"Losing Control: freedom of the press in Asia takes us right up to the end of this tumultuous century. It deals with the Chinese media cranking up its latest propaganda campaign, this time against the Falun Gong. It discusses how the Indonesian media lost its way in reporting the tragedy in East Tim...or. And it comments on how the Cambodian media-or at least parts of it-surprisingly reported the allegations that the Prime Minister's wife had her husband's movie star girlfriend assassinated. The book adopts a country-by-country approach dealing with all the countries in Northeast and Southeast Asia. It does not attempt to sweep across to the sub-continent. It would not be possible to do justice to any discussion of freedom of the press in that region by sandwiching it in between the pages of a book about East Asia. The methodology is based on an underlying assumption: that journalists are best placed to provide the most up-to-date analysis of their own industry. Where possible, local journalists have contributed the country chapters. In some cases a more useful outcome could be achieved by employing foreign correspondents and commentators. Authors have written their chapters using journalistic research tools, such as first hand interviews, as well as more conventional academic methods." (p.14)
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"Why co-create—and why now? The many coauthors, drawing on a remarkable array of professional and personal experience, focus on the radical, sustained practices of co-creating media within communities and with social movements. They explore the urgent need for co-creation across disciplines and or...ganization, and the latest methods for collaborating with nonhuman systems in biology and technology. The idea of “collective intelligence” is not new, and has been applied to such disparate phenomena as decision making by consensus and hived insects. Collective wisdom goes further. With conceptual explanation and practical examples, this book shows that co-creation only becomes wise when it is grounded in equity and justice." (Publisher)
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"Welcome to the world of melodrama—and to the melodramas of the world. This book introduces nearly one hundred cinematic masterpieces from various periods and different cultural contexts—ranging from early Hollywood to emergent and popular Bollywood, from Latin American and New German Cinema to ...contemporary Nollywood, from classic melodrama and commercial blockbusters to arthouse film and meta-melodrama, while also encompassing a number of other local forms and styles in their hybrid or revisionist varieties. Our collection features discussions of seemingly timeless stories of love and loss, demonstrating the possibility and power of melodramatic plots to portray the overcoming of differences and antagonisms. Yet it also reveals how the melodramatic code is time and again used for asserting political claims and articulating critique—and hence for (re)producing powerful dichotomies of good vs. evil, innocence vs. corruption, virtue vs. vice. Melodrama performs and rehearses moral conflict and emotional crisis management on a broad scale, involving intimate relationships and familial relations, on the one hand, and global constellations of oppression, violence, war, and regime changes, on the other. Thus, like no other genre, melodrama indeed makes the political personal and the personal political." (Introduction, p.13)
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