"International trade in creative industries showed sustained growth in the last decade. The global market for traded creative goods and services totaled a record $547billion in 2012, as compared to $302 billion in 2003. Exports from developing countries, led by Asian countries, were growing faster t
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han exports from developed countries. Among developed country regions, Europe is the largest exporter of creative goods. In 2012, the top 5 creative goods exporters included Germany, France, Switzerland, the Netherlands and Belgium. Exports of creative goods from developed economies grew during the period 2003 to 2012, with export earnings rising from $134 billion to $197 billion. Among developing countries, China is the largest exporter of creative goods. In 2012, the top 5 exporters were China, Hong Kong, China, India, Turkey and South Korea. Exports of creative goods from developing economies grew during the period 2003 to 2012, with export earnings rising from $87 billion to $272 billion. Developing countries are playing an increasingly important role in international trade in creative industries." (Executive summary)
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"Media concentration has been an issue around the world. To some observers the power of large corporations has never been higher. To others, the Internet has brought openness and diversity. What perspective is correct? The answer has significant implications for politics, business, culture, regulati
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on, and innovation. It addresses a highly contentious subject of public debate in many countries around the world. In this discussion, one side fears the emergence of media empires that can sway public opinion and endanger democracy. The other side believes the Internet has opened media to unprecedented diversity and worries about excessive regulation by government. Strong opinions and policy advocates abound on each side, yet a lack of quantitative research across time, media industries, and countries undermines these positions. This book moves beyond the rhetoric of free media and free markets to provide a dispassionate and data-driven analysis of global media ownership trends and their drivers. The book covers thirteen media industries, including television, newspapers, book publishing, film, search engines, ISPs, wireless telecommunication, and others across a 10- to 25-year period in thirty countries. After examining these countries, this book offers comparisons and analysis across industries, regions, companies, and development levels. It calculates overall national concentration trends beyond specific media industries, the market share of individual companies in the overall national media sector, and the size and trends of transnational companies in overall global media." (Publisher description)
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"This year we have evidence of the growth of distributed (offsite) news consumption, a sharpening move to mobile and we can reveal the full extent of ad-blocking worldwide. These three trends in combination are putting further severe pressure on the business models of both traditional publishers and
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new digital-born players – as well as changing the way in which news is packaged and distributed." (Overview & key findings)
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"The Media Pluralism Monitor (MPM) is a tool for assessing the risks for media pluralism in a given country. The Monitor aims to help policymakers, researchers, and civil society to understand the threat to media pluralism in different media systems through research, analysis and the provision of co
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untry data. The present Monitor has been developed and tested by the Centre for Media Pluralism and Media Freedom (CMPF), at the European University Institute, and has been funded by the European Union. The CMPF created the prototype of the Monitor and pilot-tested it in 2014 (MPM2014), building on the 2009 Independent Study on Indicators for Media Pluralism in the Member States – Towards a Risk-Based Approach. The results of this second prototype, which was tested in 2015 (MPM2015), are published in this report. During these two rounds of implementation, the CMPF has strengthened the research design of the Monitor, co-ordinated the data collection carried out by national experts, and analysed the results, i.e., it has assessed the risks for media pluralism across EU Member States. This report presents the results and the methodology of the MPM2015 implementation, which measures risks to Media Pluralism in 19 EU countries, namely, Austria, Croatia, Cyprus, the Czech Republic, Finland, Germany, Ireland, Latvia, Lithuania, Luxembourg, Malta, the Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, and Sweden." (Executive summary)
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"Of the 939 identified main media literacy stakeholders, over a third were categorised as “civil society” (305), followed by “public authorities” (175) and “academia” (161). Over two-thirds of them do not have a statutory responsibility in this area and base their involvement on a differ
