"This research study examines and assesses the progress of media development work in the Southern Mediterranean region in the wake of the Arab Spring. It highlights the challenges faced by international agencies and presents examples of effective, innovative interventions that could help to shape be
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st practice in this field." (Executive summary)
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"Tied by history, politics, and faith to all corners of the globe, the Israeli-Palestinian conflict fascinates and infuriates people across the world. Based on new archive research and original interviews, Headlines from the Holy Land explains why this fiercely contested region exerts such a pull ov
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er leading correspondents and diplomats." (Publisher description)
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"This chapter will present the rhetorical features that comprise the dramatic mechanism, and illustrate them through case studies of Israeli plays that raise diverse sensitive health subjects in Israel's multicultural society, such as violence against women, obesity, novice teen drivers, and illegal
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drug use. At the outset, this chapter will present the characteristics of drama construction from the fields of drama and rhetorical persuasion." (Page 134)
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"In the following short essays, journalists from Palestine and Israel were asked to reflect on how local media covers the conflict and other news. These pieces have been organized here into four broad sections. The first chapter explores different ways in which the news is skewed, especially Israeli
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and Palestinian coverage of the Arab uprisings. The second chapter looks at the tension between being a patriot and a good journalist. The third section describes some of the day-to-day restrictions that hinder reporting and build frustration. In the last section, the authors suggest ways that Israeli and Palestinian journalists can minimize the impact that these hindrances, both psychological and physical, have on their work." (Introduction)
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"This study investigated the role of the news media in the lives of Jewish and Arab children in Israel. A survey of 1657 children (ages 8–18), including analysis of open-ended questions, reveals that Jewish and Arab children in Israel live in two different worlds of news. They are exposed to diffe
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rent sources, stories, and interpretations; they take different messages from the news; and they hold to some degree different attitudes toward their roles in their lives. The news also seem to be more heavily integrated in the lives of the Jewish majority young people than it is in the lives of the Arab ones who treat it as more important to adults. If anything, it seems that the consumption of news serves mostly to contribute to separatism and further alienation of the minority Arab young people group from Israeli society." (Abstract)
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"Im Kontext einer nord-süd-politisch relevanten Information interessiert besonders die Frage der Repräsentation, der Klischeebildung, der Ermächtigung. Ein Foto kann empathisch aufmerksam machen oder zur Schau stellen, aber auch Nähe erzeugen, berühren. Nicht immer folgt auf eine gute Absicht e
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ine gute Praxis. Entwürdigende Fotografie ist, wenn Menschen stilisiert oder als Platzhalter eingesetzt werden. Das kommt in der Fair-Trade-Werbung vor (S.25). Oder wenn sie – wie häufig in der Spendenwerbefotografie von Hilfswerken – viktimisiert werden. Das Foto einer Person kann etwas sehr Privates weltweit und öffentlich kundtun. So zum Beispiel das Foto eines Mädchens ohne Kleider, das – mit Entsetzen im Gesicht – vor dem Napalmangriff südvietnamesischer Flieger weg- und einem Pressefotografen entgegenläuft. Und damit den Augen von Millionen BetrachterInnen in der westlichen Welt, nachdem das Bild mit der Vergabe des World Press Photo Awards 1972 schließlich zum Symbol für die Grausamkeit des Vietnamkrieges wurde. Ein Foto kann Gewalt sichtbar machen. So vermag ein Bild von Gefangenen die Willkür ihrer Peiniger ausdrücken. Der Blick in eine Fabrikhalle mit einem Nähmaschinenpark kann den vernichtenden Charakter eines Systems darstellen. Ein Foto kann vom unmenschlichen Grauen erzählen. Oder es kann Verstoßene rehabilitieren; etwa wenn Personen ihre Versehrungen zeigen (S.17) und dabei Momente des Vertrauens und des Glücks zum Ausdruck bringen. Ein Foto kann Zuversicht schaffen. Der abgelichtete Moment eines Handschlages – wie zwischen Nelson Mandela und F.W. De Klerk – hat ein Zeitalter der Hoffnung auf das Ende der Apartheid eingeläutet. Ein Foto kann ermächtigen. Die Porträts von Trans-Personen der Aktivistin Zanele Muholi sind wie eine Ausstellung der Existenz des Schönen, der Liebe und des Menschseins gegen eine homophobe Stimmung (S.30). Die Kraft eines Fotos im emanzipatorischen Sinn – liegt oft in der Irritation. Ein kleiner Zweifel, ein kurzer Knacks im herrschenden Diskurs. Fotografie kann – das klingt schlicht – Sichtbarkeit schaffen. Die Fotos der Gruppe Lampedusa in Hamburg Professions (S.31), erinnern daran, dass hierzulande viele Menschen eine Vorliebe dafür hegen, sich über ihren Beruf in Wert zu setzten, anderen diese Repräsentation aber gerne aberkennen." (Editorial)
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"This is the first collection to de-Westernize the scholarship on women, politics and media by: 1) highlighting the latest research on countries and regions that have not been ‘the usual suspects’; 2) featuring a diverse group of scholars, many of non-Western origin; 3) giving voice through pers
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onal interviews to politically active women, thus providing the reader with a rare insight into women's agency in the political structures of emerging democracies. Each chapter examines the complex women, politics and media dynamic in a particular nation-state, taking into consideration the specific political, historic and social context. With 23 case studies and interviews from Latin America, sub-Saharan Africa, the Middle East and North Africa, Central and Eastern Europe, Asia, Russia and the former Soviet republics, this volume will be of interest to students, media scholars and policy makers from developed and emerging democracies." (Publisher description)
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"Mass communication has long been recognized as an important contributor to national identity and nation building. This book examines the relationship between media and nationalism in Israel, arguing that, in comparison to other countries, the Israeli case is unique. It explores the roots and evolut
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ion of newspapers, journalism, radio, television, and the debut of the Internet on both the cultural and the institutional levels, and examines milestones in the socio-political development of Hebrew and Israeli mass communication. In evaluating the technological changes in the media, the book shows how such shifts contribute to segmentation and fragmentation in the age of globalization." (www.berghahnbooks.com)
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"A review of the literature indicates a plethora of studies examining the coverage of Middle Eastern conflicts, but hardly any research has been explicitly framed as being developed from a peace/war journalism perspective. The current study, therefore, represents a substantive effort to remedy this
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deficiency. It examines the extent to which the 2010 Mavi Marmara incident is framed based on Johan Galtung’s classification of peace/war journalism. A content analysis of 156 online stories from Haaretz, The Guardian, and The New York Times suggests that overall differences exist among the war/peace narratives published in the three newspapers. The validity of few peace indicators used also was noted. The authors strongly advocate for the need to redefine indicators for peace journalism to reflect the concept as distinct from objective, and factual reporting." (Abstract)
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"Using the Israeli-Palestinian conflict as a natural laboratory for studying possibilities and limitations of constructive conflict coverage, the present book combines a longitudinal retrospective look at the coverage of the Israeli-Palestinian conflict with experimental research on audience reactio
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ns and theoretical questions of conflict, war and peace coverage.
