"R. Sooryamoorthy examines the development of communication patterns, social contacts and networks in South Africa. Based on pioneering quantitative and qualitative data, he analyses trends in changing media use in Africa, showing the development of the use of new media for communication by South Af
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ricans of all ages, races and genders in relation to the development of media infrastructure, its cost and government policy. It shows how people use the media for communication purposes that affirm or break their social contacts and networks, and how they apply media to establish, re-establish or maintain social relationships." (Publisher description)
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"Culture and Crisis Communication presents an examination of how politics, culture, religion, and other social issues affect crisis communication and management in nonwestern countries. From intense human tragedy to the follies of the rich, the chapters examine how companies, organizations, news out
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lets, health organizations, technical experts, politicians, and local communities communicate in crisis situations. Taking a wider view than a single country’s perspective, the text contains a cross-cultural and cross-country approach. In addition, the case studies offer valuable lessons that organizations that wish to operate or are operating in those cultures can adopt in preparing and managing crises. The book highlights recent crisis events such as Syria’s civil war, missing Malaysia Flight MH370, andJapan’s Fukushima Daiichi nuclear power plant disaster. Each of the case studies examines how culture impacts communication and responses to crises." (Publisher description)
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"Applied Theatre: Performing Health and Wellbeing is the first volume in the field to address the role that theatre, drama and performance have in relation to promoting, developing and sustaining health and wellbeing in diverse communities. Challenging concepts and understanding of health, wellbeing
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and illness, it offers insight into different approaches to major health issues through applied performance. With a strong emphasis on the artistry involved in performance-based health responses, situated within a history of the field of practice, the volume is divided into two sections: Part One examines some of the key questions around research and practice in applied performance in health and wellbeing, specifically addressing the different regional challenges that dominate the provision of health care and influence wellbeing: how the aging population of the global north creates pressure on lifetime healthcare provision, while the global south is dominated by a higher birth rate and a larger population under 15 years old. Part Two comprises case studies and interviews from international practitioners that reflect the diversity of practices across the world and in particular differences between work in the northern and southern hemispheres. These case studies include a sanitation project in a Hmong refugee camp in Thailand in the 1980s, and the sanitation and rural development projects initiated by the traveling theatre troupes of a number of University theatre departments in Africa – Makerere in Kampala, Uganda; Botswana; Lesotho and Dar es Salaam, Tanzania – which began in the 1960s. It considers the emergence of Theatre for Development's use as a health approach, considering the work of Laedza Batanani and the influences of Augusto Boal's Theatre of the Oppressed." (Publisher description)
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"The purpose of this article is to shed light on a Christian Reformed version of media ethics, more particularly one that was applied for just more than half a century (1960–2014) during the apartheid era and thereafter at the Potchefstroom University for Christian Higher Education (PUCHE), now No
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rth-West University (NWU) in South Africa. The contribution of the two main exponents of Christian Reformed media ethics as applied at PUCHE/NWU (and consequently in South Africa), page G. (Calvyn) Snyman and J.D. (Johannes) Froneman, is discussed. It is argued that their approach to Calvinist media ethics, based on a particular Calvinist interpretation of the Bible, was largely that of pillarisation (verzuiling). It is further argued that since the early 1960s, Snyman’s Reformed media ethics approach at PUCHE was fundamentally divorced from the external sociopolitical reality of South Africa. Later (shortly before the end of apartheid in 1994), Froneman was well aware of the South African sociopolitical environment, but his version of media ethics mainly remained embedded within a pillarised Christian Reformed research publishing context. The way in which media ethics was taught at the biggest Afrikaans journalism school over a period of five decades, with generations of students entering mainly the Afrikaans media world, is interrogated." (Abstract)
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"Since 1994, the call to de-westernize journalism education and training curricula has been a major narrative in South Africa’s transformation discourses. Journalism education and training institutions have responded to this call by holding conferences, colloquia, seminars and symposia to try and
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find ways of de-westernizing journalism curricula, which they argue are ill-suited to meeting the needs of a ‘new’ democratic and transforming South Africa. However, though these calls have been consistently made both inside and outside Africa, there is no agreement amongst scholars what exactly the process of de-westernization of journalism curricula would entail. This article reflects on the possible trajectories that the process of de-westernization would follow, as well as interrogates the feasibility of de-westernizing journalism curricula in the post-1994 South African context. The article highlights the contradictions and complexities inherent in the de-westernization narrative in South Africa."
