"China’s emergence as a technology leader has become a major factor in geopolitics, transforming global political and economic relationships. In its bid to achieve digital great power status, China’s government has reformed laws and policies, drastically increased investment, and become more ass
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ertive internationally. Chinese companies have expanded at home and abroad, but relationships between government and the private sector have sometimes been fractious. The Emergence of China’s Smart State assesses the extent to which the Chinese government has been able to achieve its ambitious digital goals, and more broadly, how this reflects rapidly changing domestic and international political and economic dynamics surrounding China’s rise as a major technology player. This is the first book of its kind, interrogating the complex, dynamic interactions between political, market, and technological factors that structure China’s digital development." (Publisher description)
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"This paper examines the current state of legal protections for journalists in China, focusing on the challenges they face and proposing comprehensive recommendations to enhance press freedom. It analyzes the historical evolution of these protections, the existing legal framework, and compares them
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with international standards. Through case studies and statistical data, the paper highlights the systemic issues contributing to legal failures and harassment faced by journalists. The study concludes with actionable recommendations to reform legal frameworks, strengthen judicial independence, establish independent regulatory bodies, improve access to information, protect digital rights, and support journalist safety. By implementing these measures, China can foster a more open and free media environment, contributing to the country’s development and democratic processes." (Abstract)
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"This book tackles the infodemic—the rapid, widespread diffusion of false, misleading, or inaccurate information about the disease and its ramifications—triggered by the COVID-19 pandemic. With a focus on four Asian societies, the book compares and analyzes the spread of COVID-19 misinformation
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and its broad impacts on the public in Beijing, Hong Kong, Taipei, and Singapore." (Publisher description)
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"This paper examines the counter-violent extremism and anti-terrorism measures in Australia, China, France, the United Kingdom and the United States by investigating how governments leveraged internet intermediaries as their surrogate censors. Particular attention is paid to how political rhetoric l
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ed to legislation passed or proposed in each of the countries studied, and their respective restrictive measures are compared against the recommendations specified by the United Nations Special Rapporteur on the Promotion and Protection of the Right to Freedom of Opinion and Expression. A typology for international comparison is proposed, which provides further insights into a country’s policy focus." (Abstract)
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"Welche Rolle spielen nichtstaatliche Akteure, sogenannte "Proxys", in staatlichen Cyberkonflikten? Und wie unterscheidet sich regimetypenspezifisch das (De-)Eskalationsmanagement? Kerstin Zettl-Schabath vergleicht mithilfe eines umfassenden Datensatzes für die Jahre 2000-2019 die staatlichen Cyber
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-Proxy-Strategien von China, Russland, den USA und Israel. Dabei zeigen sich je nach politischem System deutliche Abweichungen: Autokratien nutzen Proxys als "Puffer" gegenüber Demokratien, um für ihre Taten nicht belangt zu werden. Für Demokratien dagegen können Berichte privater IT-Unternehmen "Täter-Wissen" kommunizieren sowie Handlungsdruck infolge politischer Verantwortungszuweisungen reduzieren." (Verlagbeschreibung)
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"Through policy analysis and close reading of two films, this article reveals films’ increasing role in China’s geopolitical plan, the Belt and Road Initiative (BRI). The co-production film Xuanzang shows that the Silk Road past is used to illustrate BRI’s pledge for a beneficial future. Even
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though Xuanzang’s story alludes to history, itwas selected for its significance in popular culture, thereby reflecting ‘hyperreality’. In any event, the Silk Road is insufficient for connecting a region characterized by complex histories and societies. As shown in The Composer, the Silk Road is a convenient metaphor used to portray any friendly history." (Abstract)
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"This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can't happen; while films have found new (temporary) channels of distribution
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(most often in the forms of digital releases), the festival format appears particularly vulnerable in pandemic times. Imperfect measures, such as the move to a digital format, cannot recapture the communal experience at the very core of festivals. Given the global nature of the pandemic and the diversity of the festival phenomenon, this book features a wide range of case studies and analytical frameworks. With contributors including established scholars and frontline festival workers, the book is conceived as both a theoretical endeavour and a practical exploration of festival organizing in pandemic times." (Publisher description)
