"This research brings together scholarship across the Americas and Caribbean to examine digital inclusion initiatives in the following countries: Uruguay, Chile, Peru, Brazil, Mexico, Cuba, Jamaica, the United States, and Canada. Across the cases, several themes emerge that offer important indicator
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s for future digital inclusion initiatives. First, public policy can effectively reduce access gaps when it addresses the trifecta of network, device, and skill provision. Second, this triple-crown of public policy is highly effective for longitudinal effect when implemented early via educational institutions. Third, rural-urban digital inequality is resistant to change such that rural populations benefit less from policy initiatives than their urban counterparts. Fourth, digital inclusion in rural areas and among marginalized populations is most effective when cocreated with communities to ensure community investment, participation, and control. Fifth, stay-at-home orders during the COVID-19 pandemic are rapidly increasing our dependence on digital technologies, making digital inclusion more important than ever for education and rural communities. We therefore close the article with discussion of how the COVID-19 pandemic is amplifying digital disadvantage and exclusion across the Americas, the Caribbean, and the globe. (Abstract)
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"An increasing number of media platforms - from newspapers and television to Internet social media networks - are the major providers of indispensable information about the natural world and environmental risk. Despite the dramatic changes in the news industry that have tended to reduce the number o
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f full-time newspaper reporters, environmental journalists remain key to bringing stories to light across the globe. With contributions from across the world broken down into five key regions - the United States of America, Europe and Russia, Asia and Australia, Africa and the Middle East, and South America - this book provides support for today's environment reporters, the providers of essential news in the 21st century." (Publisher description)
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"Using data from preregistered survey experiments conducted around recent elections in the United States and India, we assess the effectiveness of an intervention modeled closely on the world’s largest media literacy campaign, which provided “tips” on how to spot false news to people in 14 cou
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ntries. Our results indicate that exposure to this intervention reduced the perceived accuracy of both mainstream and false news headlines, but effects on the latter were significantly larger. As a result, the intervention improved discernment between mainstream and false news headlines among both a nationally representative sample in the United States (by 26.5%) and a highly educated online sample in India (by 17.5%). This increase in discernment remained measurable several weeks later in the United States (but not in India). However, we find no effects among a representative sample of respondents in a largely rural area of northern India, where rates of social media use are far lower." (Abstract)
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"Media Imperialism: Continuity and Change advances applied theoretical research on 21st century media imperialism. The volume includes established and emerging researchers in international communications who examine the geopolitical, economic, technological and cultural dimensions of 21st century me
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dia imperialism. The volume highlights and challenges how news, entertainment and social media uphold unequal power relations in the world. Written in an accessible style, this volume marries conceptual, theoretical sophistication, and concrete illustration with rich case studies and global examples. Chapters cover the complete media spectrum, from social media to Hollywood, to news and national propaganda in national and transnational analyses. Readers will find discussions that range from soft power and China to the USA's empire of the internet to the rise of "Chindia" in a post-American media world." (Publisher description)
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"Brazil markets itself as a racially mixed utopia. The United States prefers the term melting pot. Both nations have long used the image of the mulatta to push skewed cultural narratives. Highlighting the prevalence of mixed-race women of African and European descent, the two countries claim to have
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perfected racial representation - all the while ignoring the racialization, hypersexualization, and white supremacy that the mulatta narrative creates. Jasmine Mitchell investigates the development and exploitation of the mulatta figure in Brazilian and US popular culture. Drawing on a wide range of case studies, she analyzes policy debates and reveals the use of mixed-black female celebrities as subjects of racial and gendered discussions. Mitchell also unveils the ways the media moralizes about the mulatta figure and uses her as an example of an "acceptable" version of blackness that at once dreams of erasing undesirable blackness while maintaining the qualities that serve as outlets for interracial desire." (Publisher description)
