"Tracking the ways in which journalism and memory mutually support, undermine, repair and challenge each other, this fascinating collection brings together leading scholars in journalism and memory studies to investigate the complicated role that journalism plays in relation to the past." (Publisher
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description)
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"This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese A
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mericans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and thedesaparecidosin Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord's notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now "spectacle" can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin's plea to "explode the continuum of history" and bring our attention to now-time." (Publisher description)
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"This manual is the result of Frequencies of the Past, a conflict sensitive journalism project by forumZFD. From 2011 to 2013, journalists from different media, ethnic backgrounds and from various regions of Kosovo have joined the project to explore the opportunities to cover sensitive issues relate
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d to Dealing with the Past in Kosovo." (Publisher website)
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"Die Studie behandelt nationale Identität als eine mediale Konstruktion und verfolgt dabei drei Ziele. Es wird ein Identitätsbegriff gesucht, der die Mikro- und Makroebene der Identitätsbildung sinnvoll miteinander verbindet. Darauf aufbauend wird eine Methode entwickelt, um nationale Identität
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anhand der Medienberichterstattung zu untersuchen. Diese wird am Beispiel Bulgariens angewandt. Dabei interessiert, wie sich die bulgarische nationale Identität im Zuge des EU-Beitritts verändert." (Verlagsbeschreibung)
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"'During the Khmer Rouge regime (1975-9) the Tuol Svay Prey high school in Phnom Penh was used under the codename S21 as a torture-and-execution centre. In 1979, the government of the newly established People's Republic of Kampuchea had it refurbished as memorial. Today, people from all over the wor
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ld visit Tuol Sleng Genocide Museum and shoot videos and photos they later on post on blogs, Facebook pages and other social media. This article explores how social networks affect the production, distribution, and consumption of Tuol Sleng as site of memory. It focuses on two digital platforms: Flickr and YouTube. The article is divided into three parts. First it examines how Flickr and YouTube can be used as inadvertent archives providing material for a visual history of Tuol Sleng. Second, it analyses the processes of remediation people resort to for communicating and sharing their experience in the museum. Finally, it explores the mechanisms of community building, and their limited effects, as users watch and comment on these accounts of Tuol Sleng." (Abstract)
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"How do memories circulate transnationally and to what effect? How to understand the enduring role of national memories and their simultaneous reconfiguration under globalization? Challenging the methodological nationalism that has until recently dominated the study of memory and heritage, this book
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charts the rich production of memory across and beyond national borders. Arguing for the fruitfulness of a transnational as distinct from a global approach, it places the issues of circulation, articulation and the scales of remembrance at the centre of its inquiry. In the process, it sheds new light on the ways in which mediation, post-coloniality, migration and regional integration affect both the way we remember and the role of memory in contemporary societies. In this interdisciplinary collection, humanities and social science scholars examine a rich sample of cases from the nineteenth century on, stretching across the globe from Vietnam to Europe and the Middle East, to the USA and the Pacific, and involving a wide range of cultural practices from quilting to films, from photography to heritage sites and monuments. In the process, the volume develops a new theoretical framework while proposing new methodological tools and resources for studying collective remembrance beyond the nation-state." (Publisher description)
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"This guide provides students and researchers with a clear set of outlines and discussions of particular methods of research in memory studies. It offers not only expert appraisals of a range of techniques, approaches and perspectives in memory studies, but also focuses on key questions of methodolo
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gy in order to help bring unity and coherence to this new field of study. Key Features: Investigates community remembering and memory in personal narratives Explores the localisation of official national memory Attends to painful pasts and disrupted memory Examines vernacular remembering and personalised media Focuses on the production of social memory in the media Analyses the dynamics of remembering in public confessions." (Publisher description)
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"The first part, “Fiction in the Ibero-American Space”, presents a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative perspective that allows to observe the development of fiction in each country, highlighting their main producti
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ons, as well as the topic of the year, herein, “Social Memory and Television Fiction”. The second part, “Fiction in the Obitel Countries”, is composed by twelve chapters (one for each country), with a structure of fixed sections, though some are more specific than others [...] The third part is an “Appendix”, where are collected the top ten TV fictions in the Obitel countries with basic and necessary information about these productions." (Pages 19-20)
