"This project has explored the ways in which an independent, public service-spirited media could create content about historical issues that avoids playing into propaganda-driven divides, fosters a more constructive discourse around history and brings Ukrainians into a common national conversation.
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The results of our project will also be of use to public diplomats, civic actors and educators, as well as to media outlets that share our aim of reducing polarisation in Ukraine and other countries, and building resilient societies with a full, free and evidencedriven public debate. Arena began the project with polling and segmentation analysis that investigated Ukrainians’ attitudes to history, political beliefs, identity and social values. We then held focus groups designed to identify the common concerns that unite Ukrainians. Using various insights from that analysis and the advice of prominent historians, we worked with Hromadske, an independent Ukrainan online media outlet, to create 16 pieces of video content. Finally, we explored polarised audiences’ reactions to these videos by measuring levels of online engagement and carrying out opinion polls, focusing in particular on the levels of trust." (Executive summary)
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"Nichts scheint ferner zu liegen, als während einer Pandemie über Gedächtnis nachzudenken. Wir stecken noch mittendrin. Aber das gesellschaftliche Erinnern und Vergessen von Pandemien hat die Erfahrung von Covid-19 stark vorgeprägt. Praktiken des historischen Erinnerns, des Archivierens und Gede
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nkens haben sich als wichtige Ressourcen inmitten der Coronavirus-Pandemie erwiesen. Und als erinnerter Gegenstand schließlich wird Covid-19 auch die Zukunft unserer Gesellschaft mitprägen. Deshalb diskutiere ich in diesem Beitrag die Rolle des kollektiven Gedächtnisses vor, während und nach der Coronavirus-Pandemie." (Einleitung)
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"Es geht in diesem Band um die Fokussierung, Ethik und Religion als Teil von gesellschaftlichen Phänomenen zu verstehen, die insbesondere hinsichtlich Wirtschaft und Politik zu untersuchen sind. Da sich Gesellschaft heutzutage jedoch nicht mehr ohne Digitalisierung analysieren lässt, tritt für di
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e Bereiche von Religion, Politik und Wirtschaft die Bedeutung von Technik in den Blick. So ergeben sich für den Sammelband vier Schwerpunkte: erstens Analysen, die sich mit ethischer Theoriebildung im Bereich des Digitalen beschäftigen, zweitens ethische Fragen bei der Gestaltung von Wirtschaft, Technik und Medien angesichts der digitalen Möglichkeiten, drittens Auswirkungen der Digitalisierung auf Kirche und Religion und viertens die Herausforderungen durch die digitale Technisierung für menschliches Selbstverständnis. Dabei fokussiert der Band auf christliche Theologie und Kirche, wobei für zukünftige Untersuchungen eine interreligiöse Perspektive bzw. komparative Vorgehensweise auch von Nöten ist." (Seite 10)
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"Die Debatten um die Anerkennung des Ovaherero- und Nama-Genozids (1904-1908) im heutigen Namibia haben in den letzten beiden Jahrzehnten wachsende öffentliche Aufmerksamkeit erhalten. Kaya de Wolff hat die deutschsprachige Presseberichterstattung in den Jahren 2001 bis 2016 über den Umgang mit de
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n Verbrechen deutscher Kolonialtruppen untersucht. Sie zeigt, aufgrund welcher Anlässe und auf welche Weisen medial an die historischen Ereignisse erinnert wird, welche Stimmen dabei (nicht) gehört werden und welche gesellschaftlichen Machtverhältnisse und Normen den Anerkennungskampf der Nachfahr*innen der Opfer bedingen." (Verlagsbeschreibung)
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"In this article, addressing the absences of cultural memory from existing institutional archives is accounted for in the development of new curatorial display territories, both online and in the gallery. The imperatives to claim new digital territories as extensions of homeland territories are cont
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extualized within the discussion of the curated works in the first in a series of exhibitions titled 'Samoan Hxstories, Screens and Intimacies' supported from Tkaronto/Toronto by imagineNATIVE Film and Media Arts Festival for the Indigenous world and for all Samoan diasporas. The co-design of new Indigenous language terms including siapo viliata are also discussed." (Abstract)
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"This book traces the trajectory of the community archives movement, expanding the definition of community archives to include sites such as historical societies, social movement organisations and community centres. It also explores new definitions of what community archives might encompass, particu
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larly in relation to disciplines outside the archives. Over ten years have passed since the first volume of 'Community Archives', and inspired by continued research as well as by the formal recognition of community archives in the UK, the community archives movement has become an important area of research, recognition and appreciation by archivists, archival scholars and others worldwide. Increasingly the subject of papers and conferences, community archives are now seen as being in the vanguard of social concerns, markers of community-based activism, a participatory approach exemplifying the on-going evolution of 'professional' archival (and heritage) practice and integral to the ability of people to articulate and assert their identity." (Publisher description)
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"The aim of this chapter is to consider the past, present, and future of journalism and memory in two senses: first, as time periods in the evolution of this area of research and, second, as thematic elements in the scholarship on journalism and memory. In other words, how does journalism address so