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"Media freedom is primarily the freedom of diverse forms of media and sources of communication. Traditionally, freedom of the press is conceptualized as the freedom to publish; however, the notion of media freedom is much broader as it encompasses the freedom both to publish and to broadcast, emphas
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izing the idea that media in information societies consist of more than print sources (e.g. newspapers and magazines) and incorporates electronic sources of communication as well, such as radio, television, and the Internet. Hence, freedom of the media is indispensable for democratic societies given that the media are an outlet for public discussion and opinion and basically operate to seek the truth, educate the public, and serve as a watchdog over government. Threats to journalists and attacks on media freedom undermine the proper functioning of the United States as a democratic society, as the ability of journalists to investigate and report on controversial topics becomes threatened by the government and pressure groups such as criminal gangs, terrorists, and corporate giants. In the U.S., as elsewhere, freedom of expression is a fundamental human right, and a precondition for many other democratic rights. According to the First Amendment of the U.S. Constitution: Restrictions on freedom of expression can be direct (such as stringent laws) and in direct (such as censorship pressure from the government and military), and vary relative to social contexts. In democratic systems, media organizations and journalists have been the lifeline of freedom of expression and public accountability. The existence of free and pluralistic media is indispensable to democratic governance, and media freedom is vital to the practice of journalism. Media professionals and journalists need the freedom to perform their jobs without undue constraints. Journalists report on issues of public interest, including government policies, and have a key role to play in democracies by revealing truth and disseminating information indispensable to sustainable knowledge societies. Threats and violence against journalists and media professionals can stop the public from exercising their fundamental right to seek, receive, and impart information." (Abstract)
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"Triangulating several methods including automated framing analysis and assessment of textual elements, this study examines how the elite press from three countries frames the Rohingya refugee crisis in 2017. Results from our framing and textual analysis show differences in how the press from the th
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ree countries portrayed the crisis. Specifically, The Irrawaddy (Myanmar) tends to incorporate a nationalist narrative into news content, playing down the violence used against Rohingyas. The New Nation (Bangladesh) frames the crisis according to the country's priorities, focusing its coverage on the humanitarian aspects of the crisis. The New York Times uses a Western hegemonic discourse. Textual analysis indicates that although the same words are used in the frames of the Rohingya crisis, some represent different meanings. Findings are discussed using the lens of ideological and cultural influence." (Abstract)
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"La tiranía del rating se ha convertido en los últimos años en una expresión muy utilizada por diferentes actores de la industria de los medios de comunicación, que desconfían de la forma en la que las métricas miden el comportamiento de las audiencias. Los compradores, los periodistas, los a
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ctores y los productores ven cada vez más en estas mediciones una moneda de cambio que privilegia la cantidad sobre la calidad. Sin embargo, la investigación comercial de audiencias, y la manera en la que es implementada, ajustada, cuestionada, tolerada o acatada por las industrias mediáticas y publicitarias contemporáneas, es un tema que no ha sido estudiado con suficiente atención. Conscientes de la relevancia y de la urgencia de estos temas, los autores de Contando colombianos cuestionan el funcionamiento de las distintas métricas comerciales; analizan los referentes históricos y conceptuales que motivaron el diseño de estos sistemas de clasificación; indagan acerca de sus consecuencias biopolíticas, filosóficas, sociales y culturales; y plantean modos y soluciones que permitan humanizar y relativizar la influencia, el impacto y el poder de las métricas comerciales. A través del estudio de un amplio rango de medios de comunicación, como el cine, la radio, el internet, la publicidad, la prensa y la televisión, y mediante estudios que abarcan toda América Latina y que se extienden a países como los Estados Unidos, España y China, este libro demuestra que la medición de audiencias no se limita a aspectos económicos y comerciales, sino que incide y define los modos en lo que el ser humano es pensado, gobernado, entendido, estudiado y, en última instancia, valorado y contado." (Sinopsis)
