"This research utilizes the theoretical framework of the protest paradigm to analyze how major TV channels and newspapers in Chile and Colombia covered-on their official X (Twitter) accounts-the massive 2019 protests. The paper collected data using the software Crimson Hexagon(CH), a social media an
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alysis software that accesses all public messages posted on Twitter, and then conducted a manual content analysis to fully explore the adherence to the paradigm in digital environments, including audience interactions with media content. Results show that chosen media outlets take mainly the riotand confrontation frames to delegitimize protesters, partially influencing the reaction of audiences who engaged with those diminishing devices. A further analysis demonstrates how deeply intertwined the media are with the status quo and elites. In addition, legacy media, particularly TV, seem to fall into a systematic delegitimization of social protest.This research is valuable as it enhances the understanding of media portrayals of protests in Latin America given the new dynamics of news engagement on social media." (Abstract)
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"This book showcases the online activism of women's groups around the world in the post-#MeToo era, and presents an overview of the diversity of its current expressions. The focus of this book extends beyond campaigns against rape culture to include women's struggles on other political and environme
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ntal issues, such as the campaign against the radical right-wing in Austria. Moreover, the book's chapters highlight the genuine complexity of the efforts of women activists who are not only challenging the patriarchal order within male-controlled digital platforms but are also challenging the hegemonic voices within the women's movements. The book's case studies attest to the proliferation of digital campaigns aimed not only against discrimination of women but against discrimination based on their color, age, ethnicity, and nationality. The internet helps them to voice their agenda and strive for social change as well as to create both connective and collective identities." (Publisher description)
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"El libro “Pluralismo TV. Medición y análisis del pluralismo en la televisión chilena” busca contribuir al debate sobre el pluralismo mediático, revisando el marco jurídico nacional, proponiendo una operacionalización de la medición del pluralismo informativo en la televisión y discutien
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do los resultados de su aplicación. Se incluyen, también, recomendaciones para la implementación de las obligaciones legales sobre pluralismo y su traducción en políticas públicas que permitan una mayor democratización de la pantalla y de la industria televisiva. Esta obra es resultado de un trabajo interdisciplinario que surge de la intersección entre comunicaciones, las ciencias sociales y el derecho, abordando distintas facetas del problema: teórica, política, regulatoria, metodológica y empírica." (Descripción de la casa editorial)
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"In a reality that combines the virtual with the physical and in a context of information saturation, there are consumers who are more critical, demanding, and less loyal. In this context, it is timely to know the new habits of the Centennials, so as to understand their behaviors and consumption tre