The editors aimed at utilizing these materials to learn about changes in media framing and representation of issues, actors, and leaders; to focus on problems of war coverage and peace journalism, such as the persistence of a war orientation in media culture and performance, and the extent to which the media have “matured” so as to change this normative orientation in favor of an increased contribution to peacemaking and peacekeeping; and to study and criticize peace journalism thought, research and action after some twenty years since its emergence." (Publisher description)
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"This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese A
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mericans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and thedesaparecidosin Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord's notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now "spectacle" can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin's plea to "explode the continuum of history" and bring our attention to now-time." (Publisher description)
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"Premiering in 2006, Ugly Betty, the award-winning US hit show about unglamorous but kind-hearted Betty Suarez (America Ferrera),is the latest incarnation of a worldwide phenomenon that started life as a Colombian telenovela,Yo soy Betty, la fea, back in 1999. The tale of the ugly duckling has since
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taken an extraordinary global journey and become the most successful telenovela to date. This groundbreaking book asks what the Yo soy Betty, la fea / Ugly Betty phenomenon can tell us about the international circulation of locally produced TV fictions as the Latin American telenovela is sold to, and/or re-made-officially and unofficially-for different national contexts. The contributors explore what Betty has to say about the tensions between the commercial demands of multimedia conglomerates and the regulatory forces of national broadcasters as well as the international ambitions of national TV industries and their struggle in competitive markets. They also investigate what this international trade tells us about cultural storytelling and audience experience, as well as ideologies of feminine beauty and myths of female desire and aspiration. TV's Betty Goes Global features original interviews with buyers and schedulers, writers, story editors and directors, including the creator of Yo soy Betty, la fea, Fernando Gaitan." (Publisher description)
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"The current UIS Questionnaire on Media Statistics provides information for three UNESCO frameworks, namely the Media and Information Literacy Framework, the Media Development Indicators Framework and the Framework for Cultural Statistics. The questionnaire collects data for reporting global progres
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s on Action Lines C2, C3, C8 and C9 of the World Summit on Information Society (WSIS) in UNESCO’s fields of competencies. In particular, Action Line C9 recommends appropriate policies to foster and sustain media and information development. This document provides country profiles for each of the countries that participated in the two pilot surveys conducted in 2011 and 2012." (Background, page 3)
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"This is a guide of sorts, presenting a collection of terms used on both sides, which in some contexts may be regarded as loaded or biased, or whose meaning is often misunderstood, or which can be misleading. These are words the use of which is liable to give away the reporter’s communal identity
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or sympathies. There are words that can cause some audiences to simply shut down and stop listening. Our goal is to expose potential linguistic pitfalls, so that those covering the conflict are aware of how their words might be received. The handbook tries to present reasonable alternatives to the loaded terms and is meant to serve as a tool for journalists trying to find their way in the typically complicated terminology of the conflict. It was written not only for the sake of Israeli and Palestinian journalists but also for foreign reporters, with the intention of honing and increasing their awareness of problematic terminology that they might employ, or that they might find in use by actors on both sides of the conflict." (Editor's note)
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"This book provides an in-depth comparative analysis of inequality and the stratification of the digital sphere. Grounded in classical sociological theories of inequality, as well as empirical evidence, this book defines “the digital divide” as the unequal access and utility of internet communic
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ations technologies and explores how it has the potential to replicate existing social inequalities, as well as create new forms of stratification. The Digital Divide examines how various demographic and socio-economic factors including income, education, age and gender, as well as infrastructure, products and services affect how the internet is used and accessed. Comprised of six parts, the first section examines theories of the digital divide, and then looks in turn at: highly developed nations and regions (including the USA, the EU and Japan); emerging large powers (Brazil, Russia, India, China); Eastern European countries (Estonia, Romania, Serbia); Arab and Middle Eastern nations (Egypt, Iran, Israel); under-studied areas (East and Central Asia, Latin America, and sub-Saharan Africa)." (Publisher description)
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"This framing study compares Al-Jazeera and Al-Arabiya coverage of the Israel–Palestine conflict during the 2008/2009 Gaza conflict and one year later, during a period of calm. Findings suggest that both networks used framing mechanisms to highlight Palestinian perspectives over Israeli ones and f
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rame Palestinians as victims of Israeli aggression. The networks regularly described Palestinian casualties and showed images of Palestinian grief, provided more voice to Palestinian sources, and personalized Palestinian deaths." (Abstract)
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