gang rape of a young woman in 2014. The blog acted as a safe space for female survivors to tell their stories without exposing their identities. The second case focuses on Bassam Ahmed Zaki, who was exposed through social media in 2020 and later charged and incarcerated for serial rape." (Abstract)
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"L'information economique et sociale occupe la 3eme position des rubriques favorites, derriere le sport et la sante (la 5e pour les femmes). 65% des sondes declarent la suivre mais seulement 5% des 18-24 ans la suivent « regulierement ». 34 % des 18-24 ans n'ont recours a aucun des medias traditio
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nnels pour la suivre. Les medias traditionnels (76 %) sont talonnes par les reseaux sociaux (61 %) mais sont deja depasses parmi les categories socio-professionnelles les moins precaires et chez les 18-34 ans. Le mode de traitement des medias traditionnels releve dans plus d'un cas sur deux d'un journalisme « assis » de compte-rendu. 15 % des repondants suivent les publications d'un « influenceur » economique ou social sur les reseaux sociaux. 96,5 % des repondants privilegient des contenus en arabe. 70 % des Tunisien.ne.s ne sont pas satisfaits des contenus ; 87 % estiment que les themes n'ont rien a voir avec leur vie quotidienne et 64 % que le traitement n'est pas clair et difficile a comprendre. Les journalistes economiques et sociaux sont consideres comme dependants du pouvoir politique (47 %) et de l'argent (46 %). 2,5 % des repondants declarent ecrire des contributions sur ce theme sur les reseaux sociaux (et 7 % chez les plus de 55 ans)." (L'étude en 10 chiffre clés, page 16)
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"Des échanges intertextuels entre films, oralité et écriture ont caractérisé la production cinématographique des années 1990 et un certain nombre d’études leur ont été dédiées. Moins traitées par la recherche sont les relations entretenues par le cinéma avec la télévision et l’In
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ternet, alors que ces articulations sont omniprésentes dans le domaine de la production et de la réalisation de films en amazigh/berbère. Les articles réunis ici sont donc consacrés à l’imbrication du cinéma amazigh/berbère avec l’ensemble des autres médias et visent à répondre aux questions suivantes : quelle est l’influence des autres médias sur la technique et le sujet des films en amazigh ? L’intertextualité médiatique joue-t-elle un rôle dans l’émergence de nouveaux thèmes ? Quelle est la réception des nouveaux thèmes et films ? " (Description de la maison d'édition)
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"Journalists in Egypt and the UAE have been differently challenged by the COVID-19 situation at multiple levels, (1) individual (2) work/routines and (3) media/organizational while covering COVID-19. Using the hierarchy of influences model, we analyze the differentiated journalists’ role conceptio
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ns, perceived performance, and challenges they faced in covering COVID-19, and how that affect their performance, as Global South-based journalists. Applying a mixed method approach, we conducted in-depth interviews with 20 journalists who reported COVID-19, representing different media platforms, as a part of the Global Risk Journalism Hub project. We also surveyed journalists (n= 102) from both countries, as a part of the Journalistic Role Performance project. Findings revealed that media-organizational level challenges influenced journalists more than other levels. Journalists also shifted from the Civic Role Conception to performing the Loyal-Facilitator Role followed by the Interventionist Role during the pandemic." (Abstract)
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"This edited collection investigates the linguistics of globalisation, geopolitics and gender in workplace cultures in a range of different contemporary international settings. The chapters examine how issues of globalisation, gender and geopolitics affect professionals in different workplace contex
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ts, including domestic workers; IT professionals; teachers, university staff; engineers; entrepreneurs; CEOs of different corporates including locally based businesses as well as multinationals; farmers; co-operative leaders; NGO leaders; bloggers; healthcare assistants and caregivers. Taking different sociolinguistic approaches to exploring language and the geopolitics of gender at work in Dubai, Kuwait, Kenya, Uganda, Morocco, Nigeria, Malaysia, Turkey, Belgium, Switzerland, New Zealand, Uganda, the UK and the USA, each focuses on a range of salient geopolitical issues which often have global applicability, but which may also be subject to more localised socio-cultural variation. The chapters critically discuss issues of gendered language, perceptions and representations of workplace cultures, discrimination, the role of gendered stereotyping and deeply ingrained socio-cultural myths about gender and the importance of examining the intersections of identity - all of which continue to persist as barriers to equality and inclusion in workplaces worldwide. Despite the variation and diversity in professions and geopolitical contexts captured across the chapters, remarkably similar issues of gender discrimination and persisting inequalities are identified and critically discussed, thus pointing to the global nature of these issues." (Publisher description)
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"This research aims to understand the patterns, impact and modus operandi of gendered disinformation campaigns against women in politics in Brazil, Hungary, India, Italy and Tunisia. The case studies explore how gendered disinformation has been used by political movements, and at times the governmen
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t itself, to undermine women's political participation, and to weaken democratic institutions and human rights. Crucially, the research also looks at the responsibilities and responses that both state actors and digital platforms have taken - or most often, failed to take - to address this issue. Despite the regional and cultural diversity of the countries analyzed, several trends and patterns emerge related to gendered disinformation." (Executive summary)
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"Bringing together 14 journalism scholars from around the world, this edited collection addresses the deficit of coverage of violence against women in the Global South by examining the role of the legacy press and social media that report on and highlight ways to improve reporting. Authors investiga
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te the ontological limitations which present structural and systemic challenges for journalists who report on the normalization of violence against women in country cases in Argentina; Brazil; Mexico; Indonesia; Kenya, Nigeria, South Africa; Egypt; Libya, Syria, and Yemen. Challenges include patriarchal forces; gender imbalance in newsrooms; propaganda and censorship strategies by repressive, hyper-masculine, and populist political regimes; economic and digital inequities; and civil and transnational wars. Presenting diverse conceptual, methodological, and empirical chapters, the collection offers a revision of existing frameworks and guidelines and aims to promote more gender-sensitive, trauma-informed, solutions-driven, and victim or survivor centered reporting in the region." (Publisher description)
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"Who owns the media and communications in Africa today and with what implications? The book elegantly answers this urgent question by unpacking multiple dimensions of media ownership through rare and authoritative perspectives, including both historical and contemporary digital developments. It trac
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es the evolving forms of ownership of media and communications in specific African contexts, showing how they interact with broader changes in and outside the continent. The book also shows how Big Techs, such as Meta (formerly known as Facebook), are involved in a scramble for Africa’s digital ecosystem and how their advance brings both opportunities and concerns about ownership and control. The chapters analyse evolving forms of ownership and their implications on media concentration and democracy across Africa. The book offers a nuanced account of how media ownership structures are in some instances captured with an ever-growing and complex ecosystem that also has new opportunities for public interest media. Offering a significant representation of the trends and diversity of existing media systems, the book goes beyond the postcolonial geographical divisions of North and Sub-Saharan Africa to highlight common patterns and significant similarities and differences of communications ownerships between and within African countries. The contributors expose media and communications ownership patterns in Africa that are centralised and yet decentralising and in some cases, battling, resurging and globalising." (Publisher description)
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