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"Segmented media audiences often reflect deeper divides within a society. As the relationship between race and class is dynamically changing in South Africa, I investigate to what extent students from different racialised and socio-economic backgrounds differ in their media consumption habits. I con
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ducted a survey (n = 1221) and two focus group interviews (N = 14) at a relatively integrated and prestigious university. Bi- and multivariate analysis revealed that both race and socio-economic background genuinely affected the formation of consumption habits. Students from all groups used local journalistic products, but white students rarely consumed local entertainment productions. Among students from stronger socio-economic backgrounds, consumption preferences converged towards a global entertainment orientation, with types of schooling being more influential than household income. I discuss language barriers, physical access, the relatability of global/local media content, and peer group dynamics as potential underlying mechanisms." (Abstract)
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"Africa’s Media Image in the 21st Century is the first book in over twenty years to examine the international media’s coverage of sub-Saharan Africa. It brings together leading researchers and prominent journalists to explore representation of the continent, and the production of that image, esp
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ecially by international news media. The book highlights factors that have transformed the global media system, changing whose perspectives are told and the forms of media that empower new voices. Case studies consider questions such as: how has new media changed whose views are represented? Does Chinese or diaspora media offer alternative perspectives for viewing the continent? How do foreign correspondents interact with their audiences in a social media age? What is the contemporary role of charity groups and PR firms in shaping news content? They also examine how recent high profile events and issues been covered by the international media, from the Ebola crisis, and Boko Haram to debates surrounding the "Africa Rising" narrative and neo-imperialism. The book makes a substantial contribution by moving the academic discussion beyond the traditional critiques of journalistic stereotyping, Afro-pessimism, and ‘darkest Africa’ news coverage. It explores the news outlets, international power dynamics, and technologies that shape and reshape the contemporary image of Africa and Africans in journalism and global culture." (Publisher description)
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"More than 20 years into democracy, the South African media landscape, although free and moderately pluralistic, still does not represent fairly the diversity of viewpoints held in the country. Yet, the South African media debate on transformation has been dominated by the ANC’s continued focus on
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media accountability. This has silenced a more constructive debate on how to foster media diversity. In the wake of a review of the MDDA (Media Development and Diversity Agency) Act, this paper seeks to reignite this debate by investigating different types of print media regulation and support in Scandinavia, Latin America and West Africa. It argues, firstly, that print media regulation and support is crucial to foster and maintain democratic debate, which is endangered if the media market is left to its own devices. Secondly, government support to print media has been much more common around the globe than often assumed, especially in the Scandinavian countries, which have invested heavily and successfully in the sector. Thirdly, an analysis of national contexts of print media support highlights the perpetual danger of governments exerting censorship or control. However, as is demonstrated in the paper’s final section, a multiplicity of mechanisms of support exist that could be adapted to the South African context, whilst seeking to minimise state control." (Abstract)
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"Der Begriff "Weltmusik" war in den 1980er Jahren die gängige Beschreibung für Musikstile, die aus westlicher Perspektive "exotisch" wirkten. Er stand für unterschiedlichste musikalische Traditionen, die oftmals nicht viel mehr gemein hatten, als dass sie plötzlich für den westlichen Markt inte
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ressant und doch mit den dortigen Hörgewohnheiten kompatibel waren. Diesen Prozess der kulturellen Globalisierung und Aneignung bezeichnen Kritiker als koloniales Relikt, schreibt die Vermarktung von "Weltmusik" doch zuweilen die globalen asymmetrischen Machtverhältnisse fort. Nichtsdestotrotz haben es Labels, Privatleute und Communities geschafft, Hörern auf der ganzen Welt diverse Musiktraditionen näherzubringen und kulturelle Vermischungen und Transfers zu bewerkstelligen. Zusehends richtet sich der der Blick nun auf die vielfältigen, eigenständigen und unbequemen Sounds beispielsweise aus Afrika, Lateinamerika oder Asien und den hybriden Charakter vieler transnationaler Musikproduktionen, die eine "Weltmusik 2.0." oder einen "Global Pop" begründen. Dieses Buch stellt Konzepte und Diskurse sowie Akteure, Ausprägungen und Erscheinungsformen der abseits des Mainstreams bestehenden globalen Populärmusik vor und erhebt dabei nicht den Anspruch, die unermessliche Fülle regionaler Sounds zu dokumentieren oder gar zu systematisieren." (Verlagsbeschreibung)
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"Governments around the world have dramatically increased their efforts to manipulate information on social media over the past year. The Chinese and Russian regimes pioneered the use of surreptitious methods to distort online discussions and suppress dissent more than a decade ago, but the practice
