"This book explores the convergence of urban radio with digital media technologies in Africa, focusing on how youth are riding on the rapid (though uneven) internet rollout on the continent to participate and drive the production and consumption of urban radio. With thirteen original chapters, the b
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ook sheds new light on the changing landscape of radio in a diverse set of African countries, illustrated with rich case studies from Zimbabwe, South Africa, Eswatini, Nigeria and Kenya. This book covers the following themes: youth agency and cultural power; civic engagement and political participation; youth, identity and belonging; youth cultural expressions as well as the impact of capitalist imperatives on commercial radio programing in Africa." (Publisher description)
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"Who owns the media and communications in Africa today and with what implications? The book elegantly answers this urgent question by unpacking multiple dimensions of media ownership through rare and authoritative perspectives, including both historical and contemporary digital developments. It trac
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es the evolving forms of ownership of media and communications in specific African contexts, showing how they interact with broader changes in and outside the continent. The book also shows how Big Techs, such as Meta (formerly known as Facebook), are involved in a scramble for Africa’s digital ecosystem and how their advance brings both opportunities and concerns about ownership and control. The chapters analyse evolving forms of ownership and their implications on media concentration and democracy across Africa. The book offers a nuanced account of how media ownership structures are in some instances captured with an ever-growing and complex ecosystem that also has new opportunities for public interest media. Offering a significant representation of the trends and diversity of existing media systems, the book goes beyond the postcolonial geographical divisions of North and Sub-Saharan Africa to highlight common patterns and significant similarities and differences of communications ownerships between and within African countries. The contributors expose media and communications ownership patterns in Africa that are centralised and yet decentralising and in some cases, battling, resurging and globalising." (Publisher description)
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"This chapter examines Zimbabwean print journalists’ everyday newsmaking experiences during the 2008 disputed harmonized elections. The article is sequel to our article (Tsarwe and Mare 2019), which exclusively relied on qualitative content analy
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sis of a state-owned weekly (The Sunday Mail) and two private-owned weeklies (The Financial Gazette and The Zimbabwe Independent) to show how news articles were framed in ways that could have escalated political polarization and hatred among different political groups. While the three newspapers remain our sample as in our previous paper, in this chapter we rely exclusively on verbalized personal accounts (in-depth interviews) from journalists who reported on the various stages of the electoral conflict, with specific focus on how newsmaking cultures and other structural forces (such as influence from owners and politicians) may have driven Zimbabwean journalists to behave in the manner they did. The chapter, thus, provides compelling evidence on how various micro- and macro-structural factors contributed to the dissemination of hate speech, propaganda and “war” journalism discourses in a highly polarized Zimbabwe. We argue that although journalists from the three weekly newspapers have the agency to avoid the use of “war journalism frames”, they are embedded in socio-political, organizational and institutional structures, which militate against the realization of conflict-sensitive journalism." (Abstract)
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"This book explores the role and place of popular, traditional and digital media platforms in the mediatization, representation and performance of various conflicts and peacebuilding interventions in the African context. The role of the media in conflict is often depicted as either 'good' (as symbol
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ized by peace journalism) or 'bad' (as exemplified by war journalism), but this book moves beyond this binary to highlight the 'in-between' role that the media often plays in times of conflict. The volume does not only focus on the relationship between mass media, conflict and peacebuilding processes but it broadens its scope by critically analysing the dynamic and emergent roles of popular and digital media platforms in a continent where the semi-literate and oral communities still rely heavily on popular communication platforms to get news and information. Whilst social media platforms have been hailed for their assumed democratic and digital dividends, this book does not only focus on these positive aspects but also shines a light on dark forms of participation which are fuelling racial, gender, ethnic, political and religious conflicts in highly polarized and stratified societies." (Publisher description)
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"As the most widespread and popular form of communication in the country, radio occupies an essential space in the deliberation and the construction of public opinion in South Africa. From just a few state-controlled stations during the apartheid era, there are now more than 100 radio stations, reac
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hing vast swathes of the population and providing an important space for citizens to air their views and take part in significant socio-economic and political issues of the country. The various contributors to this book demonstrate that whilst print and television media often serve elite interests and audiences, the low cost and flexibility of radio has helped it to create a ‘common’ space for national dialogue and deliberation. The book also investigates the ways in which digital technologies have enhanced the consumption of radio and produced a sense of imagined community for citizens, including those in marginalised communities and rural areas." (Publisher description)
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"The collection of essays in this volume seek among other things to draw attention to the virtues of conflict-sensitive journalism as a way of transforming the negative effects of ‘war’ journalism. Contributors to the handbook include journalists drawn from the following countries: eSwatini, Les
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otho, Mozambique, Namibia, South Africa, Zambia and Zimbabwe, who participated in a workshop in Windhoek in July 2018." (Foreword)
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