"Certain researchers call to reconsider Communication for development and social change as a problem of “Techniques and Society” (McArthur, Jouët, Bardini, Lohento, Kiyindou, Missé). Thus, the models of social integration of innovations are used here to study how the new development assistance
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modules are accepted and appropriated by their final users in developing countries. There is no need to prove anymore that users’ reception and appropriation of the proposed service is critical to the development programs’ effectiveness, be it in public health, environmental issues, small and medium enterprise (SME) development, or other. We synthesize the Anglo-Saxon and French models and distinguish the common determinant axes for the innovations or novelties reception: before their actual use (acceptance models) and after it (appropriation models). The common base appears to be the mental construction of the sense of use: the user mobilizes his representations “already there” (anchoring in existing representations, Moscovici, Jodelet, LeBlanc) and his imaginary (Flichy, Musso) to assess the associated use benefits–costs, the anticipated-perceived use experience. In the literature, this mental construction process is theorized as the formation of the Perceived Value of Use (PVU) (Jouet, Mallein and Toussaint, Mallein et coll., Toussaint, Boenisch, Assude et al, Nelson, Kim et al.). However, it is necessary to further explore this process. Eager to explore the PVU concept in detail, we conducted a two-phase field qualitative study within the SME support sector (UN Sustainable Development Goals 8.3 and 9.3), in Turkmenistan, Central Asia. Our results suggest that we can model the PVU formation mechanism, and its role in the cognitive appropriation and acceptance of the new support services by the final users. We propose to test the results of our research, within the context of other developing countries and of other sectors." (Abstract)
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"This paper examines Azerbaijani Salafis’ engagement with the new media technologies. Our main research questions are: how do Salafis use digital or Internet media, what are the outcomes of this interaction, and what styles of communication do Salafis employ in their cyber engagements? Salafis in
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Azerbaijan are deprived of state support and do not possess institutional power. Salafi leaders have lost their access to mosques, and therefore their channels of communication with society and the scope of their preaching became severely limited. Under such conditions of structural restrictions and exclusion from public space, the Internet ofers many invaluable opportunities for Salafism. Since 2008 (with the closure of the Abu Bakr mosque, the main center of Salafi preaching), the Internet has become an important sphere for the transmission of Salafi knowledge, multi-level communication with society and authorities, disputes with rival religious groups, and the construction of religious authority." (Introduction)
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"Seit der Unabhängigkeit 1991 ist in Kasachstan ein Mediensystem entstanden, das formal viele Gemeinsamkeiten mit den Mediensystemen in konsolidierten Demokratien aufweist. Die Verfassung garantiert Meinungs- und Pressefreiheit, auf dem Medienmarkt herrscht Vielfalt, das Internet gewinnt zulasten d
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er Printmedien an Bedeutung, und das Fernsehen erreicht nahezu jeden Haushalt. Doch tatsächlich ist die Lage anders. Der Staat kontrolliert und zensiert die Medien, die Pressefreiheit ist eingeschränkt, Medien haben kaum Zugang zu Informationen. Außerdem fehlen Organe der Selbstkontrolle der Presse oder eine Berufsvereinigung der Journalisten. Diese Strukturdefizite sollten behoben werden. Nötig wären freie Medien, die objektiv und umfassend informieren und den Bürgern Meinungsbildung zur Innen- und Außenpolitik Kasachstans ermöglichen. Davon würde auch die Staatsmacht profitieren." (Abstract)
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"This study aims at finding the relationship between elderly people’s perceived state of loneliness and their choice of (old and/or new) media instruments. The sample of the study consists of randomly selected 300 elderly people over 60 who reside in rest homes in two different cities, Hatay and
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stanbul in Turkey. Participants were given a questionnaire with three sections. The first section included questions related to the participants’ demographic characteristics. Adapted from Russell’s (1996) “Loneliness Scale (Version 3)”, the second part was related to participants’ perceived state of loneliness. Final section was about their choice of media and related details such as aim and time spent on them. Analyzed by statistical methods, study findings show that elderly people from two different social settings and with changing demographic features display differing degrees of loneliness with a significant relationship between the forms of media they used, their related choices, aims and perceived state of loneliness." (Abstract)
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"International trade in creative industries showed sustained growth in the last decade. The global market for traded creative goods and services totaled a record $547billion in 2012, as compared to $302 billion in 2003. Exports from developing countries, led by Asian countries, were growing faster t
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han exports from developed countries. Among developed country regions, Europe is the largest exporter of creative goods. In 2012, the top 5 creative goods exporters included Germany, France, Switzerland, the Netherlands and Belgium. Exports of creative goods from developed economies grew during the period 2003 to 2012, with export earnings rising from $134 billion to $197 billion. Among developing countries, China is the largest exporter of creative goods. In 2012, the top 5 exporters were China, Hong Kong, China, India, Turkey and South Korea. Exports of creative goods from developing economies grew during the period 2003 to 2012, with export earnings rising from $87 billion to $272 billion. Developing countries are playing an increasingly important role in international trade in creative industries." (Executive summary)