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ent motivation. 189 networks were identified and the vast majority of them (135) are operating at national level. Since the level of activity differs a lot between countries, of the maximum of 580 projects (20 possible projects for each of the 29 respondents, but not all of them were able to detect 20), only 547 were identified. The most common project type is “resources” (173); the second is “end-user engagement” (107). These two together account for more than half of all analysed projects, showing that providing frontline support to citizens is a priority. As to the a ddressed media literacy skills, “critical thinking” was the clear winner, being dealt with by 403 of the 547 projects, followed by “media use” (385). This trend is also confirmed by the case study analysis of the most significant 145 projects, which also feature projects on “intercultural dialogue” (46 of 145), including skills around challenging radicalisation and hate speech online." (Executive summary, page 3-4)
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"Ciberperiodismo en Iberoamérica relata los veinte primeros años (1995-2014) del periodismo digital en veintidós países: todos los de América Latina, además de España y Portugal. Con abundantes estadísticas, referencias históricas inéditas y curiosas imágenes rescatadas del pasado, este l
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ibro ofrece un análisis profundo y documentado sobre el origen, hitos y tendencias de los medios digitales en todos y cada uno de los países iberoamericanos. ¿Cuáles han sido los medios de Internet pioneros en lugares como México, Brasil o Argentina? ¿Y en países menos poblados como Honduras, Cuba o Uruguay? ¿Qué rasgos caracterizan a las publicaciones digitales andinas frente a las caribeñas o las ibéricas? ¿Cuál ha sido la evolución de los medios nativos digitales en toda la región? ¿Y el perfil, formación y condiciones laborales de sus periodistas? Coordinado por el profesor Ramón Salaverría, director del Center for Internet Studies and Digital Life de la Universidad de Navarra, y con la colaboración de investigadores de los veintidós países estudiados, este volumen responde por primera vez a todas estas preguntas. A partir de capítulos nacionales de estructura común, la obra presenta una historia detallada sobre el periodismo digital en la región. Para varios países, se trata, de hecho, de la primera obra donde se registra y analiza sistemáticamente la evolución de los medios de Internet en su territorio. El libro aporta, además, análisis panorámicos y prospectivos sobre el ciberperiodismo en toda la región." (Cubierta del libro)
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"The scope of this paper is to present an innovative internal communication strategy applied to non-profit organisations, such as religious institutions. Strategic communicational principles led to the design of a Vocational Pastoral Teams Kit, implemented in the north of Portugal, to reinforce the
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consciousness of a Christian vocation in the local community. The Vocational Kit was implemented by the Diocesan Secretariat for Vocation - an active entity, part of the Portuguese Catholic Church, an organisation dedicated to promote awareness of the vocational meaning of life. This Kit is part of a communication plan conceived to motivate the priests in their mission, to reinforce their interaction with local members of the community connected to the local churches. The priest is the main promoter, his task is to advise catechists; animators (youth groups, preparation for Confirmation, Acolytes); parish community (pastoral family, charitable pastoral) and Christian religion teachers. In order to promote a better understanding of this case study, a theoretical framework will be developed based on Organisational Communication and Strategic Communication theories that highlight insights about the internal dimension and the local contexts. Operational concepts such as communication plans and the key factors for their implementation were also discussed. The results of the strategic communication plan will be shared along with the main conclusions that stress the value of an inside out vision on strategic communication for non-profit organisations." (Page 169)
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"The aim of the present book is to offer an overview and report on Strategic Communication for Non-Profit-Organisations and the Challenges and Alternative Approaches. Considering the assumption that a key principle of strategic communication is the achievement of organisational goals, the majority o
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f research developed in the field has used business environments to develop theories, models, empirical insights and case studies. Here, we take a step towards new approaches centred on the concept of non-profit in various dimensions and from various perspectives, showing the diversity and complexity around this subject and at the same time the need of further theoretical and empirical work that provides frameworks and also tools for further understanding of the phenomena." (Publisher description)
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"Este documento ofrece una serie de cifras y perspectivas claves para ayudar a los profesionales del sector editorial de todo el mundo a entender la transformación que está teniendo lugar en los mercados en idioma español y portugués, así como las oportunidades de negocio derivadas de dicha tra