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nds, aligning future communication strategies to their personality and interests. The Centennials or Generation Z are digital natives, concerned with technology, and complex to understand (Alonso-López; Terol-Bolinches, 2020). Generation Z –analyzed in this study– is composed of those born between 2000 and 2008, which corresponds to the youth currently between 14 and 22 years old (Vilanova; Ortega, 2017; Hernández; Andrade-del-Cid, 2020). The main objective of this research is to determine the patterns of consumption and online behavior exhibited by this generation in Mexico, Colombia, Chile, and Panama, with a focus on the characteristics of communication processes, online consumption patterns, and the cultural traits they possess. To achieve this, a mixed method is proposed consisting of a Twitter conversation analysis, survey application (n=550), in-depth interviews (n=36), and focus groups (n=2); all of which have been applied in the four selected countries. The main conclusions are that the preferred content of Centennials is humor (75%), with Instagram and TikTok being the most used networks. For they, the most important thing is to take care of their image and 40% are not interested in technological topics. Furthermore, cultural characteristics are shared among countries; however, language is the main difference between countries." (Abstract)
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"Wie einst im ursprünglichen Gothic die verlassenen Schlösser des Feudalismus als Orte des Spuks in die bürgerliche Ära hineinragten, so sind es heute die globalen Ruinen des geplatzten Traums von Freiheit, Gleichheit und Brüderlichkeit, in denen das Grauen haust: Von den vom Immobiliencrash ge
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zeichneten Vororten Detroits (Barbarian, 2022) bis zu den bleivergifteten Ufern des Riachuelo in Buenos Aires. Das sind düstere Aussichten: Eine Vergangenheit, die, wie Marx schrieb, »wie ein Alp auf dem Gehirne der Lebenden« lastet und eine Zukunft, in der wir, wie David Cronenberg zeigt, Plastik fressen müssen (Crimes of the Future, 2022). Der »Train to Busan« (2016) rast mit Hochgeschwindigkeit, doch auch am Zielbahnhof lauern die Zombies – und weil jede*r um das eigene Überleben kämpft, liegt der Griff nach der Notbremse fern. Da wird es unheimlich, oder im Sinne der Wortbedeutung: un-heimelig. Den das Un-heimliche verweist gerade auch auf den Schrecken, der hinter dem Vertrauten lauert. Und weil auf den Schrecken der Normalität zu verweisen immer schon Anliegen der iz3w ist, proklamieren wir: Gespenster aller Länder, vereinigt euch! Die Frage, was Horror und Gesellschafskritik verbindet, vertieft im Einleitungsartikel Georg Seeßlen (Seite 23). Danach bleiben wir dem globalen Spuk anhand ausgewählter Beispiele auf der Spur: Wie die argentinische Literatur Horrormotive nutzt, um die Schrecken von Diktatur und Postdiktatur auszudrücken, zeigt Nikolas Grimm (Seite 26). Dass sich realer und fiktiver Schrecken oft in nichts nachstehen, betont Rosaly Magg am Beispiel vom Horror der Flucht und Migration (Seite 36). Dazu gibt es zwei schaurige Interviews: mit dem Autor Mark H. Harris über Horror und Rassismus in den USA (Seite 32); und was Dracula in Istanbul treibt, erklärt uns der Regisseur Cem Kaya (Seite 40)." (Editorial, Seite 22)
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"Based on 16 months of ethnographic fieldwork, Ageing with Smartphones in Urban Chile analyses the experience of ageing for Peruvian migrants aged around 60, who have lived in Chile for over 20 years. Their lives are informed by a series of experiences of being in between. They live between two coun
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tries, two generations (their Peruvian parents and their Chilean children), two different stages in life (retained youth and menacing old age), between giving care (to their parents) and not wanting care (from their children) and between a continuing legacy (through their children, who have a promising future) and not transmitting legacy (some traditions will not pass on to the next generation). Peruvian migration has been one of the most studied in Chile. However, neither the experience of ageing of migrants in Chile nor the experience of late middle age has been fully addressed yet. By focusing on the entanglement of ageing, migration and technology, this monograph is an ethnographic contribution to an unexplored subject in the vast literature on migration studies in Chile." (Publisher description).