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"This open access book explores how children draw God. It looks at children's drawings collected in a large variety of cultural and religious traditions. Coverage demonstrates the richness of drawing as a method for studying representations of the divine. In the process, it also contributes to our u
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nderstanding of this concept, its origins, and its development. This intercultural work brings together scholars from different disciplines and countries, including Switzerland, Japan, Russia, Iran, Brazil, and the Netherlands. It does more than share the results of their research and analysis. The volume also critically examines the contributions and limitations of this methodology. In addition, it also reflects on the new empirical and theoretical perspectives within the broader framework of the study of this concept. The concept of god is one of the most difficult to grasp. This volume offers new insights by focusing on the many different ways children depict god throughout the world. Readers will discover the importance of spatial imagery and color choices in drawings of god. They will also learn about how the divine's emotional expression correlates to age, gender, and religiosity as well as strategies used by children who are prohibited from representing their god." (Publisher description)
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"This edited collection illuminates the scope with which identities and intimacies interact on a wide range of social media platforms. A varied range of international scholars examine the contexts of very different social media spaces, with topics ranging from whitewashing and memes, parental discou
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rses in online activities, Spotify as an intimate social media platform, neoliberalisation of feminist discourses, digital sex work, social media wars in trans debates and 'BimboTok'. The focus is on their acceleration and impact due to the specificities of social media in relation to identities, intimacies within the broad 'political' sphere. The geographic range of case study material reflects the global impact of social media, and includes data from Belgium, Canada, China, France, Germany, Greece, Italy, Portugal, Spain, Sweden and the USA." (Publisher description)
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"Surveillance infrastructure in China monitors and enables authorities to react to potential isky,miscreant or criminal behaviour. What type of behaviours are perceived to be so, is determined in large part by ideology. Therefore, surveillance infrastructure relies on the machinery of ideology to de
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fine the boundaries of its use. In this paper, we outline six key ideological concepts relating to governance in Xi Jinping’s China that have helped to expand the boundaries of surveillance. We identify terms embedded in promotional material of Hikvision and other surveillance technology firms as a springboard for conceptual discussion. The aim is to survey the ideological lexicon of concepts that position surveillance within the Party-state’s broad capacity-building ambitions for governance in Xi’s China. This positioning amplifies the political responsibility of state, social and market actors to work together to broaden surveillance activities for ‘society-building’ purposes, and ultimately for the realisation of Xi Jinping’s goal of National Rejuvenation." (Abstract)
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"This article focuses on the launch by the Chinese company Huawei of ICT academies in sub-Saharan Africa (SSA), and Kenya especially. Existing literature shows contrasting findings concerning the impact of such formation and recruitment centres. Through high-level thematic and sentiment analyses, th
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is article examines various Huawei accounts on social networking sites (SNSs) – that is, Facebook and Twitter – in order to better assess: (1) the kind of online corporate communication unfolded by the company with particular regard to these centres; and (2) how the advertising of such centres is perceived by users. The results suggest that Huawei’s online corporate requires better fine-tuning with local SNSs’ users." (Abstract)
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"This collection considers how digital images and social media reconfigure the way conflicts are played out, represented and perceived around the globe. Devoted to developing original theoretical frameworks and empirical insights, the volume addresses the role of user images and social media in rela
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tion to urgent subjects such as public opinion and emotion, solidarity, evidence and verification, censorship and fake news, which are all central to the ways current conflicts are represented and unfold. Essays include a unique range of case studies from different regional and political contexts (Middle East, Europe, Asia, North America) and in connection with different conflict types (war, terror, riots, everyday resistance, etc.). They also consider performative genres such as memes, selfies and appropriations as well as images conforming to the realism and authenticity of conventional photojournalism. In this way, the collection responds to the challenges of swiftly evolving image genres as well as to the continually shifting policies and algorithms of commercial digital platforms." (Publisher description)
