"This survey was designed to measure how journalists around the world take advantage of technology to enhance their security. The results suggest that there is a general lack of awareness about the power that digital tools have to improve a journalist’s protection. There are scores of organization
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s of journalists, technologists, and activists developing tools for physical or digital protection or training reporters and editors on how to use them. But there can never be enough education about the risks that journalists face and the security measures they can take, especially when it seems that the press is under attack more frequently and in more aggressive ways than before." (Page 12)
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"This book explores the complex organisational issues surrounding the capture or kidnapping of journalists in areas of conflict and risk. It explores how journalists 'becoming news' is covered and the implications of that coverage, how news organisations prepare for and respond to such events, and h
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ow kidnapping and ransom insurers, victim recovery firms, journalists' families, and governments influence the actions of news enterprises. It considers how and why journalists are kidnapped, how employers and journalists' organisations respond to kidnappings and why freelancers are particularly at risk as well as suggesting best practices for preventing and responding to kidnappings." (Back cover)
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"The chapter takes as its starting point the notion that journalists’ safety is a precondition for free expression and free media. Based on interviews and discussions with experienced female war and conflict journalists from seven countries worldwide, the discussion evolves around questions linked
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to what particular challenges and opportunities women journalists face, and how their security can best be ensured when covering war and conflict zones. The deliberations are believed to have a direct bearing on debates about female journalists’ safety online and offline, the importance of the presence of female journalists covering wars and conflicts, and how their being there may serve as an indicator of freedom of expression, civil rights and media freedom in general." (Abstract)
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"The present book was inspired by the results of an international KAS conference on the theme of war reporting in Sofia in 2015. Beyond existing recommendations of international organisations, it presents new trends in reporting of warfare and provides additional guidance from the point of view of o
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ur authors for secure, professional and ethical reporting from crisis regions." (Publisher description)
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"This report reflects the findings of a survey performed by Afghan Journalists Safety Committee on the status of female journalists and media workers in Afghanistan. The purpose of the report is to identify the extensive challenges female journalists and media workers face and develop specific measu
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res to tackle those challenges subsequent to development of this report." (Page i)
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"The vulnerability of journalists to kidnappings was starkly illustrated by the killing of James Foley and Steven Sotloff by Islamic militants in 2014. Their murder underscored the risks taken by journalists and news organisations trying to cover developments in dangerous regions of the world and ha
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s forced news enterprises to more clearly prepare for and confront issues of safety. This book explores the complex organisational issues surrounding the capture or kidnapping of journalists in areas of conflict and risk. It explores how journalists ‘becoming news’ is covered and the implications of that coverage, how news organisations prepare for and respond to such events, and how kidnapping and ransom insurers, victim recovery firms, journalists’ families, and governments influence the actions of news enterprises. It considers how and why journalists are kidnapped, how employers and journalists’ organisations respond to kidnappings and why freelancers are particularly at risk as well as suggesting best practices for preventing and responding to kidnappings." (Publisher description)
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"The shocking beheading of several Western journalists during 2014, including the Americans Steven Sotloff and James Foley and the Briton David Haines, and the wide dissemination of their murder videos on the Internet, is a graphic, gruesome signal that something has changed in the relationship betw
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een journalism and conflict." (First paragraph)
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"The subject of this article is the issue of journalist-spies in the Bulgarian media before and after the fall of communism in 1989. The focus is on the perceptions of Bulgarian journalists on the role alleged secret service collaborators played, and continue to play, in the postcommunist society an
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d media landscape. Role perceptions are explored through semi-structured interviews with practicing journalists from the capital city, Sofia. The findings suggest that Bulgarian journalists continue to be concerned with, and affected by, the influence of former communist spies on the Bulgarian media, a controversy that has largely been ignored by media scholars." (Abstract)
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"It's going to be hard, but we must keep fighting the gangsters and governments that attack journalists, says a seasoned campaigner." (Abstract)
