"The mainstream media in Brazil portrays favelas (unregulated low-income neighbourhoods) in a negative light. This has been the case since their emergence over a century ago. Voices from the Favelas navigates through the contemporary representation of the favelas in the established media, discussing
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how this partial representation impacts issues of identity and social segregation, the legitimation of structural violence in those sites, and providing an account of the recent emergence of digital social networks as “counterpublics”. In order to understand the struggle against the characterisation of the favela as a site dominated by violence (a framework which has been disseminated on a global scale and accepted as the norm), this book will take its readers inside the mindset of the favela media activists, examining the production of information and the organisation of the residents as they resist and challenge the status quo." (Publisher description)
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"This article examines the depiction of three impoverished Lagosian slums in the controversial British Broadcasting Corporation (BBC) documentary, Welcome to Lagos, which highlights the negative impacts of globalised capitalism on urban culture in Nigeria’s commercial centre and biggest city. In r
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ecent times scholarship on postcolonial urbanisation has been marked by an important shift in focus from economic concerns to interest in the peculiar cultural dimensions of life in postcolonial cities. As this article argues, however, dominant depictions of postcolonial cities continue to highlight ways in which cultural responses to the harsh effects of late capitalism in such cities reflect economic strategies of what Mike Davis calls “informal survivalism." (Abstract)
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"Combining approaches from the social sciences and the humanities, the book provides an interdisciplinary perspective while outlining a transnational history of films that either document or fictionalise the favelas, shantytowns, Elendsviertel, gecekondu, barrios populares or chawls of our diverse '
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planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film and media culture. From Jacob Riis's How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of slum representations of different historical periods and regions to outline how contemporary film and media practices relate to their past predecessors. It focuses thereby particularly on the way filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes of representation to convey life in our 'planet of slums'." (Publisher description)
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"How are marginalized peoples and places framed in their dominant national media? Framing theory applied through a comparative narrative analysis of 313 news articles, 291 photos and 1051 telenovela scenes allowed Brazilian media representations of a marginalized people, favelados, and marginalized,
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contested spaces, favelas, to be juxtapositioned. ‘Organizing principles’ communicated through media reports and stories of these marginalized groups operated to shape a certain social reality within the nation-state of Brazil. The salient latent frames 'Abandoned favelas and favelados' and 'Favela life is ideal father-led life' percolated from news and novela reports, respectively. That the timing of news reports and photos with telenovela production were concurrent, yet the manifest media framing of these people and places proved so radically different, makes this study interesting. More importantly, while the telenovela initially appeared as the more progressive storyteller, latent framing across media platforms harmonized hegemonically, retrogressing Brazilian storytelling to its paternalistic past." (Abstract)
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"This article examines the discourse surrounding Kibera, a highly populated low-income community in Nairobi, Kenya. Based on 11 months of fieldwork and interviews with 56 Kibera residents, this article discusses the disconnect between the lives experienced by residents and the hyperbolic and essenti
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alised discourse that depicts Kibera as a community defined by sickness, crime and despair. While residents do not deny many of the hardships that are central to the Kibera discourse, they articulate maisha mtaani [life in the neighbourhood] as complex, diverse and contextual. Sadly, several groups that claim to serve the good of Kibera are partially responsible for perpetuating this harmful discourse. In fact, some NGOs, journalists and residents benefit from reproducing a discourse that actively marginalises Kibera and its people." (Abstract)
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"1979: Im Iran wird der Schah gestürzt, die islamische Republik entsteht; parallel eskaliert mit dem sowjetischen Einmarsch der Bürgerkrieg in Afghanistan. Bilder über Afghanistan waren seither zumeist Bilder der Zerstörung. Diesen Außenansichten setzt ›Kabul/ Teheran 1979 ff‹ Perspektiven
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aus Kabul entgegen. Nachrevolutionäre Filme aus dem Iran gewinnen Preise auf internationalen Festivals; zugleich steht Kino im Iran selbst für Modernität. Die iranische Filmszene unterstützt und beeinflusst die wieder entstehende afghanische Filmproduktion. Auch die vielen afghanischen Flüchtlinge, die im Iran leben, verbinden beide Länder. So wurde der Bauboom in der Megastadt Teheran maßgeblich von AfghanInnen bewerkstelligt. ›Kabul/Teheran 1979 ff‹ zeigt Geschichte(n), erzählt von iranischen und afghanischen FilmemacherInnen von 1979 bis heute, versammelt Beiträge vom Alltag der beiden Millionenstädte und aus den Flüchtlingslagern im Grenzgebiet der benachbarten Länder." (https://www.bbooks.de/verlag/kabul-teheran-1979ff)
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