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"What might feminist approaches to the protection of journalists look like, and what benefits might they bring? From national organisations to grassroots networks, our findings document women’s monumental efforts to make structural changes, tackle entrenched patterns of gender-based discrimination
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and violence, and enhance the safety of women journalists. The initiatives showcased in these case studies are a testament to the creativity and resilience of those working on the feminist frontlines. The case studies: In 2021, ARTICLE 19 set out to make these sometimes invisible practices more visible, building on our existing programmes on the safety of women journalists worldwide. We undertook original research globally and specifically in six countries – three in Asia (Bangladesh, Nepal, and Sri Lanka) and three in Latin America (Brazil, Chile, and Paraguay)." (Abstract)
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"In some of the countries, to a greater extent Spain and the Hispanic USA, fiction consistently occupies at least 40% of the programming time. This occurs in countries that, due to income levels, should be those with a higher degree of access to other sources of fiction audiovisual content, such as
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pay TV or streaming platforms. In contrast to these cases, we can observe Argentina, Brazil and Mexico, where fiction barely exceeds 15% in the years of greatest participation and is close to 10% in others. Paradoxically, both Brazil and Mexico are fiction producers and exporters to the rest of the region. Halfway between both extremes, Chile, Colombia, Peru, Portugal, Uruguay and Venezuela can be observed in the years in which it has been possible to observe their behavior. Since open television is a system of contents structured in schedules associated with household routines, it is worth asking about differences in roles and uses of television by audiences or the eventual substitution of these roles by alternative media or genres. The second aspect is one of trends. Except for the case of Spain, the general trend seems to be towards a decrease in the involvement of fiction in programming. And, although the Top 10 most watched fiction productions offer a very partial view of the whole, they also show a decrease in time of the audience levels reached." (Pages 24-25)
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"Across markets, only around a fifth of respondents (22%) now say they prefer to start their news journeys with a website or app – that’s down 10 percentage points since 2018. Publishers in a few smaller Northern European markets have managed to buck this trend, but younger groups everywhere are
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showing a weaker connection with news brands’ own websites and apps than previous cohorts – preferring to access news via side-door routes such as social media, search, or mobile aggregators.
• Facebook remains one of the most-used social networks overall, but its influence on journalism is declining as it shifts its focus away from news. It also faces new challenges from established networks such as YouTube and vibrant youth-focused networks such as TikTok. The Chinese-owned social network reaches 44% of 18–24s across markets and 20% for news. It is growing fastest in parts of Asia-Pacific, Africa, and Latin America.
• When it comes to news, audiences say they pay more attention to celebrities, influencers, and social media personalities than journalists in networks like TikTok, Instagram, and Snapchat. This contrasts sharply with Facebook and Twitter, where news media and journalists are still central to the conversation.
• Much of the public is sceptical of the algorithms used to select what they see via search engines, social media, and other platforms. Less than a third (30%) say that having stories selected for me on the basis of previous consumption is a good way to get news, 6 percentage points lower than when we last asked the question in 2016. Despite this, on average, users still slightly prefer news selected this way to that chosen by editors or journalists (27%), suggesting that worries about algorithms are part of a wider concern about news and how it is selected.
• Despite hopes that the internet could widen democratic debate, we find fewer people are now participating in online news than in the recent past. Aggregated across markets, only around a fifth (22%) are now active participators, with around half (47%) not participating in news at all. In the UK and United States, the proportion of active participators has fallen by more than 10 percentage points since 2016. Across countries we find that this group tends to be male, better educated, and more partisan in their political vie ws.
• Trust in the news has fallen, across markets, by a further 2 percentage points in the last year, reversing in many countries the gains made at the height of the Coronavirus pandemic. On average, four in ten of our total sample (40%) say they trust most news most of the time. Finland remains the country with the highest levels of overall trust (69%), while Greece (19%) has the lowest after a year characterised by heated arguments about press freedom and the independence of the media." (Summary, page 10)
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"Comprising 41 chapters by a team of international contributors, the companion is divided into three parts: histories; approaches; thematic considerations. The chapters offer wide-ranging explorations of how forms of mediation influence communication, social relationships, cultural practices, partic
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ipation, and social change, as well as production and access to information and knowledge. This volume considers new developments, and highlights the ways in which anthropology can contribute to the study of the human condition and the social processes in which media are entangled." (Publisher description)
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"In many countries, especially outside Europe and the United States, we find a significant further decline in the use of Facebook for news and a growing reliance on a range of alternatives including private messaging apps and video networks. Facebook news consumption is down 4 percentage points, acr
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oss all countries, in the last year.
• News use across online platforms is fragmenting, with six networks now reaching at least 10% of our respondents, compared with just two a decade ago. YouTube is used for news by almost a third (31%) of our global sample each week, WhatsApp by around a fifth (21%), while TikTok (13%) has overtaken Twitter (10%), now rebranded X, for the first time.