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"The remarkable commercial success of Mel Gibson’s The Passion of the Christ in 2004 came as a surprise to the Hollywood establishment, particularly considering the film’s failure to find production funding through a major studio. Since then the Biblical epic, long thought dead in terms of mains
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tream marketability, has become a viable product. This collection examines the new wave of the genre, which includes such varied examples as Darren Aronofsky’s Noah (2014) and Ridley Scott’s Exodus: Gods and Kings (2014), along with the telenovelas of Latin America. Such texts follow previous traditions while appearing distinct both stylistically and thematically from the Biblical epic in its prime, making academic consideration timely and relevant. Featuring contributions from such scholars as Mikel J. Koven, Andrew B. R. Elliott and Martin Stollery, and a preface from Adele Reinhartz, the book will be of interest to students and scholars of film, television and religion." (Publisher description)
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"[This book] has been thoroughly updated with new content, trends, and conclusions, all based on the latest data. The book examines broadcasting, mass media, and news services ranging from MSNBC, MTV, and CNN to television sitcoms and Hollywood export markets. It investigates the roles of the major
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players, such as News Corp, Sony, the BBC, Disney, Bertelsmann, Viacom, and Time Warner, and probes the role of advertising and the Internet and their ability to transcend national boundaries and beliefs. New chapters look at the growing importance and significance of other major regions such as the media in the Middle East, Europe, and Asia. The book outlines the major institutions, individuals, corporations, technologies, and issues that are altering the international information, telecommunication, and broadcasting order; focuses on a broad range of issues, including social media and new services like Netflix, as well as Arab and Asian media; includes major updates on discussion of the Internet to incorporate global events over the last few years (such as Russian use thereof, Facebook, Google); looks at how streaming services such as Netflix, Amazon, Spotify, and more have emerged as dominant players in world entertainment; offers an updated instructor’s website with an instructor’s manual, test banks, and student activities." (Publisher description)
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"This book, part of the BEA Electronic Media Research Series, brings together top scholars researching media literacy and lays out the current state of the field in areas such as propaganda, news, participatory culture, representation, education, social/environmental justice, and civic engagement. T
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he field of media literacy continues to undergo changes and challenges as audiences are reconceptualized and reconfigured, media industries are transformed and replaced, and the production of media texts is available to anyone with a smartphone. The book provides an overview of these. It offers readers specific examples and recommendations to help others as they develop their own teaching and research agendas." (Publisher description)
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"Paul Nemitz und Matthias Pfeffer zeigen eindrücklich, wie die derzeitigen Versuche ethischer Regulierung von Künstlicher Intelligenz zu kurz greifen. Nemitz ist Mitglied der Datenethikkommission der Bundesregierung und war massgeblich verantwortlich für die Einführung der EU-Datenschutzgrundver
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ordnung. Pfeffer beschäftigt sich als freier TV-Journalist und Produzent mit dem Thema Künstliche Intelligenz. Die Autoren bieten eine genaue Analyse und legen dabei den Schwerpunkt auf die Rolle der Öffentlichkeit und die Gefährdung des Journalismus in digitalen Zeiten. Sie fordern die strikte Regulierung Künstlicher Intelligenz und eine Neubesinnung auf das Prinzip Mensch, das gegen das Prinzip Maschine verteidigt werden muss. Ihr Buch schließt mit klaren Handlungsempfehlungen an Politik, Zivilgesellschaft und insbesondere an die technische Intelligenz." (Verlagsbeschreibung)
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"Higher levels of disposable incomes, growing urbanization and mobility, and further industrialization in some parts of the world are leading to growing amounts of EEE. On average, the total weight (excluding photovoltaic panels) of global EEE consumption increases annually by 2.5 million metric ton
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s (Mt). After its use, EEE is disposed of, generating a waste stream that contains hazardous and valuable materials. This waste stream is referred to as e-waste, or Waste Electrical and Electronic Equipment (WEEE), a term used mainly in Europe. This monitor provides the most comprehensive update of global e-waste statistics. In 2019, the world generated a striking 53.6 Mt of e-waste, an average of 7.3 kg per capita. The global generation of e-waste grew by 9.2 Mt since 2014 and is projected to grow to 74.7 Mt by 2030 – almost doubling in only 16 years.
