"This evaluation is an analysis of the Mozilla Foundation’s grantmaking and fellowship work led by the F&A team from the beginning of 2016 through mid-2020. It seeks to understand: 1) the impacts of the programs on individual funding recipients and organizational partners, on the issues the progra...ms endeavor to address, and on the people most affected by those issues, 2) the strengths and challenges of the programs, for Mozilla staff, program participants and other stakeholders 3) how F&A’s work supports the impact goals laid out in Mozilla’s AI Theory of Change and 4) the ways in which the F&A program contributes to and is perceived by the broader internet health ecosystem ... The evaluation found that the program furthers the foundation’s internet health goals and overall theory of change by investing in research, writing, art, and code that explores the role of the internet in society. The program attracts and grows a network of technologists, coders, educators, scientists, journalists and activists who are committed to advancing Mozilla’s mission. It also found that impact has been limited by a lack of clarity and communication around how program design and theory of change inform one another. Those surveyed felt that making the connection explicit would help the ecosystem and participants have clarity around the intentions of Mozilla’s work, crystalize strategy internally and externally, and help the foundation develop more effective impact measurements. Respondents indicated that the strengths and challenges of the F&A program were largely consistent across program tracks, types and models. This finding indicates that individual F&A programs have more in common than the team currently acknowledges, and that the different programs ultimately offer similar experiences to funding recipients." (Executive summary, p.12-13)
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"In recent years, China’s playbook for expanding influence under the banner of “common destiny” is well known, with tactics ranging from ‘soft power’ incentive structures to ‘wolf warrior’ diplomatic brawls played out on the front pages of local newspapers. But how consistent is China...s approach, especially against the backdrop of two years of pandemic disruption and a recalibrating global political environment? The purpose of this IFJ research project is to understand how the Chinese government ad media apparatus attempt to influence the global narrative about China’s role and place in the world. Since 2019, IFJ research has been gathered and compiled in collaboration with journalists’ unions in countries including Myanmar, Tunisia, Serbia, Italy, Kenya, Peru, and the Philippines. Through a series of surveys, round table discussions, interviews and other types of research, data and information has been gathered to help inform understanding about China’s approach to the media and its efforts to shape a global narrative on China before and after Covid-19 ... This report, which surveys working journalists directly in China’s high-priority investment and infrastructure locations (Kenya, Peru, and the Philippines), finds evidence that overt ambassadorial gestures and direct pressure on local journalists is not common. On the flip side, attempts to influence international perceptions via ‘vaccine diplomacy’ and investment in expanding Chinese media networks in international markets appears to be thriving." (Summary, p.2)
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"Trust in the news has fallen in almost half the countries in our survey, and risen in just seven, partly reversing the gains made at the height of the Coronavirus pandemic. On average, around four in ten of our total sample (42%) say they trust most news most of the time. Finland remains the countr...y with the highest levels of overall trust (69%), while news trust in the USA has fallen by a further three percentage points and remains the lowest (26%) in our survey.• Consumption of traditional media, such as TV and print, declined further in the last year in almost all markets (pre-Ukraine invasion), with online and social consumption not making up the gap. While the majority remain very engaged, others are turning away from the news media and in some cases disconnecting from news altogether. Interest in news has fallen sharply across markets, from 63% in 2017 to 51% in 2022.• Meanwhile, the proportion of news consumers who say they avoid news, often or sometimes, has increased sharply across countries. This type of selective avoidance has doubled in both Brazil (54%) and the UK (46%) over the last five years, with many respondents saying news has a negative effect on their mood. A significant proportion of younger and less educated people say they avoid news because it can be hard to follow or understand – suggesting that the news media could do much more to simplify language and better explain or contextualise complex stories.• In the five countries we surveyed after the war in Ukraine had begun, we find that television news is relied on most heavily – with countries closest to the fighting, such as Germany and Poland, seeing the biggest increases in consumption. Selective news avoidance has, if anything, increased further – likely due to the difficult and depressing nature of the coverage.• Global concerns about false and misleading information remain stable this year, ranging from 72% in Kenya and Nigeria to just 32% in Germany and 31% in Austria. People say they have seen more false information about Coronavirus than about politics in most countries, but the situation is reversed in Turkey, Kenya, and the Philippines, amongst others." (Summary, p.10)
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"Welcome to the world of melodrama—and to the melodramas of the world. This book introduces nearly one hundred cinematic masterpieces from various periods and different cultural contexts—ranging from early Hollywood to emergent and popular Bollywood, from Latin American and New German Cinema to ...contemporary Nollywood, from classic melodrama and commercial blockbusters to arthouse film and meta-melodrama, while also encompassing a number of other local forms and styles in their hybrid or revisionist varieties. Our collection features discussions of seemingly timeless stories of love and loss, demonstrating the possibility and power of melodramatic plots to portray the overcoming of differences and antagonisms. Yet it also reveals how the melodramatic code is time and again used for asserting political claims and articulating critique—and hence for (re)producing powerful dichotomies of good vs. evil, innocence vs. corruption, virtue vs. vice. Melodrama performs and rehearses moral conflict and emotional crisis management on a broad scale, involving intimate relationships and familial relations, on the one hand, and global constellations of oppression, violence, war, and regime changes, on the other. Thus, like no other genre, melodrama indeed makes the political personal and the personal political." (Introduction, p.13)
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