• Linked to these shifts, video is becoming a more important source of online news, especially with younger groups. Short news videos are accessed by two-thirds (66%) of our sample each week, with longer formats attracting around half (51%). The main locus of news video consumption is online platforms (72%) rather than publisher websites (22%), increasing the challenges around monetisation and connection.
• Although the platform mix is shifting, the majority continue to identify platforms including social media, search, or aggregators as their main gateway to online news. Across markets, only around a fifth of respondents (22%) identify news websites or apps as their main source of online news – that’s down 10 percentage points on 2018. Publishers in a few Northern European markets have managed to buck this trend, but younger groups everywhere are showing a weaker connection with news brands than they did in the past.
• Turning to the sources that people pay most attention to when it comes to news on various platforms, we find an increasing focus on partisan commentators, influencers, and young news creators, especially on YouTube and TikTok. But in social networks such as Facebook and X, traditional news brands and journalists still tend to play a prominent role.
• Concern about what is real and what is fake on the internet when it comes to online news has risen by 3 percentage points in the last year with around six in ten (59%) saying they are concerned. The figure is considerably higher in South Africa (81%) and the United States (72%), both countries that have been holding elections this year.
• Worries about how to distinguish between trustworthy and untrustworthy content in online platforms is highest for TikTok and X when compared with other online networks. Both platforms have hosted misinformation or conspiracies around stories such as the war in Gaza, and the Princess of Wales’s health, as well as so-called ‘deep fake’ pictures and videos." (Executive summary, page 10)
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"Diese Untersuchung widmet sich der deutschen Propaganda in Lateinamerika während des Ersten Weltkrieges aus einer transnationalen Perspektive. Dabei fragt sie zunächst nach den Produktionsbedingungen und zeigt, dass deutsche Propaganda durch ein plurizentrisches Netzwerk realisiert wurde, dessen
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Akteure sich nicht zwangsläufig mit den Deutschen sympathisierten, sondern auch aufgrund von Interessenkonvergenz in der Zielsetzung mit den Deutschen kooperierten. Diese Abhängigkeit von lokalen Initiativen on the spot hatte auch Konsequenzen für die diskursive Konfiguration der Propaganda. In Argentinien, Chile und Mexiko eignete sich die deutsche Propaganda nationale wie transnationale Identitätsdiskurse an und band sie in ihre Argumentationsstrategien ein, um zwischen ihren Botschaften und den potentiellen Rezipienten Identifikation herzustellen." (Verlagsbeschreibung)
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"El artículo presenta una propuesta multidimensional de medición del pluralismo informativo en distintos programas de TV abierta: noticieros centrales, matinales y programas de opinión y debate, así como los resultados de su aplicación en Chile. El instrumento está compuesto de 6 dimensiones:
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diversidad, editorialidad, concentración, propiedad, percepción y alcance. La hipoìtesis es que una adecuada medición del pluralismo televisivo requiere de distintas dimensiones de análisis, que incluyen aspectos de la programación, las audiencias y la televisión como mercado. Tras dos pruebas piloto, la aplicación del instrumento mostró como resultado un bajo pluralismo en los programas analizados que se expresa en la homogeneidad de contenidos (temas, fuentes, partidos políticos), en un contexto de alta concentración de la audiencia y la inversión publicitaria en los canales con peor puntaje. Estos hallazgos plantean preguntas y propuestas sobre la TV pública y la institucionalidad reguladora del sector en el actual escenario de cambio constitucional." (Resumen)
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"International contributors assess a variety of key contexts that impact access to digital technologies, including contextual variations related to geography and infrastructure, as well as individual differences related to age, income, health and disability status. Chapters explore how variations em
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erge across the life course, illustrating the effects of digital disparities on personal wellbeing. Intervening in critical debates relating to the digital divide, this Handbook offers key insights into privacy and trust issues that affect technological usage." (Publisher description)
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