"Features guidance from some of the industry’s most successful news correspondents and documentary makers, including Louis Theroux, Lucy Williamson, Tulip Mazumdar, Richard Bilton, Jina Moore and many more, all sharing their experience and expertise. It also features people who chose to tell their
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sensitive stories to journalists, giving readers invaluable insight into what helped and what harmed." (Publisher description)
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"This book questions whether the news we get is as useful for citizens as it could, or should, be. This international study of news is based on re-thinking and re-conceptualising the news values that underpin understandings of journalism. It goes beyond empirical descriptions of what journalism is t
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o explore normative ideas of what it might become if practised alongside commitments to ethical listening, active citizenship and social justice. It draws lessons from both alternative and mainstream media output; from both journalists and scholars; from both practice and theory. It challenges dominant news values by drawing on insights from feminism, peace journalism and other forms of critical thinking that are usually found on the margins of journalism studies. This original and engaging contribution to knowledge proposes an alternative set of contemporary news values that have significant implications for the news industry, for journalism education and for democracy itself." (Publisher description)
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"Ethics and Integrity in Visual Research Methods aims to unpack the multiple considerations for ethics and integrity that accompany research methods involving visual data generation and analysis. This volume focuses on the media of photography and film. Contributing authors cover a variety of topics
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, including: consent and dignity when working with vulnerable and marginalized populations; the limitations of participatory methods within a context of inequity and postcolonialism; the challenges of anonymising visual data; and the risks of sharing visual data online. The authors share their experiences of working with visual methods across a range of contexts, making recommendations for best practice. This volume is intended to be practical, and the key messages aim to be concrete and applicable for anyone embarking on visual methods research." (Publisher description)
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"This study analyzes professional ethical perspectives and practices of Central Asian journalists by examining and comparing the four former Soviet republics of Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan. This study uses in-depth interviews with 24 journalists to examine their ethical ideals
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in the profession and how their ethical perspectives impact potential democracy. Its significance lies in revealing the gravity of ethical misbehavior where journalists call ethics a “Western luxury” and where public life was filled with falsehoods." (Abstract)
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"Exploring Communication Ethics is a comprehensive textbook on the ethical issues facing communication professionals in today's rapidly changing media environment. Empowering students to respond to real-world ethical dilemmas by drawing upon philosophical principles, historical background, and the e
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thical guidelines of major professional organizations, this book is designed to stimulate class discussion through real-world examples, case studies, and discussion problems. Students will learn how to mediate between the best interests of their employers and their responsibilities toward other parties, and to consider how economic, technological, and legal changes in their industries affect these ethical considerations." (Publisher description)
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"This book Globalance looks specifically at balancing values in global politics and global economics. Globalance, the title and topic of this book, is the alternative to the disorder of the world. ‘Globalance’ was in fact my main underlying passion and vision during the last four decades of my l
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ife and work in academic research, as journalist, in global development cooperation and the Globethics.net foundation." (Introduction, page 24)
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"This text provides a comprehensive introduction to the theoretical principles of ethical philosophies, facilitating ethical awareness. It introduces the Potter Box, with its four dimensions of moral analysis, to provide a framework for exploring the steps in moral reasoning and analyzing the cases.
