"This book addresses the issues raised by digital platforms in the Global South, with an emphasis on the cultural stakes involved. It brings together an interdisciplinary team of researchers - including political economists, socio-economists, geographers, media sociologists or anthropologists - who
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each explore these issues through an insightful case study at a local, national, regional or international scale. While studying the strategies of some of the main US-based Big Tech platforms or video streaming platforms towards the Global South, the chapters also consider the often-neglected active role local or regional actors play in the expansion of those Western digital players, and highlight the existence of a constellation of local or regional platforms that have emerged in Africa, Asia, Latin America or the Middle East. In addition to analysing the complex relationships of competition, collaboration or dependence between these diverse actors, this volume examines the ways in which the rise of these digital platforms has generated new forms of cultural entrepreneurship and participated in the reconfiguring of the conditions in which cultural contents are produced and circulated in the Global South." (Publisher description)
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"Global Media Giants takes an in-depth look at how media corporate power works globally, regionally, and nationally, investigating the ways in which the largest and most powerful media corporations in the world wield power. Case studies examine not only some of the largest media corporations (News C
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orp, Microsoft) in terms of revenues, but also media corporations that hold considerable power within national, regional, or geolinguistic contexts (Televisa, Bertelsmann, Sony). Each chapter approaches a different corporation through the lens of economy, politics, and culture, giving students and scholars a thoughtful and data-driven guide with which to interrogate contemporary media industry power." (Publisher description)
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"Based on data collected from 97 countries through the UIS 2014 Survey on Feature Film Statistics, the following observations on diversity can be made: In 2012, the number of feature films greatly increased throughout the world, and the following year a
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new production record was hit: 7,610 movies. However, the sustained growth of global production during the 2005-2013 period has not undermined the weight of the main production countries: India, the United States, China, Japan and a set of Western European countries, including the United Kingdom, France, Germany and Spain. This finding, in the attempt to analyse the diversity of sources, reveals a high degree of concentration of production in the economic superpowers and in some of the most heavily-populated countries of the world. A special case in point is India, the country with the second-largest population, and the number-one filmmaking country, which is experiencing a major growth in production. India produced 1,041 movies in 2005 to 1,724 movies in 2013. The number of feature films produced in 2013, mostly with digital technology and at multiple sites, represented over one-fifth of worldwide production[...]" (Conclusion, page 35)
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"The article presents the main results of the investigation, ‘Current Situation and Prospects of Spanish Cooperation in Culture and Communication with the Rest of Ibero-America, 1997–2007’. The text offers an overview of the initiatives which took place during the period studied, by country, c
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ultural and media sectors, agents involved, and type of activity. Spain’s role in terms of cooperation in culture and communication is analysed, and a reflection on the possibility of building an Ibero-American cultural space appropriate to the new digital scene is also included. Although Ibero-America has traditionally been a privileged geopolitical space for Spanish cooperation policy, this was not developed until well into the new millennium, evolving from simplistic and rhetorical visions based on instrumental conceptions of culture and communication to a gradual recognition of the fact that cooperation is much more than the classical actions of dissemination and promotion of Spanish cultural products." (Abstract)
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"Este documento presenta un panorama general de la presencia "latina" o "hispana" y del mercado medático en español en los Estados Unidos. Además introduce brevementa a la presencia cultural de España en Estados Unidos y los resultados de dos F
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oros de Industrias Culturales Latinas." (commbox)
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"La investigación que se presenta en estas páginas tuvo un doble objetivo: por un lado, estudiar la cooperación española, bilateral y multilateral, con un seleccionado conjunto de países de iberoamericanos en materia de patrimonio y cultura clásica (artes plásticas, espectáculos en vivo) y d
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e industrias culturales (incluyendo a los medios de comunicación y a las nuevas redes digitales) durante el periodo 1997-2007. Por otro, conocer las opiniones de destacados expertos (gestores, creadores, académicos) sobre los futuros lineamientos de las políticas y las estrategias de cooperación en cultura y comunicación en Iberoamérica." (Página 15)
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"This commentary provides an overview of the recent phenomenon of Ibero-American observatories which work on issues related to information, communication and culture. It also shows the results of some research under way which seeks to analyse the diversity of 61 observatories regarding their geograp
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hical location, key research themes and area of operations." (Abstract)
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