"Argentinien nimmt in der Rangfolge der Länder, die einen restriktiven Umgang mit Urheberrechten juristisch festgeschrieben haben, weltweit den sechsten Platz ein. Das argentinische Gesetz zum Urheberrecht kennt weder Ausnahmen für Bibliotheken noch für Universitäten. Studenten und Dozenten, die
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auf das Kopieren von Lehrmaterial angewiesen sind, müssen dafür Abgaben an Verwertungsgesellschaften entrichten. Auch die ohne Erlaubnis des Autors erstellte Privatkopie ist eine Straftat. Die MP3-Aufnahme einer CD, die Aufnahme und der Formatwechsel einer audiovisuellen Produktion, der Remix werden zu kriminellen Akten und stehen unter Strafe. Die kulturelle Souveränität und der Zugang zu Kultur sind durch das bestehende Urheberrecht ernsthaft bedroht. Argentina Copyleft! zeigt anhand von Beispielen, wie ein restriktives Urheberrecht den Zugang zu Bildung und Kultur erschwert oder gar unmöglich macht. Es zeigt aber auch die Vielfalt an argentinischen Initiativen, die für einen gerechten Zugang zu Wissen und Information kämpfen." (Klappentext)
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"Copyright laws and policies cover many controversial issues that are linked to different disciplines, in science, culture, technology, economics, law and other fields. The concepts and issues in the field are also approached from different perspectives and with different political and economic agen
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das, sometimes in a misleading context, and often in an imprecise manner. For this reason, policymaking in the area of copyright, particularly in developing countries, has at best been guesswork and at worst uninformed. At the international level, debates and rule-making on copyright, as with other IP, are punctuated with propaganda, anecdotes and dogma. This is what Nobel Laureate Joseph Stiglitz and others have called ‘faith-based’ policymaking. Evidence to justify particular policies or laws is rare. Evidence of the real world impact of specific copyright or, for that matter, other IP laws or policies, is almost unheard of. The ACA2K project is unique because the work summarised in this book provides evidence both for policymaking and of the impacts of copyright in the real world. But this book, and the work of the ACA2K project, is not pioneering only because of the illuminating findings in all the eight study countries. It is pioneering also because of the replicable research methodology developed, and the interdisciplinary collaboration in an area that is usually seen as a preserve of lawyers. The project is also of immense importance because of its focus on education and learning materials in Africa, where copyright is always associated with the positive aspects of promoting African music and culture. This research tells us that while copyright laws and policies might have positive effects in one sector, the same is not necessarily universally true. Other project outcomes, such as building networked research capacity on the areas of IP, knowledge governance and development, and the exploratory work on examining the gender aspects of copyright and access, are also ground-breaking." (Foreword)
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"Access to knowledge (A2K) is the umbrella term for a movement that aims to create more equitable public access to the products of human culture and learning. Fields of advocacy that it subsumes include most centrally copyright and patent law reform, open access, open data and open standards, but al
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so access to public information, broader communications rights such as freedom of expression, and issues around ownership of and participation in public media." (Page 2)
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"This book is a critical study of the political economy of communications in India. It explores the ways in which contexts, policies, and processes at national and international levels shape media structures and studies how a political economy-inspired approach can be used to understand both media d
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ominance and resistance. The author explores aspects of colonial political economy and how it has shaped the structure of media in India and in many other countries. It also discusses liberalization, privatization, and media politics in contemporary India. Divided into three sections—structures, means, and resistance—the chapters focus on both the electronic and the print media." (Publisher description)
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"The proceedings of a conference held at the Africa Institute of South Africa in 2009, this is a major new collection of essays on the state of scholarly publishing in Africa, with a strong emphasis on the situation in South Africa. The conference was convened, and the papers published, in an attemp
