"Online violence against women journalists is one of the most serious contemporary threats to press freedom internationally. It aids and abets impunity for crimes against journalists, including physical assault and murder. It is designed to silence, humiliate, and discredit. It inflicts very real ps...ychological injury, chills public interest journalism, kills women’s careers and deprives society of important voices and perspectives. This ground-breaking three-year global study on gender-based online violence against women journalists represents collaborative research covering 15 countries. It is the most geographically, linguistically, and ethnically diverse scoping of the crisis conducted up until late 2022. The research draws on: the inputs of nearly 1,100 survey participants and interviewees; 2 big data case studies examining 2.5 million social media posts directed at Nobel Laureate Maria Ressa (The Philippines) and multi award-winning investigative journalist Carole Cadwalladr (UK); 15 detailed individual country case studies. The Chilling illuminates the evolving challenges faced by women journalists dealing with prolific and/or sustained online violence around the world. It calls out the victim-blaming and slut-shaming that perpetuates sexist and misogynistic responses to offline violence against women in the online environment, where patriarchal norms are being aggressively reinforced. It also clearly demonstrates that the incidence and impacts of gender-based online violence are worse at the intersection of misogyny and other forms of discrimination, such as racism, religious bigotry, antisemitism, homophobia and transphobia. Further, it identifies political actors who leverage misogyny and anti-news media narratives in their attacks as top perpetrators of online violence against women journalists, while the main vectors are social media platforms - most notably Facebook, Instagram, Twitter and YouTube." (Exexutive summary)
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"The halting progress of the Tunisian media reform reflects the uncertainty and vulnerability of the political reform. As Professor of Communication and Democracy Katrin Voltmer contends, emerging media systems are unique types that are a blend of inherited structures, the constraints of the transit...ions, and the reform movement’s choices. The new Tunisian media system retains features of the old regime while embedding the contradictions and struggles that paint the emerging political system. Eleven years after the Jasmine Revolution, the media reform is still governed by ambiguity, having turned into a field of political struggle between progressive and conservative forces and their allies. The president’s recent move to suspend the parliament and his highly controversial referendum on a new constitution granting him extraordinary powers, which passed following an unprecedented level of low turnout, have plunged the democratic consolidation process into turmoil. Sharp divisions have emerged between Saeid’s supporters and opponents, exacerbating uncertainty and ambiguity." (Conclusion)
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"President Saied’s moves to undermine constitutional governance and Tunisia’s parliament pose a major challenge for further media reforms. Yet, should the political environment prove enabling, foreign donors, media assistance organizations, and other stakeholders should prioritize working with l...ocal stakeholders to find ways to navigate Tunisia’s chaotic media regulatory environment. One focus of this effort should be on stabilizing and strengthening broadcast regulation." (Recommendations, p.7)
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"The Global Handbook of Media Accountability brings together leading scholars to 'de-Westernize' the academic debate on media accountability and discuss different models of media self-regulation and newsroom transparency around the globe. With examination of the status quo of media accountability in... forty-four countries worldwide, it offers a theoretically informed, comparative analysis of accountability regimes of different varieties. As such, it constitutes the first interdisciplinary academic framework comparing structures of media accountability across all continents and represents an invaluable basis for further research and policy-making. It will therefore appeal to scholars and students of media studies and journalism, mass communication, sociology and political science, as well as policy-makers and practitioners." (Publisher)
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"Past UNESCO support resulted in the establishment of a Monitoring Unit on the Safety of Journalists in partnership with the Union of Tunisian Journalists (Syndicat National des Journalistes Tunisiens (SNJT) and OHCHR, which has been piloted since 2018. Throughout the reporting period, the MDP has p...rovided support to reinforce this unit, its methodology, and its coordination mechanisms. The Monitoring Unit has since provided monthly and annual reports on attacks against journalists, which include a gender-specific component. It has produced special reports on current issues, such as the electoral period of 2019, the COVID-19 crisis in 2020, and access to information in 2021. Its scope of action was also strengthened in synergy with a project on access to information funded by the German Federal Ministry of Economic Cooperation and Development. Furthermore, the safety of Tunisian journalists was reinforced through a series of capacity-building activities in 2019 and 2020, which included trainings for members of the judiciary on the safety of journalists and the rule of law, workshops on physical safety for women journalists, and workshops on preventing violent extremism and safety." (p.2)
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"This book provides an original contribution to current social and cultural theory on Arab social movements by giving a fuller historical and critical treatment of contemporary artistic and cultural production from the region and beyond. Thematically structured and covering culture, media, politics,... and literary studies, the book uses a range of theoretical material that engages readers in three key ways. First, it adopts a critical standpoint with respect to the term "Arab Spring," recognizing the multiple interpretations and varied geographical, historical, and political realities of the term. Second, its focus on carefully selected case studies - namely, Egypt, Tunis, Syria, and Yemen - adds depth to analysis of the cultural, literary and artistic dimensions that operate fluidly across the Arab world. Third, it presents a methodological case study for the growing community of researchers involved in interdisciplinary education." (Publisher)
