"Après environ quarante ans d'existence au Cameroun, la télévision est l'objet d'un ouvrage qui la présente en faisant émerger les interrogations qu'elle suscite sur ses représentations politique, juridique, économique, culturelle et esthétique. Elle a pris une importance substantielle dans
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les vies quotidiennes au point que les citoyens, les entreprises, les pouvoirs publics, les organisations sociales et politiques ainsi que les ménages en font un usage qui, depuis 1985, s'est considérablement accru. Avec la télévision, les perceptions du temps comme de l'espace ont changé, de même que les pratiques relationnelles, politiques, culturelles et territoriales. Il en résulte des enjeux inédits qui se traduisent par de nouveaux défis pour les autorités, à tous les niveaux institutionnels : régulation du paysage audiovisuel, réorganisation de l'économie du secteur, remodelage de la citoyenneté et mutation de la vie démocratique, adaptation technologique aux normes internationales et aux TIC, encadrement esthétique en vue de la préservation du patrimoine culturel, etc. Avec cet ouvrage à la fois pédagogique et réflexif, les auteurs, par une approche pluridisciplinaire, soulignent combien la télévision s'est imposée comme un acteur social majeur et comme un objet de recherche en sciences sociales." (Description de la maison d'édition)
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"Cultural heritage organizations face at least three main challenges. First, the volume of digital archives makes it extremely difficult for archivists to assess records. Applying Artificial Intelligence (AI) and machine learning (ML) to archives is still at an experimental stage, but AI/ ML could b
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ecome an integral part of archival processes. To manage the sheer bulk and potential sensitivity of records, archivists will also rely on creators to help them make appraisal and selection decisions at the point of deposit. Second, most born-digital collections are currently closed due to a wide range of reasons (including technical issues, copyright, and data protection). Regardless of whether archives are digital or not, archivists need to balance individual rights and the public interest in the context of the General Data Protection Regulation (GDPR) in Europe. Nobody would reasonably claim that all born-digital data should be unlocked and openly accessible. Yet, it is important to recognize that “dark” archives contain vast amounts of data essential to scholars – including email correspondence, drafts of manuscripts, digital photos and videos. Within current legal frameworks, making born-digital archives more accessible is an urgent priority to fully make sense of our cultural heritage. Third, data science and AI are becoming essential tools, but very few scholars (particularly in the humanities) have been trained to master these research methods, a skills gap which in turn has an impact on the training we offer to students." (Introduction, page 7-8)
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"This study explores the challenges of archiving the Egyptian revolution from 2011, and basically any archive consisting of digital media, specifically in contexts of ongoing political contestation. The text proposes a media-archaeological approach in both theory and practice: The media artist Kaya
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Behkalam speaks about his project The Augmented Archive, a digital topographic archive for Cairo’s urban space, whereas media philosopher Knut Ebeling traces the wider historical and media theoretical context to archival and memory practices of resistance. Behkalam and Ebeling have repeatedly worked together in the past on essays and projects around archival practice and media archaeology." (Abstract)
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"The overall aim of the workshop was to promote discussion among the archives on their respective practices, to reflect on the practice of interviewing with the involved historians and, last but not least, to find ways to make better use of the interviews available in the archives [...] The first pa
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rt of this reader contains the self-portrayals of the archives involved in the network and presentations of their contemporary witness projects, while the second part features reports from the historians on their practice, including reflections on their approaches. The appendix contains detailed overviews of the archived interviews of contemporary witnesses. Together with the texts, they are intended to give an impression of the interesting interviews that can already be found in the Ecology Archives and to arouse curiosity about their scientific use." (Editorial, page 4)
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"Ereignisse wie die ägyptische Revolution von/seit 2011 lassen sich als komplexe Medienereignisse beschreiben, in denen Medien weniger eine Dokumentationsfunktion übernehmen, sondern das Ereignis selbst zu einem wesentlichen Teil konstituieren und seinen Verlauf prägen, und die sich damit sowohl
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im sogenannten Realraum als auch zu großen Teilen im virtuellen Raum des Internets ereignen. Die vorliegende Arbeit schaut zurück auf dieses Ereignis, und versucht—in Theorie und Praxis—die ihm zugrundeliegende Medialität aus medienwissenschaftlicher Perspektive zu erforschen und seine Konsequenzen für eben diese Rückschau, also für eine zeitgemäße Geschichts- und Archivpraxis zu ergründen. In diesem Sinne verfolgt SEEING HISTORY – The Augmented Archive die sich verändernden Medialitäten des Archivs in Zeiten des Übergangs vom Speichermedium hin zum Modus des Übertragens. Hier liegt die wahre Herausforderung für eine zeitgemäße Geschichtsschreibung: "Von den Speichermedien aus kommen die Übertragungsmedien selten in den Blick denn sie hinterlassen kaum Spuren. Weil es von ihnen kein klassisches Archiv, sondern nur Momente der Zwischenspeicherung gibt, fokussiert sie kaum eine Historiographie." (Einleitung, Seite 13)
