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Games for Actors and Non-Actors
New York; London: Routledge, 3rd ed. (2022), xxxiv, 354 pp.
"Games for Actors and Non-Actors is the classic and bestselling book by the founder of Theatre of the Oppressed, Augusto Boal. It sets out the principles and practice of Boal's revolutionary metho
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Freire’s Vision of Development and Social Change: Past Experiences, Present Challenges and Perspectives for the Future
International Communication Gazette, volume 82, issue 5 (2021), pp. 411-424
"This article proposes to view Freire’s thinking beyond a pedagogical method and rather as a model or even paradigm of development and social change. To build this as an original argument we firstly outline Freire’s ontological call, presenting and discussing his underlying five principles, of w
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The Routledge Companion to Theatre of the Oppressed
London; New York: Routledge (2019), xxvi, 436 pp.
"This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppressed. Developed by Brazilian director and theorist Augusto Boal, these theatrical forms invite
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Das Theater der Unterdrückten und Vergangenheitsaufarbeitung in Afghanistan: Kollektive Ermächtigung und neue Dependenzen
Peripherie, volume 37, issue 1 (2017), pp. 52-75
"Seit März 2007 organisieren lokale und internationale Aktivist*innen in verschiedenen Teilen Afghanistans beinah täglich Aktivitäten mit den unterschiedlichen Techniken des Theaters der Unterdrückten (TdU) des Brasilianers Augusto
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Encyclopedia of Social Movement Media
Top Insights
Thousand Oaks; London; New Delhi; Singapore: Sage (2011), xxvii, 602 pp.
"This one-volume encyclopedia features around 250 essays on the varied experiences of social movement media over the planet in the 20th and 21st centuries [...] The guiding principles have been to ensure that experiences from the global South are given voice; that women are properly represented amon
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Participatory Theatre for Conflict Transformation: Training Manual
Key Guidance
Washington, DC; Bukavu: Search for Common Ground (2009), 52 pp.
"Participatory theatre is an approach in which the actors interact with the public. Throughout the event, the public participates to adapt, change or correct a situation, an attitude or a behaviour that is developed during the show. The NGO “Search for Common Ground” combined forum theatre techn
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The Applied Theatre Reader
New York: Routledge (2009), xvi, 380 pp.
Theatre of the Oppressed
London: Pluto Press, new ed. (2008), xxiv, 184 pp.
Remembering: Oral History Performance
New York: Palgrave Macmillan (2006), xii, 205 pp.
"Drawing on the work of scholars and practitioners such as Augusto Boal, Gloria Anzaldua, and Trinh Minh-ha, these essays advocate oral history and oral history-based performance as means to chall
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Legislative Theatre: Using Performance to Make Politics
London: Routledge (1998), x, 207 pp.
"This work is an attempt to use theatre in a political context to create a truer form of democracy - a method to engage the populace. At the heart of Boal's method of Forum Theatre - which is already used in diverse contexts - is the dual meaning of the verb "to act": to perform and take action. In
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