"In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: paradigms of gl
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obal entertainment media such as cultural imperialism and cultural globalization; the business of entertainment media: the structure of capitalist culture/creative industries (financers, producers, distributors and exhibitors) and trends in the global political economy of entertainment media; the "governance" of global entertainment media: state and inter-state media and cultural policies and regulations that govern the production, distribution and exhibition of entertainment media and enable or impede its cross-border flow; the new international division of cultural labor (NICL): the cross-border production of entertainment by cultural workers in asymmetrically interdependent media capitals, and economic and cultural concerns surrounding runaway productions and co-productions; the economic motivations and textual design features of globally popular entertainment forms such as blockbuster event films, TV formats, glocalized lifestyle brands and synergistic media; the cross-cultural reception and effects of TV shows and films; the World Wide Web, digitization and convergence culture." (Publisher description)
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"This book discusses the extent to which the theoretical relevance and analytical rigor of the concept of the public sphere is affected (or undermined) by current processes of transnationalization. The contributions address fundamental questions concerning the viability of a socially and politically
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effective public sphere in a post-Westphalian world. To what degree are the theoretical presuppositions regarding the critical function and democratic quality of public deliberation still valid in contemporary societies that adhere decreasingly to the Westphalian logic of closed national political communities and modes of communication? Under what conditions is the critical impetus of the public sphere still applicable in a world that, in Europe and beyond, is increasingly responding to processes of trans-border interaction and communication?" (Publisher description)
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"Bringing together the perspectives of more than 40 internationally acclaimed authors, The Handbook of Global Media Research explores competing methodologies in the dynamic field of transnational media and communications, providing valuable insight into research practice in a globalized media landsc
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ape; provides a framework for the critical debate of comparative media research; posits transnational media research as reflective of advanced globalization processes, and explores the role and responsibility this bestows it with; articulates the key themes and competing methodological approaches in a dynamic and developing field; showcases the perspectives and ideas of 30 leading internationally acclaimed scholars; offers a platform for the discussion of crucial issues from a variety of theoretical, methodical and practical viewpoints." (Publisher description)
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"The very rapid growth in the Indian media industries and the vibrancy of India's popular culture are making a working understanding of the Indian scene a prerequisite for any serious study of media in the twenty-first century. As one of the largest and most influential emerging economies in the wor
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ld today, India now plays a crucial role in any serious discussion of social and economic change taking place at the global level. As new commercial and political alignments take shape in the face of new global circumstances, thinkers and decision-makers are inexorably drawn towards the reality of a new India being forged in the technological and cultural flux of global media flows. Taking an innovative interdisciplinary approach to the complex field of Indian media and society, this book combines a rich descriptive account with critical analysis designed to engender informed debate amongst students, academics and other researchers." (Back cover)
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"For decades, television scholars have viewed global television through the lens of cultural imperialism, focusing primarily on programs produced by US and UK markets and exported to foreign markets. Global Television Formats revolutionizes television studies by de-provincializing its approach to me
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dia globalization. It re-examines dominant approaches and their legacies of global/local and center/ periphery, and offers new directions for understanding television’s contemporary incarnations. The chapters in this collection take up the format phenomena from around the globe, including the Middle East, Western and Eastern Europe, South and West Africa, South and East Asia, Australia and New Zealand, North America, South America, and the Caribbean. Contributors address both little known examples and massive global hits ranging from the Idol franchise around the world, to telenovelas, dance competitions, sports programming, reality TV, quiz shows, sitcoms and more." (Publisher description)
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"This book provides a clear and authoritative introduction to the emerging Arab media industries in the context of globalization and its impacts, with a focus on publishing, press, broadcasting, cinema and new media. Through detailed discussions of the regulation and economics of these industries, t
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he authors argue that the political, technological and cultural changes on the global media scene have resulted in the reorganization of the Arab media field. They provide striking examples of this through the particular effects on media policies, media technology and the content and genres developed for the new generation of media consumers. As part of the book's overview of the contemporary characteristics of Arab media, the authors outline the development of the role of modern Arab media from a tool of mobilizing the public to a tool of commercial and symbolic profit. Overall, the volume illustrates how the Arab region represents a unique case where the commercialization and liberalization of selected media industries has gone hand in hand with continuous state intervention and an increasing self censorship." (Publisher description)
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"China’s television sector has undergone rapid transformation since the country’s reform and opening-up in the late 1970s. This article presents the main results of a recently completed PhD project, aiming to understand the role of the Chinese party-state in this transformation. The project supp
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orts global transformation theories and develops a three-tier analytical framework to assess (1) the transformation of television governance by the party-state; (2) the impact of party-state policies on Chinese television; and (3) the interplay of party-state policies with other power factors. The findings suggest that the transformation of Chinese television has undergone three stages – internationalization, transnationalization and renationalization – in accordance with the changing role of the Chinese party-state under globalization. The study complements global transformation theories in presenting evidence from a transitional Communist country to show that the (party-) state not only remains a key actor for globalization, but has itself also undergone profound changes in response to it." (Abstract)
