"The heart of the book is a detailed, year-by-year account of the shortwave bands in each year from 1945 to 2008. It reviews what American listeners were hearing on the international and domestic shortwave bands, describes the arrivals and departures of stations, and recounts important events. The b
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ook describes the several categories of broadcasters - international, domestic, private, religious, clandestine and pirate. It explains the impact of relay stations, frequency management, and jamming. It also addresses the considerable changes in shortwave broadcasting since the end of the Cold War." (Publisher description)
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"This study explores perceptions of freedom of the press by those who practice it: journalists and media organizations. References to freedom of the press in codes of ethics worldwide were analyzed according to the respective characteristics of organizations and the political-economic status of each
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country considered. The findings show that the concern journalists express about their freedom is not necessarily related to with the level of freedom of the press prevailing in their respective countries. Moreover, the codes of developing countries primarily display concern about the most fundamental freedoms of all." (Abstract)
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"Das Filmschaffen aus Lateinamerika, Afrika und Asien hat in den letzten Jahren viel von sich reden gemacht. Aus den Kontinenten des Südens und Ostens gelangten bei uns einige der innovativsten, persönlichsten und anregendsten Filme in die Kinos. Einen massgeblichen Anteil an ihrer Vermittlung hat
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trigon-film, eine Schweizer Institution, die sich seit 1988 um die sorgfältige Edition herausragender Werke kümmert. Im reich bebilderten Lese- und Schaubuch WELT IN SICHT betrachtet der Filmpublizist Walter Ruggle ausgewählte Perlen aus zwanzig Jahren trigon-film und lädt uns ein zu einer Reise durch die unterschiedlichsten Filmkulturen der Welt. Zu den betrachteten Filmen gehören: El viaje, Historias minimas, Whisky, Madeinusa, La vida es silbar, Daratt, TGV, Congo River, Yeelen, Les silences du palais, Bab’Aziz, Intervention divine, Yi Yi, Nobody Knows, Bodhi Dharma, Be With Me, Russian Ark, Grbavica oder Lagaan. Aufgelockert sind die Texte zu einzelnen Filmen mit aussagekräftigen Bildern, exquisiten Zitaten und vertiefenden Gesprächen mit Filmschaffenden wie Nacer Khemir (Tunesien), Fernando Solanas (Argentinien), Chen Kaige (China), Buddhadeb Dasgupta (Indien), Yasmila Zbanic (Bosnien und Herzegowina), Abderrahmane Sissako (Mauretaninen), Imunga Ivanga (Gabun), Clara Law (Hongkong), Rithy Panh (Kambodscha) und Nikita Michalkow (Russland). Sie alle stehen für andere Dimensionen des Kinos und für Filme, die es in sich haben." (Verlagsbeschreibung)
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"We examine the sustainability of Community radio (CR) as a tool towards achieving the overall development in the South Asian region. A cross-country comparison of CR in areas including people’s participation, regulatory scenarios, human resource development, technology usage trends, financial pra
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ctices etc. shows a wide variety of CR applications and challenges. An indepth analysis of financial data and practices of several Nepalese CR stations (rural, urban, and semi-urban) alongside regulatory and anecdotal references from India and Bangladesh shows potential viability through advertising and other mechanisms. Even with an advertisement cap of 5 minutes per hour, every station shows the potential of achieving financial sustainability by selling a fraction of the allotted ad time (7%-46%). Our model shows that the monthly operating expenditure of types of stations turns out to be more significant than the annualized capital expenditure. In our analysis (and borne out in the real world), of the three considered stations, the semi-urban station has the highest cost per listener. Stochastic cost modeling of real world CR data show the trend of increased cost for content development is a trade-off for expanding the listener base and transmission time. We conclude with a proposed set of policy and operating recommendations to enable CR to play a significant role in overall South Asian development." (Abstract)
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"Im Fazit lassen sich zwei Befunde festhalten: Erstens erweist sich die Medienkonzentration weiterhin als zentrale Bewegungsenergie für die Internationalisierung der Massenmedien. Sie wird nicht nur im klassischen Medienbereich von Fernsehen, Radio und Printmedien vorangetrieben, sondern erfährt e
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ine Parallele auch in den neuen internetbasierten Netzwerken – jedenfalls in deren gewinnorientierten Sektoren. Die grenzüberschreitende Medienkonzentration findet ihre Grenzen in aller Regel erst dann, wenn sie im Destinationsland von Investitionen erneut gegen nationale Wettbewerbsregeln verstößt. Gleichzeitig führt die internationale Medienkonzentration zur Betonung der Kapitallogik in den Destinationsländern und zu einer Lockerung jener Rechenschaft, zu der Medienunternehmen der Gesellschaft und dem politisch-demokratischen Gefüge gegenüber verpflichtet sind, in dem sie tätig sind. Das Überschreiten von ethischen und journalistischen Grenzen in den Medien der Destinationsländer, die in den Medien der Herkunftsländer eines Konzerns verbindlich gelten, illustriert diesen Befund. Zweitens erfährt die regionale und nationale Sprachraumebene, die weiterhin das relevante Spielfeld für Massenmedien darstellt, durch die Internationalisierung einen Verlust an kommunikativer Autonomie. Müssen Entscheidungen nachvollzogen werden, die von Konzernzentralen in anderen Ländern und aus einem anderen politisch-demokratischen Normenkontext getroffen werden, so führt dies zu einem Verlust an Entscheidungsautonomie und zu entsprechenden Konsequenzen für die politische und gesellschaftliche Kommunikation." (Fazit, Seite 147)
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"This paper aims to be 'an analytical tool designed to help stakeholders assess the state of the media and measure the impact of media development programmes' (page 7). It has been prepared to define indicators of media development in line with the priority areas of the International Programme for t
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he Development of Communications (IPDC). It suggests five major categories of indicators, and each category is broken down into a number of component issues and sources of verification. The five categories are: a system of regulation and control conductive to freedom of expression; plurality and diversity of media; media as a platform for democratic discourse; professional capacity building and supportive institutions; and infrastructural capacity." (CAMECO Update 2-2008)
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"While the relationship between war and media is examined in literature, the cases of the positive use of mass communication channels in the reconciliation of post-conflict societies are virtually unknown. The goal of this study is to respond to the gap in literature by examining theoretical evidenc
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e and practical case studies describing media promotion of peace across the world. As a result, a total of 40 media projects in 18 countries are documented and two case studies are examined in detail. Initial lessons from the practical projects in conjunction with historical developments of media in wars suggest that the current practice would benefit from: integration of all available media channels and practices, incorporation of media into other social institutions and processes and regulation of hate media as well as production of peace-oriented media." (Abstract)
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"In Debates in Peace Journalism, Jake Lynch traces the major controversies in this emerging field - philosophical, pedagogical and professional - and links his own contributions to them with important new material. The book is intended for those wishing to immerse themselves in the main conceptual c
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urrents of peace journalism, and to navigate their own path around some of its rocks and shoals." (Publisher description)
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