"This article highlights the influence that new ICTs and Computer Mediated Communication is having on the newsroom cultures among community radio journalists in Africa, especially the use of mobile phones and the internet. The discussion is based on findings from a research study that investigated t...he impact of ICTs on community radio using regional case studies from three African countries – Mozambique, Uganda, and Mali. We argue that the integration of ICTs impacted journalism practice positively as it improved information gathering, processing, distribution, storage, and engagement with the communities, particularly through the use of mobile phones and the internet. However, the synergy with rural community radios that tend to be located in remote areas is yet to be felt in the three countries. While the community radio stations in semi-urban areas or those situated in areas with fairly good infrastructure have better capacity for integration of ICTs and their sustainability, the rural-based community radio stations are greatly inhibited in their integration of new ICT due to lack of the electricity or regular power supply, the high fees charged by the service providers (internet and telephone), as well as the high cost for the ICT equipment, maintenance expenses and operational costs. The article calls for more support for infrastructural development to rural-based community radio stations to close the rural–urban gap and to enable the journalists working there to benefit from ICT integration like their counterparts in the semi-urban and urban community radios." (Abstract)
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"Welcome to the world of melodrama—and to the melodramas of the world. This book introduces nearly one hundred cinematic masterpieces from various periods and different cultural contexts—ranging from early Hollywood to emergent and popular Bollywood, from Latin American and New German Cinema to ...contemporary Nollywood, from classic melodrama and commercial blockbusters to arthouse film and meta-melodrama, while also encompassing a number of other local forms and styles in their hybrid or revisionist varieties. Our collection features discussions of seemingly timeless stories of love and loss, demonstrating the possibility and power of melodramatic plots to portray the overcoming of differences and antagonisms. Yet it also reveals how the melodramatic code is time and again used for asserting political claims and articulating critique—and hence for (re)producing powerful dichotomies of good vs. evil, innocence vs. corruption, virtue vs. vice. Melodrama performs and rehearses moral conflict and emotional crisis management on a broad scale, involving intimate relationships and familial relations, on the one hand, and global constellations of oppression, violence, war, and regime changes, on the other. Thus, like no other genre, melodrama indeed makes the political personal and the personal political." (Introduction, p.13)
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