"This book addresses the issues raised by digital platforms in the Global South, with an emphasis on the cultural stakes involved. It brings together an interdisciplinary team of researchers - including political economists, socio-economists, geographers, media sociologists or anthropologists - who
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each explore these issues through an insightful case study at a local, national, regional or international scale. While studying the strategies of some of the main US-based Big Tech platforms or video streaming platforms towards the Global South, the chapters also consider the often-neglected active role local or regional actors play in the expansion of those Western digital players, and highlight the existence of a constellation of local or regional platforms that have emerged in Africa, Asia, Latin America or the Middle East. In addition to analysing the complex relationships of competition, collaboration or dependence between these diverse actors, this volume examines the ways in which the rise of these digital platforms has generated new forms of cultural entrepreneurship and participated in the reconfiguring of the conditions in which cultural contents are produced and circulated in the Global South." (Publisher description)
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"Inequalities are the unwanted companions of media and communication. Traditional analogue mass media were criticized for creating inequalities by being biased, serving hegemonic interests, and accumulating far too much power in the hands of mighty industrial conglomerates. Under the digital regime,
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most inequalities survived, and new ones occurred. Knowledge gaps transformed into digital divides, news journalism is challenged by social networking sites, and global corporate monopolies outperform national media companies. Algorithmic selection, surveillance, Big Data and the Internet of Things are creating new inequalities which follow traditional patterns of class, gender, wealth and education. This book revisits old and new media and communication inequalities in times of digital transition." (Back cover)
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"Media and Terrorism brings together leading scholars to explore how the world's media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is a perfect student text and is an
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essential handbook on the dynamics of war and the media in a global context." (Publisher description)
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Souvent considéré comme une activité des plus nuisibles, le piratage des contenus audiovisuels n’en constitue pas moins, depuis des décennies, pour de nombreuses populations aux quatre coins du monde, un moyen majeur d’accéder aux produits des industries culturelles. Nourri d’enquêtes de
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terrain, cet ouvrage explore les enjeux que recèle ce phénomène complexe. Le point de vue adopté est multiple et international. Alors que le piratage est généralement pensé exclusivement à partir de la question du téléchargement sans paiement des droits en Amérique du Nord ou en Europe occidentale, il est ici appréhendé dans toute la variété de ses manifestations, en privilégiant les pays du Sud et de l’Est : des marchands de CDs et DVDs contrefaits de Bogotá ou Alger, jusqu’aux politiques de défense des droits de propriété artistique de Washington ou Séoul, en passant par les pratiques des adeptes moscovites des réseaux peer-to-peer.
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"This collection of essays by internationally-acclaimed scholars from around the world aims to stimulate a debate about the imperatives for internationalizing media studies by broadening its remit, including innovative research methodologies, taking account of regional and national specificities and
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pedagogic necessities warranted by the changing profile of students and researchers and the unprecedented growth of media in the non-Western world." (Publisher description)
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"Cet ouvrage analyse comment les médias transfrontières tels que les radios internationales, la vidéo, les télévisions par satellite ou encore Internet, peuvent contribuer, dans les pays du tiers monde, à contourner les politiques nationales de censure." (Présentation)