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"The ARSC Guide to Audio Preservation is a practical introduction to caring for and preserving audio collections. It is aimed at individuals and institutions that have recorded sound collections but lack the expertise in one or more areas to preserve them. Our audio legacy is at serious risk because
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of media deterioration, technological obsolescence, and, often, lack of accessibility. This legacy is remarkable in its diversity, ranging from wax cylinders of extinct Native American languages to tapes of local radio broadcasts, naturalists’ and ethnographers’ field recordings, small independent record company releases, and much more." (Publisher website)
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"This volume celebrates the tenth anniversary of the Endangered Archives Programme at the British Library, established to document and publish online formerly inaccessible and neglected archives from across the globe. From Dust to Digital showcases the historical signifi cance of the collections ide
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ntified, catalogued and digiti sed through the Programme, bringing together articles on 19 of the 244 projects supported since its inception. These contributions demonstrate the range of materials documented — including rock inscriptions, manuscripts, archival records, newspapers, photographs and sound archives — and the wide geographical scope of the Programme. Many of the documents are published here for the first time, illustrating the potential these collections have to further our understanding of history." (Back cover)
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"The Digital Himalaya Project is a collection, storage and dissemination portal for scholarly content and research findings about the Himalayan region. The project website connects a worldwide user community to a vast corpus of digital resources from or about India, Nepal, Bhutan and the Tibetan pla
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teau for free and easy download - without payment, subscription or password. While Digital Himalaya began as a strategy for collecting and protecting the products of colonial-era ethnographic collections on the Himalayas - for posterity and for access by source communities - the project has now become a collaborative digital publishing environment, bringing a new collection online every month, with close to half a million web visitors since its establishment in 2000. Almost all of our digitization and scanning is now conducted in Nepal, dramatically reducing operating costs and increasing productivity. Our funding no longer comes from research councils in the United Kingdom and the United States, but through web referrals and from individual or institutional donations around the world. The project is now supported by people and organizations that recognize the work and want to contribute to it. In short, what began as an academic research project a decade ago is now a vast online portal for hosting and disseminating knowledge about the HiMalayas to a demanding, fast-growing and truly global user base." (Abstract)
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"This study focuses on digital archive management and will review the current “state of play” in archive management for content creators. It includes both academic and industry research, as well as the results of site visits to nine media organizations located in Thailand, Nepal, Sri Lanka, and
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Malaysia. The purpose of this study is twofold: firstly, to present an introduction to digital archive management for media organizations and content creators, helping to build awareness and greater understanding of the topic as a whole; secondly, to provide guidance and practical advice, in particular for small- to medium-sized media organizations, as well as for those operating with limited resources, or under challenging environmental and political circumstances. The findings of this study can be broadly divided into two areas. The first relates to the safe storage of content and the associated challenges faced by organizations attempting to store large amounts of data. The second is the effective cataloguing and management of digital archives, allowing content within an organization to be described, discovered and re-used." (Executive summary)
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"Los siguientes capítulos de esta guía práctica, planteada por la UNESCO desde su programa de comunicación para América Latina con sede en San José, y encomendada por la Organización para su producción a Radio Nederland Training Centre – Latinoamérica, tienen como objetivo central asistir
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a los radiodifusores de toda Latinoamérica en los procesos de transferencia a formato digital. Sin duda, tan actual iniciativa y excelente factura profesional constituye un aporte sustancial que ofrece información útil, amigable y de fácil didáctica para cualquier trabajo de recuperar las memorias sonoras contenidas en las diversas y numerosas fonotecas y otros archivos de emisoras de radio y centros de producción radiofónica de América Latina." (Presentación, página 7)
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"Dans quelle mesure la télévision a-t-elle contribué, et contribue-t-elle encore, à forger la mémoire nationale et l'identité nationale dans chaque pays ? Y a-t-il eu une politique volontariste en ce domaine ? Quels sont les effets du statut des chaînes de télévision, privées ou publiques
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? Les chaînes de télévision ont-elles contribué à promouvoir d'autres formes d'identités que l'identité nationale et lesquelles ? Cet ouvrage tente de répondre à ces questions." (Description de la maison d'édition)
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