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"This volume provides a comparative analysis of media systems in the Arab world, based on criteria informed by the historical, political, social, and economic factors influencing a country's media. Reaching beyond classical western media system typologies, Arab Media Systems brings together contribu...tions from experts in the field of media in the Middle East and North Africa (MENA) to provide valuable insights into the heterogeneity of this region's media systems. It focuses on trends in government stances towards media, media ownership models, technological innovation, and the role of transnational mobility in shaping media structure and practices. Each chapter in the volume traces a specific country's media - from Lebanon to Morocco - and assesses its media system in terms of historical roots, political and legal frameworks, media economy and ownership patterns, technology and infrastructure, and social factors (including diversity and equality in gender, age, ethnicities, religions, and languages)." (Publisher)
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"In spite of harsh censorship, conservative morals and a lack of investment, women documentarists in the Arab world have found ways to subtly negotiate dissidence in their films, something that is becoming more apparent since the ‘Arab Revolutions’. In this book, Stefanie Van de Peer traces the ...very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria." (Publisher)
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"The markets we do include are a very diverse bunch, from the very closed and politically tightly controlled such as Laos; through a large number of nations on the African continent which have seen a sudden improvement in digital infrastructure thanks to the landing of several new submarine intercon...tinental fibre optic cables over the past few years; and not forgetting markets like Trinidad & Tobago, which seems to enjoy a large choice of TV channels to serve a relatively modest population; or indeed Iran, fresh from its welcome back into the international fold following the suspension of UN sanctions in January 2016. For each market, we give some economic data sourced from the IMF, as well as our estimates and forecasts for advertising expenditure and growth in its ad market to 2018. We also provide a short commentary setting out an overview of the media market in question." (p.1)
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"Im Fokus des ersten Teils stehen transnationale Phänomene wie die Bedeutung des Satellitenfernsehens und der Sozialen Medien sowie die Rolle von Minderheiten, Gender und Islamisten in den Medien. Diese Beiträge geben den aktuellen Stand der Forschung wieder und reflektieren diesen. Im zweiten Tei...l des Buches werden in 18 Länderstudien – von Marokko bis zum Irak – die nationalen Besonderheiten der Medien betrachtet, die aus unterschiedlichen politischen Systemen, rechtlichen Beschränkungen, ökonomischen Voraussetzungen und der jeweiligen Soziodemographie resultieren." (Klappentext)
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"Transformations in the Arab media landscape are a key element in the regional dynamics of political change. Where do the private owners of Arab media outlets stand on the scene? What part, if any, have they played in weakening dictatorships, countering sectarianism and political polarisation, and r...eforming business practices in the Arab world? Arab Media Moguls charts the rise of some leading investors and entrepreneurs in Arab media, examining their motives, management styles, financial performance and links to political power. Responding critically to scholarship on Western moguls, this book uncovers the realities of risk and success for Arab media potentates and billionaires." (Publisher)
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"This research study examines and assesses the progress of media development work in the Southern Mediterranean region in the wake of the Arab Spring. It highlights the challenges faced by international agencies and presents examples of effective, innovative interventions that could help to shape be...st practice in this field." (Executive summary)
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"Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, Uncommon Grounds evaluates the prominent role that new media has come to play in artistic practices – and social movements – in the Arab world today. Analysing alternative forms of c...reating, broadcasting, publishing, distributing and consuming digital images, this book also enquires into a broader global concern: does new media offer a ‘democratisation’ of – and a productive engagement with – visual culture, or merely capitalise upon the effect of immediacy at the expense of depth?Featuring full-colour artists’ inserts, this is the first book to extensively explore the degree to which the grassroots popularity of Twitter and Facebook has been co-opted into mainstream media, institutional and curatorial characterisations of ‘revolution’ – and whether artists should be wary of perpetuating the rhetoric and spectacle surrounding political events." (Publisher)
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" ... Roy Armes examines the political and cultural context of the films and the film industry in the post-independence era. Since the birth of cinema, North Africa has been the site of countless European and U.S. film productions. This book, however, focuses on the postcolonial period, when indigen...ous filmmaking in each of the three Maghreb countries--Algeria, Morocco, and Tunisia--arose with the newly independent nations. Comparative analyses of each country's filmmaking in the decades following independence provide a historical portrait of the conditions and environment for the development of a postcolonial cinema. Armes then turns his attention to an in-depth examination of 10 key films produced between the 1970s and the 1990s, including Omar Gatlato, La Nouba, Halfaouine, Silences of the Palace, and Ali Zaoua. The book includes a dictionary of more than 135 North African filmmakers and a chronological filmography." (Publisher)
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