"An independent media is essential to tell the world the complex unfolding story of Afghanistan. Journalists remaining in Afghanistan, as well as those who have left, desperately need support from the international community. There is need for solidarity and interventions on several fronts. The Afgh...an journalists who have fled the country need support to relocate and restart their lives. Release from military camps in Pakistan, Abu Dhabi, Macedonia and Albania and facilitation of visas to proceed to their destination must be a priority. Support in terms of finances, skills building, resources and jobs to integrate them into their new homes is also the need of the hour. Within Afghanistan, a functioning economy needs to be restored after freezing of its assets, international sanctions and cuts in aid have contributed to a severe financial crisis in the country. Besides immediate financial assistance to survive in the short term, journalists and media houses need funds, training for the newly hired media workers and support from the international community to help rebuild the media. Regaining lost ground is crucial. Support for women journalists who are currently out of jobs, is a need that the international community can and must fulfil." (p.4)
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"To ensure the survival of Afghanistan’s media sector after the regime change, reprogrammed funding from the MDP and the Global Media Defence Fund (GMDF) provided emergency support t o independent Afghan media outlets that had seen their viability disrupted as a result of the crisis. Through this,... UNESCO supported the development of factual, verified and life-saving humanitarian information, conflict-sensitive reporting, and educational broadcasting. Since then, over 40 reports produced in English, Dari and Pashto across 17 provinces have reached over seven million beneficiaries. This was done with the overarching aim of supporting the safety of journalists, of avoiding an information vacuum in Afghanistan, as well as of preventing the extinction of professional and independent journalism in the country." (p.3)
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"This Media Landscape Guide provides a snapshot of the media in Afghanistan, including the audiences, the producers, the preferences of different groups in the community, the communications culture, and the languages associated with the media. It gives an insight into the role of media in developmen...t work, crisis preparedness, recent disasters, and the (at time of writing1) ongoing COVID-19 response. The guide also gives an overview of each media sector including, digital and social media, radio, television, print and other traditional forms of mass communication." (Introduction, p.4)
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"Following seminal study on journalistic attitudes towards wars and peace journalism, in this study we investigated the perceptions of conflict reporters in the three most deadly countries in the world including Iraq, Afghanistan and Pakistan. A total of 317 journalists participated in this study. T...hough generally we found support for the earlier study, the analysis shows journalists engage in wider practices than predicted that overlap war and peace journalism approaches. A closer examination showed that journalists favored active war journalism practices and passive peace journalism practices. Finally, we did not find that journalistic experience and contextual factors influenced preferences towards war and peace journalism substantially." (Abstract)
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"Oppression of women, financial meltdown, censorship: Research findings by Afghan NGO Nai SOMA and DW Akademie highlight the extent of the Afghan media sector’s breakdown after the Taliban took power in Kabul." (p.1)
"The collection of stories presented here aims to highlight the impact of the MDP's (Multi-Donor Programme on Freedom of Expression and Safety of Journalists) MDP’s actions over the course of this challenging year. Through testimonies from beneficiaries and partners who aspire to improve freedom o...f expression and access to information locally, you will learn about the MDP’s multifaceted emergency response to the COVID-19 crisis. Through capacity building, the MDP supported journalists in several countries to learn how to protect their physical and mental health while reporting on the pandemic. This emergency response also involved ensuring local communities’ access to reliable information through support to community media, bolstering citizens’ resilience to the disinfodemic through Media and Information Literacy programmes, as well as journalism education through a global MOOC on debunking disinformation and reporting on the health crisis in a factual, scientific manner." (Editorial, p.2)
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"2019 has seen major achievements resulting from needs-based, and specifically-tailored support through the Multi-Donor Programme on Freedom of Expression and Safety of Journalists (MDP). Actions building on ongoing work and others opening new avenues, have initiated substantial changes in favour of... freedom of expression and media development. The stories presented here are some examples of how the MDP works to provide countries and their populations with the necessary tools to nurture a free and independent media. This includes promoting the adoption of policies and standards on freedom of expression and safety of journalists, and fostering diversity, gender equality and media and information literacy through and with the media. Hence the name given to this series of articles: Let Free Media Thrive." (Editorial, p.2)
