"This publication is a directory of the member organisaztions of the German Forum Media and Development (fome) and some of their working areas as of March 2024." (commbox)
"Este documento presenta el libro "Periodismo DaDá" de Pere Ortín, el cual invita al lector a desconfiar del periodismo convencional y propone nuevas formas de periodismo que pongan en crisis los enfoques tradicionales. Ortín sugiere olvidar la lógica de la noticia, actualidad e información par
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a experimentar otros estilos periodísticos creados desde perspectivas alternativas. El libro usa un estilo collage para transmitir estas ideas de un modo inteligente e irónico." (Descripción de la casa editorial)
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"In this article, the intersection between digital spaces, rights, and responsibilities in an interconnected platformising world is highlighted. Besides unpacking structural harms and unfreedoms accompanying this platformisation, it also proposes a duty of care model rooted in the African philosophy
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of Ubuntu." (Page 1)
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"This Charter outlines normative directions and an action agenda for a feminist approach to digital transformation, based on wide-ranging consultations with nearly 100 participants from the Global South. It calls for key principles of digital governance – openness, freedom and security – to serv
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e as a guide in attaining constructive pluralism, equitable and just societies, and flourishing futures across our planet. It asserts that the UN Global Digital Compact must secure state and corporate accountability for protecting women’s human rights in the digital age, a new global social contract for a socially just digital transition, and institutional arrangements to ensure network and data resources become part of the commons." (Title page)
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"In order to spread Russian narratives about Ukraine that create a false impression of the country among external and internal audiences, the Russian Federation uses a whole complex of information and communication channels. Their main task is to replace the target audience's existing ideas about th
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e real, factual state of affairs with ideas that are considered to be more beneficial to the aggressor country. Russia rejects democratic principles and Ukraine's desire for a European future. Depending on the tasks and results (successes/failures) of operations to influence the internal politics of Ukraine and the formation of its image among the Western audience, Russian narratives changed from a presentation of Ukrainians and Russians as “brotherly” peoples or even one people to the importance of the complete extermination of "Ukrainian nationalists and Nazis," denial of the very existence of Ukrainians as a distinct ethnic group (thereby “justifying” genocide), returning supposed "historical territories of Russia," and promoting the idea that Ukraine has never really been a proper state or is a historic mistake. The narratives of Russian propaganda intertwine, sometimes reinforcing and sometimes contradicting each other. But whatever the Russian narrative may be, its main goal is to undermine Ukraine’s democratic development and its integration into the Western world, to weaken the desire of Ukrainians to determine their future outside Russian influence, within the European family, as well as to weaken international support for Ukraine. The Kremlin's disinformation campaign led to the emergence of a number of stereotypes that influenced the decision-making of Ukraine's partners at the beginning of the full-scale invasion, which led to numerous human casualties, the destruction of Ukrainian economy and infrastructure, and a real threat to the country’s territorial integrity and sovereignty. Fortunately, Ukraine has persevered. Unbreakable people of an unbreakable country continues its fight not only for itself but the whole democratic world." (Summary)
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"Este libro es la continuación de una provocación y el saldo de una deuda pendiente con nombres, países y regiones que no estuvieron en el primer tomo. 20 autoras, un especial Caribe y la mirada latina sobre Canadá y Estados Unidos son las paradas del recorrido. 20 escrituras y tonos diversos do
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nde cada mujer cuenta como quiere: testimonio, crónica, ensayo, entrevista, paper." (Cubierta del libro)
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"On the surface, Namibia’s stellar reputation as the beacon of media freedom remains intact, but the role of the Fourth Estate in speaking truth to power is gradually being eroded as state officials become increasingly intolerant of the media in Namibia. The perceptible decline in the media landsc
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ape is evidenced by the intimidatory tactics the state has been using to discourage journalists from reporting on certain issues [...] Namibia’s legal and policy framework offers strong protection for freedom of expression and media freedom through Article 21 of the constitution. This is further bolstered by Article 144 of the constitution on international law, which automatically incorporates regional and international protocols, agreements and treaties signed and ratified by the Namibian government into the domestic legal system. However, commitment to the notions contained in these regional and international protocols and conventions seems to be solely on paper ..." (Summary, page 5)
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"Le présent livre blanc passe au peigne fin le parcours trépidant de la HAAC pendant cette campagne inédite au Bénin et dans le monde. Il retrace et analyse les activités menées par la HAAC dans le cadre des communales de 2020, en pointant singulièrement la période de campagne électorale qu
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i fut exclusivement médiatique. C’est un ouvrage de référence qui vise à faire la promotion des expériences de la HAAC en matière de gestion de campagne médiatique des élections, et notamment de cet aspect nouveau de campagne électorale exclusivement médiatique. Cet ouvrage pourrait inspirer plus tard la HAAC ellemême et les instances de régulation des médias qui seraient amenées à faire face à des expériences similaires." (Preface, page 7)
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"En este libro de Televisión América Latina (TAL), aunque tendremos a las audiencias como mantra del imaginar y pensar, nos concentramos en el concepto y la producción de las televisoras públicas Latam. Por eso, enfatizamos en las mutaciones de sus formatos, narrativas, estéticas y modos de pro
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ducción e interpe lación. Aquí queremos pensar, imaginar, experimentar y ensayar sobre los modos de enunciar, narrar y contar la televisión, pero con un foco: lo público y lo latinoamericano." (Página 13)
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