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cieties’ past, present, and future through its memory work? Reflecting this twofold purpose, the chapter moves from the roots and founders of this subfield to four main contemporary areas of research focusing on: (1) journalists’ direct engagement with the past through practices such as commemorative/anniversary journalism; (2) the various ways in which memory is used by journalists in their coverage of current events; (3) the relationship between memory and journalism’s orientation to the future; and (4) the memory of journalism itself and how journalists use it to establish their identity, boundaries, and authority. In addition to surveying key studies and concepts with regards to these themes, each of these four sections also discusses remaining challenges and questions. The concluding section of the chapter presents a broad agenda for future research." (Pages 420-421)
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"This book explores the nexus of media and memory practices in contemporary Slovenia. In the age of mediatised societies, the country’s post-socialist, post-Yugoslav present has become saturated with historical revisionism and various nostalgic framings of the past. Pušnik and Luthar have collect
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ed a wide range of case studies analysing the representation and reinterpretation of past events in newspapers, theatre, music, museums, digital media, and documentaries. The volume thus presents insights into the intricacies of the mediatisation of memory in contemporary Slovenian society. The authors engage with dynamic uses of media today and provide new analyses of media culture as archive, site of historical reinterpretation, and repository of memory." (Publisher description)
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"The aim of this monograph is an attempt to examine the relationship between collective memory and oral texts. The material basis for this presentation consists of folklore oral texts, both prosaic and poetic, different as regards their genres (fairy tales, fables, recollections, traditions, legends
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, proverbs, and songs) as well as texts that are fragments of spontaneous interviews. The monograph consists of five main parts devoted to the following themes: theoretical considerations, the relation between memory and language, text memory, genre memory, and the relation between memory and the folk artistic style." (Publisher description)
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"This second edition of The Handbook of Journalism Studies explores the current state of research in journalism studies and sets an agenda for future development of the field in an international context. The volume is structured around theoretical and empirical approaches to journalism research and
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covers scholarship on news production; news content; journalism and society; journalism and culture; and journalism studies in a global context. As journalism studies has become richer and more diverse as a field of study, the second edition reflects both the growing diversity of the field, and the ways in which journalism itself has undergone rapid change in recent years. Emphasizing comparative and global perspectives, this new edition explores: "Key elements, thinkers, and texts, historical context, current state of the field, methodological issues, merits and advantages of the approach/area of study, limitations and critical issues of the approach/area of study and directions for future research" (Publisher description)
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"This article presents the main results of a research project that aims to analyze the construction of cultural memory through fictional series that represented the dictatorship period of Augusto Pinochet in Chile. Based on interviews and focus groups with young people between 18 and 24 years old wh
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o did not live this historical period, the importance of the melodramatic structures of the series is discussed to promote learning about the recent past, thus emphasizing the public pedagogical role that television fills." (Abstract)
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"Este artigo tem por objetivo examinar a relevância de produções de contrainformação desenvolvidas durante a ditadura militar no Brasil por grupos religiosos. O objeto é a revista Paz e Terra, da Editora Civilização Brasileira nos anos 1960, como iniciativa ímpar no campo da comunicação r
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eligiosa, ecumênica e política. A fim de se responder à questão-problema “qual o lugar da revista Paz e Terra na memória das produções midiáticas religiosas no Brasil?” são tomados por base estudos sobre “suportes da memória” e “lugares de memória”. A articulação entre a narrativa da memória de Paz e Terra e a descrição do conteúdo dos dez exemplares publicados, que forma a metodologia da pesquisa empregada, foi feita com base no acervo da revista, em pesquisa documental, em depoimentos de personagens envolvidas, colhidos durante pesquisa para o Mestrado em Memória Social da autora, e em obras sobre a Editora Civilização Brasileira e seu editor Ênio Silveira, sobre as lideranças evangélicas envolvidas no projeto e sobre a própria revista." (Resumo)
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"Where do we end up when we enter the time machine that is the digital game? One axiomatic truth of historical research is that the past is the time-space that eludes human intervention. Every account made of the past is therefore only an approximation. But how is it that strolling through ancient A
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lexandria can feel so real in the virtual world? Claims of authenticity are prominent in discussions surrounding the digital games of our time. What is historical authenticity and does it even matter? When does authenticity or the lack thereof become political? By answering these questions, the book illuminates the ubiquitous category of authenticity from the perspective of historical game studies." (Publisher description)
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