"With a focus on online hate speech, protection of journalism sources, the role of internet intermediaries in fostering freedom online, and the safety of journalists, the report highlights the importance of new actors in promoting and protecting freedom of expression online and off-line." (Back cove
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r)
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"The Safety Guide for Journalists issued by Reporters Without Borders is aimed at providing guidelines and practical advice for all those who risk running into an enemy of press freedom on a street corner or on a deserted road. Such a situation can quickly test the difference between a happy-go-luck
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y journalist who set off unprepared and a reporter who packed the right survival kit of experience and equipment.In partnership with UNESCO, Reporters Without Borders is bringing out a new edition of the Handbook for reporters in high-risk environments." (Abstract)
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"The rapid and incredible growth of eyewitness media (also known as user-generated content or UGC) has led to the emergence of a new cadre of journalists, humanitarian and human rights professionals whose job it is to seek out, verify and edit the most disturbing and traumatic raw images captured by
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non professionals and posted online. These professionals are tasked with viewing and sifting through massive volumes of eyewitness media - that is, raw, unedited, authentic footage now captured regularly on smartphones - to enhance their investigations, reporting, operations, prosecutions and advocacy. Professionals who work with eyewitness media watch disturbing footage from war zones, natural and manmade disasters and accidents over and over again to verify its veracity and to edit out images that are deemed too extreme for viewing by the general public. Viewing traumatic images of death, destruction, blood and unimaginable horrors all day every day - often for years on end - is now an integral part of the daily work of many desk-bound staff working for news, human rights and humanitarian organisations who are often located thousands of miles away from where the actual horrors occur. Whether it is a broadcaster, publisher, human rights or humanitarian professional, symptoms associated with post-traumatic stress disorder (PTSD) are now evident amongst staff working in offices on what we call the digital frontline.
This study builds upon previous research that proved that viewing distressing eyewitness media can lead psychological injury, including, but not restricted to, such conditions as PTSD and major depression. The principle aim of this research is to explore the following questions: How much distressing eyewitness media are professionals, who work in the three professional sectors, watching? How frequently, and in what volumes are professionals viewing distressing eyewitness media? What kinds of eyewitness media do professionals find particularly distressing?" What coping mechanisms, if any, have been developed by staff to help mitigate the potentially negative effects of viewing distressing content? - What support, if any, do professionals receive from their organisations and senior managers? - Does organisational culture encourage or prevent professionals from requesting support from their organisation’s hierarchy? What training and preparation is provided to raise awareness of or mitigate the adverse impact of trauma exposure on university graduates, newcomers and those established in post? What resources do organisations provide to prevent, mitigate and treat the adverse impact of trauma exposure? Which of those resources have been used? Which are found to be the most useful? What do staff who experience vicarious trauma need and expect from their organisations in order to support them? Based on an online survey (to which we received 209 responses from people working with eyewitness media across all three professional sectors) and 38 in-depth, anonymous interviews we find that: the impact of eyewitness media on journalism, human rights and humanitarian work means that the frontline is no longer geographic. A new type of frontline has emerged that is digital. Staff at an organisation’s headquarters who work with eyewitness media do so daily and often see more horror on a daily basis compared to their counterparts deployed in the field. Consequently, organisations have a duty of care towards office based staff working on the digital frontline who are at serious risk of vicarious trauma and PTSD [...] " (Executive summary, page 3-5)
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"Esta guía pretende proveer los elementos necesarios para establecer un protocolo de seguridad en una diversidad de contextos; así como recomendaciones prácticas para hacer frente a diversas situaciones. La guía está enfocada en todos los periodistas visuales, en particular aquellos que trabaja
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n en zonas de riesgo. El primer apartado del texto se enfoca en los elementos necesarios para elaborar un protocolo de seguridad. Se enlistan las herramientas necesarias para valorar el riesgo y las amenazas y se dan los lineamientos para decidir qué medidas de seguridad adoptar. En el segundo apartado se dan recomendaciones para enfrentar diversos escenarios. La labor de los periodistas visuales los obliga a enfrentar una diversidad de circunstancias con características particulares. Este segundo apartado pretende brindar al lector recomendaciones específicas que le serán útiles en cierto tipo de contextos, pero sin olvidar que no hay dos situaciones iguales, por lo que cada cobertura requiere de medidas específicas de seguridad. El último apartado está dedicado al manejo de estrés y los efectos psicológicos que pueden surgir por el trabajo en situaciones de alto riesgo. El bienestar psicológico es fundamental para poder desarrollar una buena cobertura periodística. La labor de los reporteros gráficos los obliga a estar en estados de alto nivel de adrenalina, lo que puede causar estragos en la salud." (Página 6)
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