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"Seit März 2007 organisieren lokale und internationale Aktivist*innen in verschiedenen Teilen Afghanistans beinah täglich Aktivitäten mit den unterschiedlichen Techniken des Theaters der Unterdrückten (TdU) des Brasilianers Augusto Boal (1931-2009) sowie anderen emanzipatorischen Theatermethoden.... In diesen rund zehn Jahren kontinuierlicher Anwendung hat sich das sogenannte „Applied Theatre“ als zentral für die systematische Arbeit mit dem Thema Straflosigkeit bzw. Aufarbeitung von mittlerweile knapp 40 Jahren des ununterbrochenen gewalttätigen Konflikts erwiesen. Hauptzielgruppe der verschiedenen Theateraktivitäten sind die direkten Angehörigen der nach Schätzungen etwa drei Millionen Menschen, die in den unterschiedlichen Konfliktperioden ums Leben gekommen sind. Einige wenige waren bereits zuvor in offiziell registrierten Opfer- oder Witwenverbänden organisiert, während die meisten mit ihrer Trauer allein blieben und isoliert um das bloße Überleben kämpften." (S.52)
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"As it seeks to win the hearts and minds of citizens in the Muslim world, the United States has poured millions of dollars into local television and radio programming, hoping to generate pro-American currents on Middle Eastern airwaves. However, as this fascinating new book shows, the Middle Eastern... media producers who rely on these funds are hardly puppets on an American string, but instead contribute their own political and creative agendas while working within U.S. restrictions. The Other Air Force gives readers a unique inside look at television and radio production in Afghanistan and the Palestinian territories, from the isolated villages of the Afghan Panjshir Valley to the congested streets of Ramallah. Communications scholar Matt Sienkiewicz explores how the U.S. takes a “soft-psy” approach to its media efforts combining “soft” methods of encouraging entertainment programming, such as adaptations of The Voice and The Apprentice with more militaristic “psy-ops” approaches to information control. Drawing from years of field research and interviews with everyone from millionaire executives to underpaid but ever resourceful cameramen, Sienkiewicz considers the perspectives of the Afghan and Palestinian media workers trying to forge viable broadcasting businesses without straying outside American-set boundaries for acceptable content." (Publisher)
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"The Afghan media scene has experienced tremendous growth in the post-Taliban period, buoyed by international involvement and the passage of a series of laws lending some protection to journalists. Though Reporters Without Borders listed Afghanistan’s media environment 128 out of 179 countries in ...2014, 80.1% of Afghan adults overall say that they are satisfied with information provided by the media, including 34.0% who say they are “very satisfied." (p.1)
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"Afghanistan had the highest rate of suffering in the world for 2013 and 2014. Those with a post-secondary education are the most avid media users for news overall. Highly educated Afghans were more likely to use TV, radio, Internet, SMS, and social media on a daily basis for news than other segment...s of the population. Radio remains important but TV is the most popular platform and new media is still nascent. TV is dominant in the North due to availability of electricity." (Key takeaways, p.40)
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"This collection of essays and interviews offers perspectives on traumatic experience from the social and public side of the equation. Like other books in the Palgrave Macmillan Memory Studies Series, it is concerned with redressing the balance of public memory through a focus on what has been negle...cted or excluded, but traumatic memory poses special problems in this regard. Andrew Hoskins and John Sutton, the series editors, suggest that the question of how we remember has become central to historical enquiry, but the question itself is fraught with complexity. Generational change and new technologies of memory are reshaping the ways in which memory works, and the influence of trauma narratives is a factor in this. They pose another question: ‘What is “memory” under such conditions?’ Here, we focus on the distance between traumatic narratives in the public domain, and the experience of traumatic recall in the mind of a person who has been directly affected by extreme events." (Introduction, p.1)
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"Picturing Afghanistan is an in-depth account of the Euro-American visualization of the conflict in Afghanistan. Comparing images in public affairs, psychological warfare, journalism and the photobook, the author argues that there are no strong boundaries between photography in war and photography a...bout war. He shwos how and when the media have adopted, extended and counterframed the public affairs discourse of militarism and humanitarianism, and how and when public affairs rely on the aesthetic codes of photojournalism. Instead of enforcing a unified interpretation, the author considers photography's ambiguous and contradictory aspects. It is argued that, even within the conventionalized genre of photojournalism, photographs of conflict do not merely promote unity and social cohesion but express anxieties associated with the breakdown of imagined communities." (Back cover)
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"From the massacre of the Sioux Indians at Wounded Knee to the torture of prisoners at Abu Ghraib, from famine in China to apartheid in South Africa, Picturing Atrocity examines a broad spectrum of photographs. Each of the essays focuses specifically on an iconic image, offering a distinct approach ...and context, in order to enable us to look again; and this time more closely at the picture. In addition, four photo-essays showcase the work of photographers involved in the making of photographs of brutality as well as the artists' own reflections on these images. Together these essays cover the historical and geographical range of atrocity photographs and respond to current concerns about such disturbing images; they probe why we as viewers feel compelled to look even when our instinct might be to look away." (Publisher)