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"Im gegenwärtigen Globalisierungszeitalter betreffen Nachrichten aus dem Ausland die Bürger in Deutschland oftmals ebenso direkt oder indirekt, wie Nachrichten aus dem eigenen Land. Deshalb sollte der Auslandsberichterstattung in den öffentlich-rechtlichen Sendern ein hoher Stellenwert eingeräum
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t werden. Doch da auf Seiten der Sender befürchtet wird, mit hintergründiger Auslandsberichterstattung keine großen Marktanteile zu erzielen, wird dieses journalistische Themenfeld im Kontext der öffentlich-rechtlichen Programme fast zur Gänze vernachlässigt: Weder die Auslandsberichterstattung des ZDF noch die der ARD wird, so die Haupterkenntnis dieser Arbeit, den durch die voranschreitende Globalisierung aller Lebensbereiche entstandenen Anforderungen gerecht." (Verlagsbeschreibung)
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"Dieses kompakte Lehrbuch, entstanden in Masterkursen, führt in Kategorien und Fragestellungen zur internationalen Kommunikation, zu Modellen gesellschaftlicher Entwicklung, zum Vergleich von Mediensystemen, zur globalen Medienkultur und zu Trends interkultureller Transformation und Integration ein
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. Neben der problemorientierter Beschäftigung mit grundlegenden theoretischen Ansätzen werden sowohl zentrale Trends der globalen Medienkommunikation an paradigmatischen Beispielen veranschaulicht als wiederholt methodologische Fragen ihrer Erforschung aufgeworfen." (Verlagsbeschreibung)
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"This book seeks to address the complex and multi-faceted relationships between childhood, media, migration and globalisation. Our primary focus is on a specific group that has often been invisible or misrepresented in the debate: that is, migrant children. We are particularly concerned with childre
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n who have migrated in their own lifetimes – that is, first generation migrants – rather than the more established ‘ethnic minority’ communities that now exist in many parts of the world. In this respect, we are addressing an issue that is of considerable concern in contemporary public and political debate: it is an emotionally charged topic that raises challenging questions about social cohesion, nationhood, belonging and citizenship. Yet despite the intensity of these debates, the experiences and perspectives of children themselves are rarely brought to bear – except where they are portrayed as passive victims or (increasingly) as a threat. By contrast, we argue that children are often central actors in the process of migration. They are in the ‘front line’ as migrant families come to terms with their lives in their new location; and they are often the focus for parents’ fears and aspirations for the future and for the tension between cultural continuity and change. The media are frequently a crucial element in this process. Children in migrant families are likely to experience a wide range of media, from local, national, transnational and global sources." (Preface)
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"Stephen Ward argues that present media practices are narrowly based within the borders of single country and thus unable to successfully inform the public about a globalized world. Presenting an ethical framework for work in multimedia, the author extends John Rawl's theories of justice and the hum
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an good to redefine the aims for which journalism should strive and then applies this new foundation to issues such as the roles of patriotism and objectivity in journalism." (Back cover)
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"Global Crisis Reporting: Journalism in the Global Age sets out to better understand the media’s role in the circulation and communication of these global challenges to humanity as well as the conflicts and contentions that surround them. Concerned as we are with crises that transcend national bor
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ders, whether in terms of impact or intervention, this book seeks to move beyond narrow national frameworks and nationally focused methodologies. In today’s globalizing world, where crises can be transnational in scope and impact, involve supranational levels of governance and become communicated in real time via global media, so national frames of reference and earlier research preoccupations are being superseded. The study of global crisis reporting, necessarily, needs to be situated and theorized in the context of journalism practised in the global age. As we shall explore, contemporary news media occupy a key position in the public definition and elaboration of global crises and are often far more than just conduits for their wider public recognition. In exercising their symbolic and communicative power, the media today can variously exert pressure and influence on processes of public understanding and political response or, equally, serve to dissimulate and distance the nature of the threats that confront us and dampen down pressures for change. In such ways, global crises become variously constituted within the news media as much as communicated by them." (Page 2)
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"This collection of essays by internationally-acclaimed scholars from around the world aims to stimulate a debate about the imperatives for internationalizing media studies by broadening its remit, including innovative research methodologies, taking account of regional and national specificities and
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pedagogic necessities warranted by the changing profile of students and researchers and the unprecedented growth of media in the non-Western world." (Publisher description)
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"Im Fazit lassen sich zwei Befunde festhalten: Erstens erweist sich die Medienkonzentration weiterhin als zentrale Bewegungsenergie für die Internationalisierung der Massenmedien. Sie wird nicht nur im klassischen Medienbereich von Fernsehen, Radio und Printmedien vorangetrieben, sondern erfährt e
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ine Parallele auch in den neuen internetbasierten Netzwerken – jedenfalls in deren gewinnorientierten Sektoren. Die grenzüberschreitende Medienkonzentration findet ihre Grenzen in aller Regel erst dann, wenn sie im Destinationsland von Investitionen erneut gegen nationale Wettbewerbsregeln verstößt. Gleichzeitig führt die internationale Medienkonzentration zur Betonung der Kapitallogik in den Destinationsländern und zu einer Lockerung jener Rechenschaft, zu der Medienunternehmen der Gesellschaft und dem politisch-demokratischen Gefüge gegenüber verpflichtet sind, in dem sie tätig sind. Das Überschreiten von ethischen und journalistischen Grenzen in den Medien der Destinationsländer, die in den Medien der Herkunftsländer eines Konzerns verbindlich gelten, illustriert diesen Befund. Zweitens erfährt die regionale und nationale Sprachraumebene, die weiterhin das relevante Spielfeld für Massenmedien darstellt, durch die Internationalisierung einen Verlust an kommunikativer Autonomie. Müssen Entscheidungen nachvollzogen werden, die von Konzernzentralen in anderen Ländern und aus einem anderen politisch-demokratischen Normenkontext getroffen werden, so führt dies zu einem Verlust an Entscheidungsautonomie und zu entsprechenden Konsequenzen für die politische und gesellschaftliche Kommunikation." (Fazit, Seite 147)
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