"Ethnographische Methoden haben heute in alle kultur- und sozialwissenschaftlichen Disziplinen Eingang gefunden. Auch in der Medienforschung spielen sie eine zentrale Rolle. Dieses Handbuch trägt die Methodendiskussion in der Medienethnologie zusammen und entwickelt sie am Beispiel konkreter Feldfo
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rschungsberichte weiter: Die dichte Beschreibung von Medienpraktiken, eine kritische Verortung der Subjektivität im Feld und der Fokus auch auf die Methoden der Beforschten sind zentrale Elemente der Beiträge." (Verlagsbeschreibung)
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"Although Islam is not new to West Africa, new patterns of domestic economies, the promise of political liberalization, and the proliferation of new media have led to increased scrutiny of Islam in the public sphere. Dorothea
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E. Schulz shows how new media have created religious communities that are far more publicly engaged than they were in the past. Muslims and New Media in West Africa expands ideas about religious life in West Africa, women's roles in religion, religion and popular culture, the meaning of religious experience in a charged environment, and how those who consume both religion and new media view their public and private selves." (Publisher description)
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"Radio has been called ‘Africa’s medium’. Its wide accessibility is a result of a number of factors, including the liberalisation policies of the ‘third wave’ of democracy and its ability to transcend the barriers of cost, geographical boundaries, the colonial linguistic heritage and low l
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iteracy levels. This sets it apart from other media platforms in facilitating political debate, shaping identities and assisting listeners as they negotiate the challenges of everyday life on the continent. Radio in Africa breaks new ground by bringing together essays on the multiple roles of radio in the lives of listeners in Anglophone, Lusophone and Francophone Africa. Some essays turn to the history of radio and its part in the culture and politics of countries such as Angola and South Africa. Others – such as the essay on Mali, gender and religion – show how radio throws up new tensions yet endorses social innovation and the making of new publics. A number of essays look to radio’s current role in creating listening communities that radically shift the nature of the public sphere. Essays on the genre of the talk show in Ghana, Kenya and South Africa point to radio’s role in creating a robust public sphere. Radio’s central role in the emergence of informed publics in fragile national spaces is covered in essays on the Democratic Republic of Congo and Somalia. The book also highlights radio’s links to the new media, its role in resistance to oppressive regimes such as Zimbabwe, and points in several cases – for example in the essay on Uganda – to the importance of African languages in building modern communities that embrace both local and global knowledge." (Publisher description)
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"The list of critical terms selected and explicated in this book will signal many things to readers. It will certainly indicate that the study of media and religion is broadly interdisciplinary. Before the 1980s, the field, if it even was one, was largely the domain of historians of Christianity, Ch
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ristian communicators, and seminary professors, geared toward the improvement of church communication policy and practice, education, evangelism, and preaching. Matters have changed since then. Though religious organizations scholarship has explored the subject. Anthropology, cultural studies, media studies, visual and material culture, film studies, and religious studies are among the next generation of disciplines drawn to the study of media and religion. The new paradigm that this book articulates has described itself under a triad of terms: religion, media, and culture. What the third term means will be considered in detail in the Introduction here and in several of the Key Word essays. For the time being, it is important to say that the religion, media, and culture approach is not limited to the tendency to focus on journalism and communication policy, which is the legacy of the older practice. The aim here is not to dismiss or ignore them but to expand the remit and to change some key assumptions about what “religion” and “media” are in academic study. The difference turns on the third term, culture. The dominant approach taken here is constructivist in nature." (Preface, page xii-xiii)
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"The article explores the processes that have allowed Islam to gain great appeal as a community-building idiom in Mali since the introduction of multiparty democracy in 1991. Drawing on the mediatic performances of the charismatic preacher Sharif Haidara, the article analyzes how new media technolog
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ies facilitate and play into Islam’s new prominence and how they influence the particular ways in which Islam is presented in the public sphere. It examines the particular ways audio recording technologies intervene in and complicate the terms of interaction between political regimes and their critics, and thus change the place of religion in postcolonial state politics. Rather than interpret this process as a “resurgence” and threat of religion to secular nation state politics, the article emphasizes the paradoxical effects “small”, decentralized media have on the constitution of moral community. Audio recordings enable the move to public prominence of a variety of interpreters of Islam who seek to articulate an Islamic normativity as the basis of the common good. Paradoxically, the same processes that enhance the possibilities of Muslims of various backgrounds and pedigree to participate in public debate simultaneously undermine their appeal to Islamic scholarly consensus. While these processes strengthen these Muslims’ possibilities to speak in public, they weaken their capacities to speak as the public, a claim that is pivotal to their quest for collective moral renewal." (Abstract)
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"In this article, I take the highly successful Muslim preacher Cherif Haidara in Mali as a starting point to explore the conditions that, throughout the contemporary Muslim world, facilitate the rise to prominence of new types of religious leaders, who, by virtue of their media performances and in t
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heir roles as preachers, personal counselors, or legal advisers, attract broad constituencies of believers. I assess recent shifts in the normative, institutional, and economic conditions of religious debate in urban Mali that have changed the parameters of common understandings of the relevance of religion to daily life and politics. I examine how the adoption of new media technologies affects the contents and forms of religious reasoning, the subjective understandings and articulations of Islamic normativity, and thereby contributes to changes in the sources and forms of leadership. Finally, I investigate in what ways processes of commodification and commercialization are conducive to these changes in religious experience, community, and authority." (Abstract)
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"Increasingly, Pentecostal, Buddhist, Muslim, Jewish, Hindu, and indigenous movements all over the world make use of a great variety of modern mass media, both print and electronic. Through religious booklets, radio broadcasts, cassette tapes, television talk-shows, soap operas, and documentary film
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these movements address multiple publics and offer alternative forms of belonging, often in competition with the postcolonial nation-state. How have new practices of religious mediation transformed the public sphere? How has the adoption of new media impinged on religious experiences and notions of religious authority? Has neo-liberalism engendered a blurring of the boundaries between religion and entertainment? The vivid essays in this interdisciplinary volume combine rich empirical detail with theoretical reflection, offering new perspectives on a variety of media, genres, and religions." (Publisher description)
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