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Focusing on a wide spectrum of ethical issues faced by media practitioners, the cases in this Eleventh Edition include the most recent issues in journalism, broadcasting, advertising, public relations, and entertainment. Cases touch on issues and places worldwide, from Al Jazeera to the Xinhua News Agency, from Nigerian “brown envelopes” to PR professional standards in South Africa. Racially divisive language comes up in different communication contexts, as does celebrity influence on culture." (Publisher description)
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"The five-minute film Mouth of a Shark (Isobel Blomfield, 2018) conveys a young woman’s experiences and precarious situation while she awaits an outcome on her refugee status determination in Australia. Aasiya (pseudonym) lives in community detention. Her interest in creating the film stemmed from
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her own acknowledgement that she had a platform as a young, literate asylum seeker woman with a “strong” story, and was therefore in a position to portray asylum seekers in a positive light. However, she cannot be identified in the film, even though it depicts her story, due to concerns over safety and her claim for asylum. We use this example to illustrate issues of anonymity and representation, and suggest strategies in line with our commitment to avoid depersonalising tropes in filmmaking. While we are committed to ensuring that people from refugee and asylum seeker backgrounds exercise agency in filmmaking, protecting Aasiya’s identity had to prevail. We wanted to avoid depersonalising tropes, and instead devised filming strategies that were more respectful of the protagonist and, within the constraint of anonymity, ensured that Aasiya could still represent her story in meaningful ways. We argue for an ethical model that reconciles the need for both anonymity and representation in filmmaking, especially through collaborative editing." (Abstract)
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"In the past decade, academic and professional debates about media accountability have spread around the globe – but have done so in a fundamentally different framework. In many Western democracies, trust in media – along with trust in politics and trust in institutions – as eroded dramaticall
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y. Fundamental shifts regarding the patterns of media use and the structure of media and revenue markets have made media and journalism more exposed to criticism from various stakeholders, and more vulnerable to the strategic influence of national and international actors. While many “Western” media professionals have reacted to these challenges to its credibility by new initiatives to demonstrate accountability and transparency, policy makers in other countries even in the “Global North” have tightened their grip on independent media and gradually weakened the concept of self-control. At the same time, an ongoing democratization in many parts of the world, along with a de-regulation of media markets, has created a growing demand for self-regulation and media accountability in countries formerly characterized by rigid press control." (Summary)
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"Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Regina Nacro, Alain Gomis, Ne
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wton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideological critique or the old ideals of pan-Africanism. Locating the aesthetic within a range of critical fields - the rupturing of narrative spectacle and violence by montage, the archives of the everyday in the "afropolis", the plurivocal mysteries of sound and language, male intimacy and desire, the borderzones of migration and transcultural drift - this study reveals the possibility for new, non-conceptual kinds of beauty in African cinema: abstract, material, migrant, erotic, convulsive, queer. Through close readings of key works such as Life on Earth (1998), The Night of Truth (2004), Bamako (2006), Daratt (Dry Season) (2006), A Screaming Man (2010), Tey (Today) (2012), The Pirogue (2012), Mille soleils (2013) and Timbuktu (2014), Williams argues that contemporary African filmmakers are proposing propitious, ethical forms of relationality and intersubjectivity. These stimulate new modes of cultural resistance and transformation that serve to redefine the transnational and the cosmopolitan as well as the very notion of the political in postcolonial art cinema." (Publisher description)
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"Sin desconocer el esfuerzo del periodismo por contar las historias, cabe reconocer que se han cometido errores en el cubrimiento, de ahí la importancia de los periodistas, ya que el peso que tiene cada pequeña noticia, escrita o leída, puede convertirse en una pieza clave en la reconstrucción d
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e las historias y la verdad ante una desaparición. Consejo de Redacción (CdR), la Unidad de Búsqueda de Personas Dadas por Desaparecidas (UBPD), el Comité Internacional de la Cruz Roja (CICR) y el Programa de las Naciones Unidas para el Desarrollo (PNUD) decidieron unirse alrededor de este fenómeno para ofrecer una guía que aporte a mejorar el cubrimiento del tema y la construcción de registros de búsqueda de personas. Cada capítulo tiene ideas que dan luz para investigar historias y preguntas inspiradoras, que ayudan a que los reporteros de todo el país puedan remediar sus omisiones y contar todo aquello que aún no se cuenta. Algunos de los temas que se encontrarán son: el repaso histórico de cómo el Estado colombiano aceptó añadir este delito en el código penal, los casos esclarecidos por las cortes, los NN que aumentan la lista de desaparecidos, el daño que ha producido en la sociedad y los familiares la desaparición, el mal manejo de estas historias, entre otros." (https://consejoderedaccion.org)
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