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"This book focuses on the politics, ethics and stereotypical pitfalls of representational practices surrounding Gender-Based Violence (GBV) from a global perspective. The originality of the volume is linked to its cross-disciplinary perspective as the topic of representing GBV is analyzed across the
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domains of philosophy/epistemology, fiction and the arts (including literature, film, television series and music) and non-fictional representations in the media (including broadcast media, online/print journalism, transmedia activism). The volume identifies contemporary representational practices and the theoretical and critical responses, examining various aspects of popular culture from around the world. In doing so, the editors put feminism in conversation with global trends to identify its cultural frontline." (Publisher description)
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"Studies about media self-censorship typically focus on its mechanism in traditional newsroom settings. But how media self-censorship may evolve in online journalism has remained largely unexplored. Using Hong Kong as a case, I examine the digital evolution of media self-censorship in a unique non-d
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emocratic context. Drawing on interviews with online journalists, my findings reveal that digital transformation has provided new valences for media self-censorship. With the financial hardship of legacy media in the digital age, Hong Kong online journalists are more directly exposed to external threats such as advertisement boycotts orchestrated by the state, and hence increasingly reluctant to offend external powerholders out of the fear of political and financial retaliation. Moreover, as online journalists adopt business-driven norms that favor the generation of clicks, political or policy news are further marginalized. These stories are often deemed boring, non-engaging to online audiences, and are not “sensationalizable” due to political risks, especially when compared to soft news types like crimes and lifestyles stories. Adapting to these changes, news managers are increasingly used to avoiding professional editorial debates that results are unpredictable but using “objective” web metrics as persuasive devices to discourage the production of sensitive news. Lastly, the dissemination of sensitive news is curbed in the social media gatekeeping process. These findings suggest that an authoritarian state can effectively influence online news production by controlling the capital that drives digital transformation, thereby limiting the liberating potential of the media in the digital age." (Abstract)
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"In many countries, especially outside Europe and the United States, we find a significant further decline in the use of Facebook for news and a growing reliance on a range of alternatives including private messaging apps and video networks. Facebook news consumption is down 4 percentage points, acr
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oss all countries, in the last year.
• News use across online platforms is fragmenting, with six networks now reaching at least 10% of our respondents, compared with just two a decade ago. YouTube is used for news by almost a third (31%) of our global sample each week, WhatsApp by around a fifth (21%), while TikTok (13%) has overtaken Twitter (10%), now rebranded X, for the first time.
• Linked to these shifts, video is becoming a more important source of online news, especially with younger groups. Short news videos are accessed by two-thirds (66%) of our sample each week, with longer formats attracting around half (51%). The main locus of news video consumption is online platforms (72%) rather than publisher websites (22%), increasing the challenges around monetisation and connection.
• Although the platform mix is shifting, the majority continue to identify platforms including social media, search, or aggregators as their main gateway to online news. Across markets, only around a fifth of respondents (22%) identify news websites or apps as their main source of online news – that’s down 10 percentage points on 2018. Publishers in a few Northern European markets have managed to buck this trend, but younger groups everywhere are showing a weaker connection with news brands than they did in the past.
• Turning to the sources that people pay most attention to when it comes to news on various platforms, we find an increasing focus on partisan commentators, influencers, and young news creators, especially on YouTube and TikTok. But in social networks such as Facebook and X, traditional news brands and journalists still tend to play a prominent role.
• Concern about what is real and what is fake on the internet when it comes to online news has risen by 3 percentage points in the last year with around six in ten (59%) saying they are concerned. The figure is considerably higher in South Africa (81%) and the United States (72%), both countries that have been holding elections this year.