The growing amount of e-waste is mainly fueled by higher consumption rates of EEE, short life cycles, and few repair options. Asia generated the highest quantity of e-waste in 2019 at 24.9 Mt, followed by the Americas (13.1 Mt) and Europe (12 Mt), while Africa and Oceania generated 2.9 Mt and 0.7 Mt, respectively. Europe ranked first worldwide in terms of e-waste generation per capita, with 16.2 kg per capita. Oceania was second (16.1 kg per capita), followed by the Americas (13.3 kg per capita), while Asia and Africa generated just 5.6 and 2.5 kg per capita, respectively. In 2019, the formal documented collection and recycling was 9.3 Mt, thus 17.4% compared to e-waste generated. It grew with 1.8 Mt since 2014, an annual growth of almost 0.4 Mt. However, the total e-waste generation increased by 9.2 Mt, with an annual growth of almost 2 Mt. Thus the recycling activities are not keeping pace with the global growth of e-waste. The statistics show that in 2019, the continent with the highest collection and recycling rate was Europe with 42.5%, Asia ranked second at 11.7%, the Americas and Oceania were similar at 9.4% and 8.8%, respectively, and Africa had the lowest rate at 0.9%. The fate of 82.6% (44.3 Mt) of e-waste generated in 2019 is uncertain, and its whereabouts and the environmental impact varies across the different regions." (Executive summary, pages 13-14)
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"This fully updated second edition of the popular handbook provides an exploration of thinking on media ethics, bringing together the intellectual history of global mass media ethics over the past 40 years, summarising existing research and setting future agenda grounded in philosophy and social sci
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ence. This second edition offers up-to-date and comprehensive coverage of media ethics, including source ethics, social media, the roots of law in ethics, and documentary film. The wide range of contributors include scholars and former professionals who worked as journalists, public relations professionals, and advertising practitioners. They lay out both a good grounding from which to begin more in-depth and individualized explorations, and extensive bibliographies for each chapter to aid that process. For students and professionals who seek to understand and do the best work possible, this book will provide both insight and direction. Standing apart in its comprehensive coverage, the Handbook is required reading for scholars, graduate students, and researchers in media, mass communication, journalism, ethics, and related areas." (Publisher description)
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"Offering a collection of invited contributions from scholars across the world, the volume is structured in seven parts, each exploring a particular aspect of local media and journalism that provide the framework to bring together and consolidate the latest research and theorisations from the field,
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and fresh understandings of local media from a comparative perspective and within a global context. Addressing the significant changes local media and journalism has undergone in the last decade, the companion explores the history, politics, ethics and contents of local media, as well as delving deeper into the business and practices that affect not only the journalists and media-makers involved, but consumers as well. For students and researchers in the fields of journalism studies, journalism education, cultural studies and media and communications programmes, this is the comprehensive guide to local media and journalism." (Publisher description)
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"Amid growing threats to journalists around the world, this study examines the nature of online harassment, the types of journalists most likely to experience it, and the most common forms of response to such abuse. Through a representative survey of U.S. journalists, we find that nearly all journal
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ists experience at least some online harassment but that such harassment is generally infrequent overall and especially in its most severe forms. Nevertheless, online harassment against journalists disproportionately affects women (particularly young women) and those who are more personally visible in the news but not necessarily those who work for larger newsrooms. Moreover, it is clear that the more often a journalist is harassed online, the more likely they are to take a dim view of the audience by seeing them as irrational and unlike themselves, and to perceive interaction with them as less valuable. Additionally, as greater targets of the worst forms of abuse, women face a greater burden in deciding if and how to respond to online harassment. Conceptually, this article advances the literature on journalists and audiences by extending the concept of reciprocal journalism, which emphasizes individual-level perceptions that shape the quality of person-to-person exchanges. We explore how the experience of online harassment may complicate the way that journalists think about and act toward their audiences, offering a window into the downsides of encountering audiences online." (Abstract)
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"Late in the twentieth century, the United States embraced democracy promotion as a foreign policy priority, a central component of which involved allocating democracy aid to governments, political parties, and nongovernmental organizations around the world to support and encourage democratization.
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Nonetheless, as a scarce resource, democracy assistance is allocated selectively: some states receive substantial commitments while others receive none. As previous studies have concluded, democracy aid allocations are, in part, strategic bets placed on the likelihood of progress toward and consolidation of democracy, as donors consider cues that identify situations where democracy aid is likely to be most successful. We introduce the role of media coverage as a key factor in democracy aid allocations and argue that a shift toward democracy within a potential recipient state interacts with media attention to that state to generate cues for aid allocators. To gauge the agenda-setting and cueing effects of media coverage on democracy aid allocations, we examine US democracy assistance from 1975 to 2010, weighing the impact of media attention, democratic openings, and other factors related to recipient characteristics and US political, strategic, economic, and ideational interests on democracy assistance. We conclude with a discussion of the implications of these findings." (Abstract)
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