"Peace Journalism, War and Conflict Resolution draws together the work of over twenty leading international writers, journalists, theorists and campaigners in the field of peace journalism. Mainstream media tend to promote the interests of the military and governments in their coverage of warfare. T
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his major new text aims to provide a definitive, up-to-date, critical, engaging and accessible overview exploring the role of the media in conflict resolution. Sections focus in detail on theory, international practice, and critiques of mainstream media performance from a peace perspective; countries discussed include the U.S., U.K., Germany, Cyprus, Sweden, Canada, India, Pakistan, Papua New Guinea and the Philippines. Chapters examine a wide variety of issues including mainstream newspapers, indigenous media, blogs and radical alternative websites." (Publisher description)
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"This book explores the journalism coming out of the Afghan war from the frontline and from the greater comfort of the library. It is an unusual hybrid: the testimony of some of the best frontline correspondents of our era, much of it placed in appropriate historical contexts, alongside detailed aca
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demic analysis – and much more. It ranges from the poppy fields of Helmand province to New York via the Iraq War and the modern rebirth of “embedding”. It mixes action, reflection and analysis and focuses on some of under-reported groups such as women and the humanitarian effort in Afghanistan.
It has its origin in a conference in Coventry in March 2010 put on as part of the university’s Coventry Conversations series (with financial support from the Pro Vice-Chancellor and the Dean of Business) in conjunction with the BBC College of Journalism and journalism.co.uk (the website forum for digitally active journalists). All of that conference can be seen and heard on bbc.co.uk/journalism and Coventry.ac.uk/itunesu. Many of the contributors to this book took part in that conference though some extra pieces have been specially commissioned. The war in Afghanistan will soon be coming up to its tenth anniversary.
Operation Enduring Freedom started on 7 October 2001 as a response to the 9/11 al-Qaeda attacks on the Twin Towers in New York. Freedom in Afghanistan has far from endured in that decade. There are today 100,000-plus US troops, 10,000-plus British troops and 17,000 from ISAF allies – including Germany, France, Italy, Poland and Canada.
US intelligence admit that there are now fewer than 100 al-Qaeda (the reason for invading in the first place) fighters left in the country and that the Taliban could fight on for ever. British Prime Minister David Cameron told the House of Commons on 14 June 2010 after his return from his first official visit to Afghanistan that it was only the presence of the ISAF troops that kept al-Qaeda from returning to Afghanistan in numbers. The West is fighting a phantom and desperately searching for an exit strategy. The trouble is they will leave behind an Afghan government scarred by illegitimacy, corruption and more. The Killing Fields will continue for a while yet. Journalism has escaped comparatively lightly – just nine Western journalists killed in Afghanistan since 2001.
Like all big stories, this war has attracted the cream of British journalistic talent especially the broadcast reporters. TV awards have been won on the field of battle by the new Brahmins – the war corrs parachuted in and out of Helmand. The idea for the conference and for the book took hold when I judged the Royal Television Society News Programme of the Year Awards for 2009. All entries featured front line action from their stars. Many of them have contributed to this book." (Pages 3-4)
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"The key idea of this book is to argue that a 'third generation' of reception studies and audience ethnography is presently taking shape and will establish itself in the near future. However, the division of the development of reception studies and audience research into three 'generations' outlined
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in this introductory chapter must not be taken matter-of-factly. Rather, the outline of the suggested division should be seen as a way of pointing out an emergent trend, a direction audience research could take. There are elements in the present research that already lead the way to the new agenda that future research should, in my view, address, but a solid body of research tackling the new field of research is yet to be done. I hope that with the book at hand we can help to address the new questions and outline the basic dimensions of the new field. The role of this book, in other words, is to act as a midwife: to suggest a 'story line' in cultural media research, a way to read its history in such a way that it points to the emergent trend outlined here and illustrated, developed and discussed in the chapters of this book." (Introduction, page 1)
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