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nsformación." (Página 3)
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"O fomento à produção cinematográfica em regime de coprodução tem sido uma saída para os países latinoamericanos que pressionados em sua cadeia produtiva pela hegemônica indústria cinematográfica norte americana têm dificuldades em desenvolver suas cinematografias. Desde da década de 19
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90, essa modalidade de realização fílmica tem sido sistematizada de forma mais consistente entre esses países, Portugal e Espanha através do Programa Ibermedia. Ao que pesem as controvérsias, este programa tem tentado cumprir o papel de promover um espaço de interação audiovisual na chamada Iberoamérica. Esse artigo tem por objetivo apresentar minha proposta de pesquisa de doutorado, que buscará avaliar a relação investimento/retorno das coproduções realizadas pelo Ibermedia nos seus últimos dez anos (2003-3013), tomando para estudo de caso 32 coproduções brasileiras realizadas com apoio do fundo, durante esse período." (Resumo)
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"Este livro reúne experiências e reflexões de académicos e não académicos sobre as potencialidades dos media para envolver e capacitar comunidades. Ao longo destas páginas, encontram-se textos que documentam propostas educativas e cívicas em torno dos media ou refletem sobre as capacidades d
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os media para trabalhar no seio das comunidades, incluindo as esferas da infância/juventude e/ou dos adultos e seniores. As metodologias participativas têm uma grande tradição em países da América Latina, de África e da Ásia e estão agora a ser mais usadas na Europa, particularmente, em Portugal. Esta inspiração reflete-se nas diferentes geografias que podem ser encontradas nesta obra, desde Reino Unido, Alemanha ou Brasil, até ao Quénia. Este livro está dividido em quatro partes. Uma primeira foca-se no projeto que deu mote ao livro, o RadioActive Europe, dando conta das suas práticas em Portugal e noutros países europeus. De seguida, juntamos experiências comunitárias e participativas nacionais e internacionais e, por fim, expomos vários caminhos de reflexão em torno da literacia e dos media." (Sinopse)
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"Video games have become a global industry, and their history spans dozens of national industries where foreign imports compete with domestic productions, legitimate industry contends with piracy, and national identity faces the global marketplace. This volume describes video game history and cultur
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e across every continent, with essays covering areas as disparate and far-flung as Argentina and Thailand, Hungary and Indonesia, Iran and Ireland. Most of the essays are written by natives of the countries they discuss, many of them game designers and founders of game companies, offering distinctively firsthand perspectives. Some of these national histories appear for the first time in English, and some for the first time in any language." (Back cover)
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"In 2014, Mexico, Brazil, Portugal, Colombia and Argentina, in that order, were the top five countries in the production of national fiction hours. Once again, Brazil and Mexico, despite the drop suffered by the latter, continued to be the largest producers of fiction in the Ibero-American region. I
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n contrast, Peru and Ecuador had the lowest offer of national fiction hours, while Uruguay did not produce hours of national fiction during 2014." (Page 39)
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"What are the particular characteristics of the media in small nations? What challenges do broadcasters and other media institutions in these countries face, how can these be overcome, and are there advantages to operating in a small national context? How are small nations represented on screen, and
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how do audiences in small nations engage with the media? Bringing together perspectives from across Europe, including case-studies on Catalonia, the Basque Country, Wales, Scotland, Iceland, Portugal, Slovenia and Macedonia, this collection answers these questions. At the same time, it provides readers with insights into broader issues of media policy, representation, national identity, transnationalism, audience reception and media research methods." (Publisher description)
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"The structure of this Yearbook is divided in three parts. The first part is an introduction chapter that makes a comparative synthesis of fiction in Obitel countries. This comparison is made from a quantitative and qualitative perspective that allows us to observe fiction development in each countr
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y, pointing out its main products as well as the topic of the year: transmedia production strategies in television fiction. The second part includes 12 chapters (one for each country) with an internal structure in which sections of the Yearbook are usually constant, although some are more specific than others." (Pages 19-20)
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