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"This article discusses a popular Syrian television drama series, Bab al-Hara (The Neighborhood Gate), which ran for five seasons (2006-10). It is part of a genre of television series called the "Damascene milieu," which nostalgically dramatizes life in imagined Damascene neighborhoods in the late 1
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9th or early 20th centuries. The narrative of Bab al-Hara focuses on how a Syrian community lived under and resisted French colonial rule and its local collaborators. The article argues that the strategic imagination of the past in the series reflects the Syrian regime's project of national consolidation in Syria, a country sharply divided by class, sect, and local belonging and desperately seeking to bridge a gap between state authority and a national sense of belonging. However, within the context of the 2011 uprising, both regime and opposition discourses echoed themes and symbols from the series - demonstrating its political relevance. The article concludes that the series is a spectacular example of how popular culture, particularly in postcolonial and authoritarian contexts, contributes to the imagination of identity and memory in ways that are used by different national groups to bolster and contest political positions." (Abstract)
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"Coming to terms with a country’s political past is closely linked to the mass media, as they are the key to changing public opinion. It is only with their support that a general acceptance of democratic structures, not to mention a new perception of history, can be achieved. In South East Europe,
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this can be seen not only in the way the media deal with the Communist era, but also in their handling of the Yugoslav Wars of the 1990s. There is a need to improve both good quality reporting and critical self-reflection on the part of the media." (Pages 60-61)
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"Nirgends ist die Vergangenheit des 20. Jahrhunderts so präsent wie in Romanen und Filmen. Zahlreiche Werke der Literatur und des Films erinnern diese Zeitgeschichte, indem sie darüber Geschichten erzählen. Auf diese Weise wird eine Erinnerungskultur gestiftet, die identitätsbildend und zugleich
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interpretationsbedürftig ist. Im Mittelpunkt des Buches stehen die deutschen und europäischen Erinnerungsorte von Krieg, Holocaust, Widerstand, Flucht und Vertreibung, von Mauerbau, Friedlicher Revolution, deutscher und europäischer Einheit. Der Autor untersucht das Verhältnis von Fakten und Fiktionen, die Ethik des Erzählens, die Unterschiede zwischen Täter- und Opfergedächtnis sowie die Frage, ob und inwiefern man aus der Geschichte lernen kann. Einzelne Themen sind Hitler im Film („Der Untergang“), der Widerstandsfilm („Sophie Scholl – Die letzten Tage“, „Operation Walküre“), die Erinnerungs-Collage (Walter Kempowskis „Das Echolot“), die Nachkriegsdeportation (Herta Müllers „Atemschaukel“), der DDR-Endzeitroman (Uwe Tellkamps „Der Turm“) und Mauerfall-Geschichten (u.a. von Durs Grünbein)." (Buchrücken)
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"Namibia gehört heute zu den beliebtesten Fernreisezielen der Deutschen - vielleicht auch deshalb, weil es einst als "Deutsch-Südwestafrika" Kolonie war. Die Erfahrung von Tourismus und Globalisierung rückte in den vergangenen Jahren den europäischen Kolonialismus, der auch die deutsche Geschich
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te weit stärker als gemeinhin angenommen prägte, ins allgemeine Bewusstsein. Das Buch legt eine Bilanz der Spurensuche nach Erinnerungsorten der oft unrühmlichen deutschen Kolonialgeschichte vor. In 30 leicht verständlich geschriebenen Einzelbeiträgen präsentiert es Personen, Institutionen, Ereignisse und Vorstellungswelten. Albert Schweitzers Hospital Lambaréné, Hagenbecks Tierpark und die "Hunnenrede" Kaiser Wilhelms II. zählen hierzu ebenso wie der Berg Kilimandscharo, den der Deutsche Hans Meyer als erster Europäer bestieg, Bernhard Grzimeks Film "Serengeti darf nicht sterben" oder der "Sarotti-Mohr". (Verlagsbeschreibung)
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"Examining the role of memory in the transition from totalitarian to democratic systems, this book makes an important contribution to memory studies. It explores memory as a medium of and impediment to change, looking at memory's biological, cultural, narrative and socio-psychological dimensions." (
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Publisher description)
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"This book aims to provide a context in which a clear link can be traced between the politics of memory and its manifold representations and misrepresentations in public media towards a viable politics of justice. The assumption is that public awareness and perceptions of injustice, whether they are
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political, economic, or social, depend on the mass media of communication for recognition and valorization – including, today, new communication and information technologies such as social media platforms. Undoubtedly this assumption is based on a system in which mass media can operate independently, fairly, and in a balanced and unbiased way: in other words, according to a much vaunted and fast vanishing ‘public service ethos’ imbued with high standards of truthtelling, objectivity, balance, and accountability. A parallel assumption is that if the public is made aware and has access to relevant information and knowledge, it will be motivated to pressure governments for reform, reparation, and – in the best possible scenario – some kind of consensus between all parties on ways to move forward as a nation. As we have pointed out above, this argues for an a priori ‘right to memory’ that affirms and protects those frameworks and structures of collective memory that guarantee the physical, psychological, and symbolic integrity of a group of people or, indeed, a nation. There are many aspects to the debate." (Introduction, page 17)
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