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"The three countries that this year experienced a decrease in overall score—Belarus, Azerbaijan, and Kazakhstan—were ones last year that had showed small but unexpected increases. Last year’s Executive Summary indicated that such increases were unlikely to be part of a larger upward trend; pan
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elists’ scores this year for all three ended up placing the three more or less where they stood in 2014. A similar phenomenon occurred this year with Tajikistan. Panelists there gave scores that increase the overall score in the country by 0.18 despite the fact that many serious threats to the media sector exist, including government pressure and harassment of critical voices, concentration of media control, poor quality reporting, and difficulty for independent media in raising revenue. Except for Objective 3, Plurality of News, all objectives received higher scores. Reading the chapter text, however, one does not get the impression that much positive is happening to improve the ability of Tajik media to serve as the Fourth Estate." (Executive summary)
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"The markets we do include are a very diverse bunch, from the very closed and politically tightly controlled such as Laos; through a large number of nations on the African continent which have seen a sudden improvement in digital infrastructure thanks to the landing of several new submarine intercon
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tinental fibre optic cables over the past few years; and not forgetting markets like Trinidad & Tobago, which seems to enjoy a large choice of TV channels to serve a relatively modest population; or indeed Iran, fresh from its welcome back into the international fold following the suspension of UN sanctions in January 2016. For each market, we give some economic data sourced from the IMF, as well as our estimates and forecasts for advertising expenditure and growth in its ad market to 2018. We also provide a short commentary setting out an overview of the media market in question." (Page 1)
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"Die Fallanalyse hat gezeigt, dass eine Erzählung vom Krieg 1992-93 propagiert wird, die einer abchasischen Version des Narrationsschemas 'Die Vertreibung von fremden Feinden' entspricht. Ein zentrales Element der Erzählung ist zudem, so ergab die Interpretation, eine betont positive Darstellung d
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es Kriegsalltags. Durch sie wird einerseits das bereits existierende Bild der heldenhaften Soldaten gestützt. Andererseits wird der Nachkriegsgeneration 20 Jahre nach Kriegsende eine gewissermaßen harmlose Version des Kriegsgeschehens angeboten, mittels Film und Konzerten werden begleitend affektive Erlebnisse ermöglicht. So soll die Identifikation der Nachgeborenen mit diesem Teil des abchasischen Gründungsmythos, den sie selbst nicht erlebt haben, angeregt werden." (Seite 37)
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"Media concentration has been an issue around the world. To some observers the power of large corporations has never been higher. To others, the Internet has brought openness and diversity. What perspective is correct? The answer has significant implications for politics, business, culture, regulati
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on, and innovation. It addresses a highly contentious subject of public debate in many countries around the world. In this discussion, one side fears the emergence of media empires that can sway public opinion and endanger democracy. The other side believes the Internet has opened media to unprecedented diversity and worries about excessive regulation by government. Strong opinions and policy advocates abound on each side, yet a lack of quantitative research across time, media industries, and countries undermines these positions. This book moves beyond the rhetoric of free media and free markets to provide a dispassionate and data-driven analysis of global media ownership trends and their drivers. The book covers thirteen media industries, including television, newspapers, book publishing, film, search engines, ISPs, wireless telecommunication, and others across a 10- to 25-year period in thirty countries. After examining these countries, this book offers comparisons and analysis across industries, regions, companies, and development levels. It calculates overall national concentration trends beyond specific media industries, the market share of individual companies in the overall national media sector, and the size and trends of transnational companies in overall global media." (Publisher description)
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"The first book in Why We Post, a book series that investigates the findings of nine anthropologists who each spent 15 months living in communities across the world, including Brazil, Chile, China, England, India, Italy, Trinidad and Turkey. This book offers a comparative analysis summarising the re
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sults of the research and exploring the impact of social media on politics and gender, education and commerce. What is the result of the increased emphasis on visual communication? Are we becoming more individual or more social? Why is public social media so conservative? Why does equality online fail to shift inequality offline? How did memes become the moral police of the internet? Supported by an introduction to the project’s academic framework and theoretical terms that help to account for the findings, the book argues that the only way to appreciate and understand something as intimate and ubiquitous as social media is to be immersed in the lives of the people who post. Only then can we discover how people all around the world have already transformed social media in such unexpected ways and assess the consequences." (Back cover)
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"This book presents an ethnographic study of social media in Mardin, a medium-sized town located in the Kurdish region of Turkey. The town is inhabited mainly by Sunni Muslim Arabs and Kurds, and has been transformed in recent years by urbanisation, neoliberalism and political events. Elisabetta Cos