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t to influence “policymakers and other relevant stakeholders in developing an enabling environment for scholarly publishing to thrive.” Containing a total of 26 papers – all of them, usefully, preceded by abstracts – content is arranged under seven sections: (i) The State of Research Publishing in Africa, (ii) The State of Scholarly Publishing in Africa, (iii) The Challenges of Book Distribution, (iv) The Impact of Information and Communication Technologies on Scholarly Publishing, (v) Alternative Publishing Models, (vi) The Politics of Peer Review in Scholarly Publishing, and (vii) Scholarly Publishing and Intellectual Property Development in Africa. While the majority of the contributors are from South Africa, other contributors include Kenyan veteran publisher Henry Chakava, James Currey of James Currey Publishers, Mary Jay, Chief Executive of the Oxford-based African Books Collective, and a number of academics from the West African region. The book is particularly strong in overviews of scholarly publishing in South Africa, covering both book and journal publishing. It offers some interesting discussions and fresh insights about alternative publishing and distribution models, with articles reporting about new initiatives and strategy approaches, and also including papers on the politics and practise of the peer review process, and on South African intellectual property rights. One or two papers, by academics from other regions of Africa, unfortunately are weak and poorly informed about the current state of scholarly publishing in Africa, for example citing literature that goes back to books and articles published in the 1970s and 1980s. However, the book can be seen as a useful companion to ‘African Scholarly Publishing Essays’, edited by Alois Mlambo, and published by African Books Collective in 2006." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2581)
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"The authors of all kinds of works, from the humble email to blockbuster films, rely on copyright to protect what they produce. But authors and those who use their work are often unclear about what copyright allows and what it prohibits. This book was written for those who want to learn about copyri
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ght in the 21st century. It explains copyright protection and what it means for copyright holders and copyright users. It also introduces readers to contemporary topics: digital rights management, open licences, software patents and copyright protection for works of traditional knowledge. A final chapter tries to predict how technology will change the publishing and entertainment industries that depend on copyright. The book assumes no special knowledge and avoids technical language as much as possible." (Publisher description)
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"This report has looked at six successful intellectual property (IP) reform campaigns from around the world, and examined the strategies, messages and goals of the campaigners who fought them. Although each example has its own lessons to share, broad trends have emerged. Several of the most striking
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campaign successes employed the internet as a mobilising force. A template for such action emerges from examining these campaigns in concert. Almost without exception, campaigners worked in coalition with other stakeholders. These coalitions varied both in style and in substance, and examining those differences is instructive. The campaigns were fought on intellectual and emotional ground which was often some distance from the mechanism of intellectual property law itself. This observation should encourage campaigners to think about the merits and pitfalls of different messaging approaches. Finally, the observation that very few of the case studies emerge from countries in the developing world prompts the report to examine why this might be so, and to challenge campaigners to examine the value of a more global perspective. It’s fair to say that the issues that motivate IP reform activists go beyond the public messages their campaigns focussed upon. The upcoming campaign against the substantive issues contained in the plurilateral Anti-Counterfeiting Trade Agreement offers campaigners an opportunity to find and voice these concerns, concerns that have motivated them thus far to undertake the significant an impressive policy interventions in the global intellectual property space that have been detailed in this report. The time has come to for a mobilising critique against the flawed orthodoxy of tough, unwieldy global intellectual property regimes." (Conclusion, page 47)
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"The study showed that, in 2005, the contribution of the copyright-based industries (CIs) to the gross domestic product (GDP) of Ukraine amounted to 2.85 per cent or 12,583.54 million UAH. At the same time the total contribution of the core CIs constituted 1.54 per cent or 6,815.61 million UAH. The
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contribution of CIs to gross national production in 2005 amounted to 3.47 per cent, or 36,336.71 million UAH. The contribution of the core CIs to gross production constituted 2.07 per cent, or 21,714.34 million UAH. The total number of employees in the CIs in 2005 amounted to 360,412 persons or 1.91 per cent of the total working population of Ukraine." (Summary, page 4)
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