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Producing Video for Social Platforms

Al Jazeera Media Institute (2018), 37 pp.

"This handbook aims to provide practical guidelines, tips and best practice for social media news video production, based on the experience the Al Jazeera Media Network has been building over the last few years. While we’ll examine what entails producing for platforms such as YouTube, more detaile ... more

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YouTube: Spaß und Erfolg mit Online-Videos

Christoph Krachten, Carolin Hengholt

Heidelberg: dpunkt Verlag, 3., aktual. Aufl. (2018), xv, 186 pp.

"Wer selbst Videos für YouTube drehen möchte und viele Zuschauer erreichen will, braucht dieses Buch. Es begleitet den Leser von der Anmeldung über den ersten Abonnenten bis zum ersten Euro, den man mit YouTube verdienen kann. Aber auch für alle, die zunächst bei YouTube nur zuschauen wollen, l ... more

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YouTube Secrets: The Ultimate Guide to Growing Your Following and Making Money as a Video Influencer

Sean Cannell, Benji Travis

Lioncrest Publishers (2018), 192 pp.

"In YouTube Secrets, online video experts Sean Cannell and Benji Travis draw on a decade of experience as well as interviews with more than one hundred top creators to give you a step-by-step YouTube success playbook. You'll learn the seven essential ingredients for a profitable channel, new strateg ... more

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YouTube: Online Video and Participatory Culture

Jean Burgess, Joshua Green

Cambridge, UK; Medford, Mass.: Polity Press, 2nd ed. (2018), xii, 191 pp.

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Youtubers y otras especies: El fenómeno que ha cambiado la manera de entender los contenidos audiovisuales

Millán Berzosa

Madrid: Fundación Telefónica;Ariel (2017), 188 pp.

"[Este libro] acerca de manera amena al lector la realidad que hay detrás del éxito de YouTube, un fenómeno que ha transformado la manera de crear y consumir contenido audiovisual [...] Un libro que conecta con el ciclo ‘Youtubers, personas (y cintas de vídeo)’ realizado en el Espacio Fundac ... more

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Video ist King! Erfolgreiches Online-Marketing mit YouTube

Sven-Oliver Funke

Bonn: Rheinwerk (2016), 490 pp.

"Follow Me Around", "Haul" und "Vlog"? Verstehen Sie, wovon hier die Rede ist? YouTube boomt. Und wenn auch Sie Webvideos nutzen und zum festen Bestandteil Ihrer Online-Marketing-Aktivitäten machen wollen, dann sollten Sie unbedingt dieses Buch lesen. Egal ob Sie YouTube für eigene Kanäle einsetz ... more

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Freedom on the Net 2016. Silencing the Messenger: Communication Apps Under Pressure
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Sanja Kelly, Mai Truong, Adrian Shahbaz, Madeline Earp (eds.)

Washington, DC; New York: Freedom House (2016), 1021 pp.

"Internet freedom has declined for the sixth consecutive year, with more governments than ever before targeting social media and communication apps as a means of halting the rapid dissemination of information, particularly during antigovernment protests. Public-facing social media platforms like Fac ... more

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Routledge Handbook of New Media in Asia

Larissa Hjorth, Olivia Khoo (eds.)

London; New York: Routledge (2016), xii, 475 pp.

"While a decade ago much of the discussion of new media in Asia was couched in Occidental notions of Asia as a "default setting" for technology in the future, today we are seeing a much more complex picture of contesting new media practices and production. As "new media" becomes increasingly an ever ... more

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YouTube and Evidencing Warcrimes: The Role of Digital Video for Transitional Justice in Syria

Josepha Wessels

Tidskriftet POLITIK, volume 19, issue 4 (2016), pp. 30-52

"The enormous collection of user-generated content (UGC) in the form of YouTube videos from the Syrian war provides an unprecedented and diverse collection of shared digital memories of conflict and violence. The central question of this article asks what the value is of UGC on YouTube for legal evi ... dence of war crimes and future Transitional Justice. It is beyond doubt that the surge of uploaded videos from the Syrian uprisings revolutionized the way in which contemporary wars are observed and documented. The sheer amount of user-generated content online has given rise to manifold ways of interpreting what is happening on the ground, inspired creative resistance, led to a surge of professional and independent Syrian documentary films and increased the connectivity between those who undergo the war inside the conflict zone and those who are observing the situation from a safe distance. Many YouTube clips from Syria are likely to be rejected as stand-alone legal evidence though, as it often lacks sourced information about meta-data, date, time, geographical coordinates, identity of the participants, the identity of the perpetrator, and other contextual information crucial to establishing judicial facts for war crimes prosecution. The everexpanding body of videos from Syria will give rise to a wide and varied landscape of interactive media that has surpassed the old approach of political mainstream media to inform and possibly manipulate their audiences for their own agendas, whatever those may be. As a platform of digital memory and space to express moral outrage, YouTube served a crucial and important role in the Syrian crisis and the UGC is of immense value for digital memorialisation and historicization of the Syrian crisis. The vast amount of UGC on YouTube was categorized in 8 different types of footage and we can conclude that only small number of videoclips on YouTube can in fact function as crime-based evidence for war crimes. This does not mean that the UGC on YouTube has no value, however as a legal evidence it can be problematic to use YouTube videos if not corroborated and verified properly. The main issue is the lack of meta-data in many of the UGC on YouTube. The YouTube video revolution in Syria did bring to the surface many brave video activists who are now professionally involved in producing high quality footage for international news broadcasters, the most recent example of that is the important work of Waad al Kataeb inside eastern Aleppo with the British Broadcaster Channel Four News (Channel 4 2016). Through a series of edited 5-6 minute mini stories from the ground, Al Kataeb’s work provides a credible and important source of evidence." (Conclusion, page 22-23) more

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YouTube Basics for Journalists

Sarah Ullman

Los Angeles: USC Annenberg Norman Lear Center, Media Impact Project (2014), 19 pp.

"The YouTube platform is an excellent tool for journalists. This guide explained the audience opportunities available to journalists using the YouTube platform. It also delineated the first steps to building a successful YouTube channel. We covered the following material: YouTube basics; the compone ... more

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Looking at the Tuol Sleng Museum of Genocidal Crimes, Cambodia, on Flickr and YouTube

Stephanie Benzaquen

Media, Culture & Society, volume 36, issue 6 (2014), pp. 790-809

"'During the Khmer Rouge regime (1975-9) the Tuol Svay Prey high school in Phnom Penh was used under the codename S21 as a torture-and-execution centre. In 1979, the government of the newly established People's Republic of Kampuchea had it refurbished as memorial. Today, people from all over the wor ... more

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Amateur Media: Social, Culturual and Legal Perspectives

Dan Hunter, Megan Richardson Ramon Lobato, Julian Thomas (eds.)

London; New York: Routledge (2012), xv, 238 pp.

"This edited collection provides a much-needed interdisciplinary contextualisation of amateur media before and after Web 2.0. Surveying the institutional, economic and legal construction of the amateur media producer via a series of case studies, it features contributions from experts in the fields ... more

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Comunicación, ciudadanía y valores: Re-inventando conceptos y estrategias

Asunta Montoya (ed.)

Organización Católica Latinoamericana y Caribeña de Comunicación (OCLACC);Universidad Técnica Particular de Loja (UTLP) (2008), 298 pp.

Freedom on the Net 2016. Silencing the Messenger: Communication Apps Under Pressure Top Insights

Freedom on the Net 2016. Silencing the Messenger: Communication Apps Under Pressure
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