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ta uses her 15 months of ethnographic research to explain why public facing social media is more conservative than offline life. Yet, at the same time, social media has opened up unprecedented possibilities for private communications between genders and in relationships among young people. Costa reveals new worlds of intimacy, love and romance. She also discovers that, when viewed from the perspective of people's everyday lives, political participation on social media looks very different to how it is portrayed in studies of political postings separated from their original complex, and highly socialised, context." (Publisher description)
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"Internet freedom has declined for the sixth consecutive year, with more governments than ever before targeting social media and communication apps as a means of halting the rapid dissemination of information, particularly during antigovernment protests. Public-facing social media platforms like Fac
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ebook and Twitter have been subject to growing censorship for several years, but in a new trend, governments increasingly target messaging and voice communication apps such as WhatsApp and Telegram. These services are able to spread information and connect users quickly and securely, making it more difficult for authorities to control the information landscape or conduct surveillance. The increased controls show the importance of social media and online communication for advancing political freedom and social justice. It is no coincidence that the tools at the center of the current crackdown have been widely used to hold governments accountable and facilitate uncensored conversations." (Page 1)
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"The 45 country reports gathered here illustrate the link between the internet and economic, social and cultural rights (ESCRs). Some of the topics will be familiar to information and communications technology for development (ICT4D) activists: the right to health, education and culture; the socioec
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onomic empowerment of women using the internet; the inclusion of rural and indigenous communities in the information society; and the use of ICT to combat the marginalisation of local languages. Others deal with relatively new areas of exploration, such as using 3D printing technology to preserve cultural heritage, creating participatory community networks to capture an “inventory of things” that enables socioeconomic rights, crowdfunding rights, or the negative impact of algorithms on calculating social benefits. Workers’ rights receive some attention, as does the use of the internet during natural disasters. Ten thematic reports frame the country reports. These deal both with overarching concerns when it comes to ESCRs and the internet – such as institutional frameworks and policy considerations – as well as more specific issues that impact on our rights: the legal justification for online education resources, the plight of migrant domestic workers, the use of digital databases to protect traditional knowledge from biopiracy, digital archiving, and the impact of multilateral trade deals on the international human rights framework. The reports highlight the institutional and country-level possibilities and challenges that civil society faces in using the internet to enable ESCRs. They also suggest that in a number of instances, individuals, groups and communities are using the internet to enact their socioeconomic and cultural rights in the face of disinterest, inaction or censure by the state." (Back cover)
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"Documentary film is proving to be a particularly complex tool for the Kurdish social and political existence, as Kurds lack the official tools of history-writing and cultural preservation that are categorically associated with the capacities of a state. By delving into Kurdish documentary films as
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products of complex societal, political, and historical processes, the articles in the volume highlight the intersections of media production, film text, and audience reception, and expand on vibrant debates in the field of film and media studies through situated case studies." (Publisher description)
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"This year we have evidence of the growth of distributed (offsite) news consumption, a sharpening move to mobile and we can reveal the full extent of ad-blocking worldwide. These three trends in combination are putting further severe pressure on the business models of both traditional publishers and
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new digital-born players – as well as changing the way in which news is packaged and distributed." (Overview & key findings)
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"After the Syrian uprising morphed into an armed struggle, the Syrian government increasingly lost control over vast areas of territory. With the loss of State control, its imposed rule on media faded, enabling media to flourish in those areas. In territories it still controlled, its grip became eve
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n tighter consequently forcing many reporters out. By the end of 2013, media workers began to flee their new acquired space, too, after the extremist group called ISIS - “the Islamic State” - showed its might and other military groups also deprived media from the freedom it desired. In addition to the Syrian government-emptied territories, this dire situation in the opposition areas led to the migration of Syrian media to other countries, mainly to neighboring Turkey, Jordan and Lebanon. Like other refugees, journalists had to start a new life there. They found themselves in different sets of circumstances than they had experienced at home, especially in terms of regulations and living and working conditions, and they faced threats coming both from inside and outside their host country.RSF tried to dig deeper in the situation of exiled Syrian journalists and shed more light on the humanitarian, living and working conditions of media workers, exiled in their new shelter-countries, and on the dark side of Syrian journalists’ lives when reporting on their fellow citizens’ living conditions. RSF interviewed a total of 24 journalists in Turkey, Jordan and Lebanon. Their names are not mentioned. Most of them asked to remain anonymous, fearing retaliation against themselves or their family members still in Syria. The source of fear was the Assad regime, ISIS, other groups in Syria, the authorities of their host country as well as the media organization where they used to work or are still working." (Page 3)
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