• Worries about how to distinguish between trustworthy and untrustworthy content in online platforms is highest for TikTok and X when compared with other online networks. Both platforms have hosted misinformation or conspiracies around stories such as the war in Gaza, and the Princess of Wales’s health, as well as so-called ‘deep fake’ pictures and videos." (Executive summary, page 10)
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"Russia's full-scale invasion of Ukraine dominates observed Foreign Information Manipulation and Interference (FIMI) activity. Ukraine and its representatives have been the direct target of 33 incidents. In 60 out of 100 incidents, supporting the invasion was the main motivation behind the attack. D
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iplomatic channels are an integral part of FIMI incidents. Russia's diplomatic channels regularly serve as enablers of FIMI operations. They are deployed across wide range of topics. China also uses diplomatic channels, mostly targeting the US. Impersonation techniques become more sophisticated. Impersonations of international and trusted organisations and individuals are used by Russian actors particularly to target Ukraine. Print and TV media are most often impersonated, with magazines seeing their entire style copied. FIMI actor collusion exists but is limited. Official Russian actors were involved in 88 analysed FIMI incidents. Chinese actors were involved in 17. In at least 5 cases, both actors engaged jointly. FIMI is multilingual. Incidents do not occur in just one language; content is translated and amplified in multiple languages. Incidents featured at least 30 languages, 16 of which are EU-languages. Russia used a larger variety of languages than Chinese actors but 44% of Russian content targeted a Russian-speaking populations, while 36% targeted English-speaking populations. FIMI is mostly intended to distract and distort. Russia (42%) and China (56%) mostly intend to direct attention to a different actor or narrative or to shift blame ('distract'). Russia attempts to change the framing and narrative ('distort') relatively more often (35%) than China (18%). FIMI remains mostly image and video based. The cheap and easy production and distribution of image and video material online makes these formats still the most commonly used." (Executive summary)
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"This study looks at the effects of Chinese cultural diplomacy on the African continent. While for a long time China's investments in large infrastructure projects were viewed positively, Joffe now notes a growing awareness both in civil society and in government agencies of ambivalent consequences.
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Many African countries are now groaning under the burden of debt, and about two-thirds of new loans now come from China. This study provides insight into Chinese investments, particularly in the area of international cultural policy. The study's findings highlight the complexity of Chinese engagement in Africa and the various facets of its associated impacts. The author suggests that African actors should ensure that a more equitable engagement develops, where conditions are determined by local needs and culture, and more aggressively advocate for equality, needs, and respect for national sovereignty." (Back cover)
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"Cultural diplomacy has been one component of China’s foreign policy since its very foundation. However, it is only in recent decades that culture has been wielded as a tool to serve high-reaching goals commensurate with China’s rising superpower status and its capacity to contend for global heg
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emony. This study examines China’s recent efforts to enhance cultural exchanges in multilateral and regional platforms. The primary aim is to analyse the rationale, motivations, main initiatives and strategies underpinning China’s cultural diplomacy based on a conceptual framework centred on the notions of cultural diplomacy and hegemonic transition. The author begins by presenting the guiding conceptual framework and providing an overview of China’s overall cultural diplomacy approach over the last two decades. The analysis then delves into China’s engagement in well-established and new multilateral platforms such as UNESCO, the Belt and Road Initiative (BRI), the BRICS group, and regional forums established between China and developing regions. Shifting the focus to Latin America, the research investigates the China-Community of Latin American and Caribbean States (CELAC) Forum (CCF) as a platform for cultural exchanges and an instrument of China’s cultural diplomacy, and systematizes its cultural initiatives, prioritized areas, key actors involved, and strategies." (Back cover)
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"Covid Conspiracy Theories in Global Perspective examines how conspiracy theories and related forms of misinformation and disinformation about the Covid-19 pandemic have circulated widely around the world. Covid conspiracy theories have attracted considerable attention from researchers, journalists,
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and politicians, not least because conspiracy beliefs have the potential to negatively affect adherence to public health measures. While most of this focus has been on the United States and Western Europe, this collection provides a unique global perspective on the emergence and development of conspiracy theories through a series of case studies. The chapters have been commissioned by recognized experts on area studies and conspiracy theories. The chapters present case studies on how Covid conspiracism has played out (some focused on a single country, others on regions), using a range of methods from a variety of disciplinary perspectives, including history, politics, sociology, anthropology, and psychology. Collectively, the authors reveal that, although there are many narratives that have spread virally, they have been adapted for different uses and take on different meanings in local contexts." (Publisher description)
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"In the global context of digital authoritarianism, Hong Kong may become an important reference for a region in which currently the legal groundwork is laid for what may be more stringent tools of oppression. We can witness a rationalisation and legalisation of this process, where any form of critic
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ism is framed as an attack against the “rule of law” itself, which marks the beginning of the end of a free and open discourse." (Analysis and conclusion, page 18)
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