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Media Use: Foreign / International Media
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Comics, Cartoons, Caricatures
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Televangelism
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Film Trade, Film Export & Import
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Film Industries
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Nollywood
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Anthropology of Media & Communication
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Translations & Translating
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Media Law & Regulation: Muslim Countries
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Muslim Cinema & Film Representation of Islam
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Postcolonial & Decolonial Communication Approaches
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Language
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Bongo Media Worlds: Producing and Consuming Popular Culture in Dar Es Salaam
Köln: Köppe (2014), 286 pp.
"In the wake of the transformation from a socialist to a neoliberal capitalist economy, Tanzania has witnessed an unprecedented proliferation of cultural production which went hand in hand with a steep rise in formal and informal media outlets. Bongo Media Worlds provides insights into the diverse a
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Global Nollywood: The Transnational Dimensions of an African Video Film Industry
Bloomington: Indiana University Press (2013), viii, 371 pp.
Turning Rice Into Pilau: The Art of Video Narration in Tanzania
Intermédialités, issue 4 (2009), 32 pp.
"In Tanzania pirated video copies of foreign films are subject to a profound practice of remediation. Video narrators who either perform live simultaneous translations and commentaries on such films in video parlours, or mediatise their interpretations as VHS cassettes and DVDs with Kiswahili voice-
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Marke „Osama“: Über Kommunikation und Kommerz mit Bin-Laden-Bildern in Nigeria
Peripherie, volume 29, issue 113 (2009), pp. 31-55
"Osama" als Marke: Kommunikation und Handel durch Bilder von Bin Laden in Nigeria. Schon bald nach dem 11. September überschwemmten Bin-Laden-Waren die Straßen und Märkte des überwiegend muslimischen Nordnigeria. Später brachten Sänger und Filmemacher Lieder und Filme heraus, die die Kriege in
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Muslim Martyrs and Pagan Vampires: Popular Video Films and the Propagation of Religion in Northern Nigeria
Postscripts, volume 1, issue 2-3 (2005), pp. 183-205
"In December 2000 the government of Kano State in Muslim northern Nigeria reintroduced shari’a and established a new board for film and video censorship charged with the responsibility to “sanitize” the video industry and enforce the compliance of video films with moral standards of Islam. Sta
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