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has since gone global. Such state-led interventions present a major threat to the notion of the internet as a liberating technology. Online content manipulation contributed to a seventh consecutive year of overall decline in internet freedom, along with a rise in disruptions to mobile internet service and increases in physical and technical attacks on human rights defenders and independent media. Nearly half of the 65 countries assessed in Freedom on the Net 2017 experienced declines during the coverage period, while just 13 made gains, most of them minor. Less than one-quarter of users reside in countries where the internet is designated Free, meaning there are no major obstacles to access, onerous restrictions on content, or serious violations of user rights in the form of unchecked surveillance or unjust repercussions for legitimate speech." (Page 1)
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"There are currently 280 community broadcasting services (275 community sound and 5 community television services). According to AC Nielsen and All Media and Products Survey (AMPS) data, community broadcasting services collectively take up an audience share of 6.3 million people in South Africa. How
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ever, this has not necessarily translated into advertising revenue, for example Community TV has a 9.5% reach but only yield an advertising spend less than 1%. Likewise, Community radio reaches 25%2 of the population but only receives 2% of the advertising spend. At face value this can be attributed to the profile of the community sector’s audience, that is, this sector does not deliver audiences that are attractive enough to advertisers to derive revenue that is comparable to commercial and public broadcasting services. However, factors contributing to the success of the community broadcasting sector are more complex. The study highlights the fact that the community broadcasting sector’s challenges emanate from a lack of corporate governance, management capacity and revenue diversification strategies. There is also a limited concerted institutional support, capacity building and funding strategies for community broadcasting in South Africa. Currently the Authority ‘s regulation of corporate governance, financial accountability and community participation is limited. Given the time and resources expended on addressing compliance challenges associated with this sector, it may be necessary for the Authority to consider Regulations or guidelines to address these shortcomings." (Executive summary)
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"This publication is what we call our Transfer Guide. It serves three different purposes. First, it documents the work done by the IGF Academy team and the eight fellows in 2016. Together, we mapped those stakeholders involved (or who should be involved) in Internet governance in the eight countries
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[Bangladesh, Bhutan, Congo-Brazzaville, Myanmar, Namibia, South Africa, Sri Lanka, Togo] [...] Secondly, the Transfer Guide is an iterative document in that the fellows will continue to work on or adapt various aspects of the process, such as creating more detailed funding and communication strategies or mapping a changing stakeholder environment. As such, the Transfer Guide shows past as well as future tasks and also serves as a reminder of actions to review. Thirdly, this publication aims to transfer knowledge and experience so that others can benefit from the results of this process." (Page 3)
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"This MeCoDEM working paper presents an overview of the main findings from a quantitative content analysis covering different types of democratisation conflicts (i.e., conflicts over citizenship, elections, transitional justice and distribution of power) in four countries: Egypt, Kenya, Serbia and S
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outh Africa. The sample involves 5162 newspaper articles and news stories in the four countries selected on the basis of two main criteria: the degree of independence of media outlets from government and political parties, and their relevance. The key findings from the content analysis are organised around several themes: causes of democratisation conflicts, portrayal of conflict parties, preferred solutions to conflicts, perceptions of democracy, role of the media, authoritarian past, and tone of reporting and polarisation. Although this paper focuses principally on description, we also speculate about the main factors that shape similarities and differences in media coverage of democratisation conflicts. The main finding from the content analysis is that cross-national variations that we found in media reporting of democratisation conflicts appear to depend on several factors." (Executive summary)
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"The structural conditions of journalism are shaped by legacies of the past (marked by non-democratic regimes and sometimes colonial rule) and persisting power structures. The state and powerful political actors are perceived to play an important role in the media sector, mirrored in different forms
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of political interference directed at newsrooms and individual journalists in the way of repressive legal frameworks, political ownership and advertising, economic censorship and blackmail, as well as threats directed at the physical and psychological safety of journalists. Journalists perceive the relationship between different communities in society to be reflected in the constitution of and atmosphere among newsroom staff. Even though journalists operate in a more liberal environment than under autocratic rule in Kenya, Serbia and South Africa, media privatisation has created new dependencies and pressures: Against the background of profit-making pressures in capitalist and highly commercialised media markets, journalists claim to work under precarious working conditions, marked by time constraints due to short-staffed newsroom and juniorisation, high professional insecurity and poor salaries arguably making journalists vulnerable to bribery and corruption. Challenges relating to journalistic professionalism also translate into insufficient training on conflict-sensitive reporting and safety measures for journalists reporting on conflicts, low professional organisation and self-regulation, as well as a lack of professional solidarity and prestige." (Executive summary)
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