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"Relying heavily on scores of first-hand accounts collected through interviews, the studies examine the practice of public diplomacy largely from the perspective of American practitioners in different countries. The analyses follow the standard field officer approach, asking systematically: what iss...ues in local public opinion should we be addressing; who should we engage; how can we best engage them; and how well are the programs working? This is an ongoing process at every field post, involving local staff and constant attention to contacts. The studies in this book focus on field operations during one period of time, broadly from the end of the Bush administration to the early Obama administration, so comparisons can be made between them to determine which practices are common and which are unique ... The first chapters in this book offer analyses of public diplomacy operations in specific countries in Europe, Africa, Southwest Asia, and Asia. Four other chapters focus directly on the specific question being asked by practitioners and scholars today: What is the role of the new media in public diplomacy? Two chapters present findings that advance our understanding of the role of the private sector, and the parallel roles of the State Department and the Peace Corps. The final chapter summarizes best practices from recent field experiences." (Preface, p.x)
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"This essay analyses the role of audience research as a change agent in media development interventions in Afghanistan. It analyses how audience research in transnational contexts involves a complex set of intercultural negotiations and translations that contribute to the enduring relevance and sust...ainability of the highly popular Afghan radio soap opera New Home, New Life. This is a ‘development drama’ that has been broadcast across Afghanistan since 1993. It is based on BBC Radio 4’s The Archers and produced by BBC Afghan Education Projects (BBC AEP). Audience research has been vital to forging a dynamic relationship between the creative teams who make the drama, the donors who pay for it, and the audiences who consume it. The article addresses three broad themes. First, we outline how data gathered in formative audience research, prior to the creation of the drama, provides the creative team with the dramatic raw material for the radio serial. The extensive qualitative data gathered by Afghan researchers in local milieux is translated so as to enable culturally diverse teams of writers and producers to ground the serial narratives in the lived experiences of its audiences, and to introduce multiple local perspectives on development issues. Second, we show how evaluative audience research, data gathered in the postproduction phase, plays a key role in providing critical audience interpretations of New Home, New Life’s dramatic themes. In so doing, it creates feedback loops that allow audiences to become active participants in the ongoing creation of the drama. The research designs and devices, developed over the last two decades to document the changing life-worlds of Afghan citizens-cum-audiences, are part of an ongoing set of transcultural encounters that contribute to strengthening the social realist appeal of the drama and to calibrating how far any given storyline can be pushed in terms of cultural propriety. Third, we examine how during periods of military conflict, when routine audience research becomes dangerous or impossible and audience feedback loops are disrupted, the writers and producers have to rely on their own personal and political experiences, often with unpredictable ideological consequences. We draw attention to the limitations and challenges of making dramas for development in highly charged politicised and postcolonial contexts. While, development dramas may be a cheap and effective way of dealing with certain informational needs, such as landmine awareness, they cannot redress social and structural inequalities or, as Western donors wish, eradicate opium cultivation." (Abstract)
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"This article argues that Johan Galtung’s theory on peace journalism can serve as a fruitful supplement to theory-building in the field of war and peace journalism, and critically reviews the scholarly debate on peace journalism. By using examples from Norwegian media coverage of the war in Afghan...istan and examples of research on the Norwegian media coverage of the war, the author argues that Galtung’s theory on peace journalism can also serve as a useful platform for teaching and journalism training in the field of conflict and war reporting." (Abstract)
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"The biennial Digital Review of Asia Pacific is a comprehensive guide to the state-of-practice and trends in information and communication technologies for development (ICTD) in Asia Pacific. This fourth edition (2009-2010) features 30 economies and four subregional groupings. The chapters provide u...pdated information on ICT infrastructure, industries, content and services, key initiatives, enabling policies, regulation, education and capacity building, open source and R&D initiatives, as well as key ICTD challenges in each of the economies covered." (Publisher)
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"This guide, compiled with the most updated sources at the time of going to press in early 2009, will take you step by step towards becoming an effective investigative journalist, gaining and practicing the necessary skills and thus gaining the self-confidence required to do a job that is both effec...tive and fulfilling for you. We'll show you each step wit the help of examples of good reporting, both from Afghanistan, countries in the region as well as international examples which turned around situations and removed powerful people from the public scene after they crossed the line." (Preface)
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