"The aim of this report is to provide a landscape scan of how an extremely diverse set of communities and movements are working at intersections of technology, digital rights, environmental justice and climate justice. The report’s primary audiences are grantmakers and practitioners working in or ...adjacent to the digital rights sector interested in understanding how to centre environmental/climate justice in their work going forward. Secondary intended audiences are grantmakers and practitioners with an environmental or climate focus who are interested in exploring the intersections between their work and that of the digital rights sector. The report aims to provide qualitative insight on the needs of and challenges faced by practitioners engaged in work spanning digital rights, tech and environmental/climate justice issues. It also aims to identify opportunities for digital rights funders to provide impactful support that is grounded in the real-world experiences of different communities and movements engaged in the fight for climate and environmental justice." (Introduction, p.5-6)
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"Welcome to the world of melodrama—and to the melodramas of the world. This book introduces nearly one hundred cinematic masterpieces from various periods and different cultural contexts—ranging from early Hollywood to emergent and popular Bollywood, from Latin American and New German Cinema to ...contemporary Nollywood, from classic melodrama and commercial blockbusters to arthouse film and meta-melodrama, while also encompassing a number of other local forms and styles in their hybrid or revisionist varieties. Our collection features discussions of seemingly timeless stories of love and loss, demonstrating the possibility and power of melodramatic plots to portray the overcoming of differences and antagonisms. Yet it also reveals how the melodramatic code is time and again used for asserting political claims and articulating critique—and hence for (re)producing powerful dichotomies of good vs. evil, innocence vs. corruption, virtue vs. vice. Melodrama performs and rehearses moral conflict and emotional crisis management on a broad scale, involving intimate relationships and familial relations, on the one hand, and global constellations of oppression, violence, war, and regime changes, on the other. Thus, like no other genre, melodrama indeed makes the political personal and the personal political." (Introduction, p.13)
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