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7
Top Insights
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National Cinemas, National Film Production
33
African Cinema
11
Film Actors, Directors & Producers, Filmmakers
11
Films
8
Film Industries
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Latin American Cinema
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Film Genres
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Decolonisation & Independence (General)
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History of Media: Colonial Period
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Documentaries, Television Documentaries, Web Documentaries
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Feature Films
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Silent Films
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Cinema
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Film Language
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Film Production
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Film Theories
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History of Radio
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Film Audiences, Film Consumption
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Asian Cinema
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Film and Religion, Religion in Motion Pictures
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Film Distribution
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Film Festivals
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Black & White Films
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Bollywood
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Hollywood
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Film Markets
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Film Music
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Public Film Policies, Film Legislation, Public Film Funding
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Aesthetics in Media & Communication
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Literature
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Racism in Communication & Media
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Colonial Legacies
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Colonial Period
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History of the Press
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Apartheid
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Television
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Cinema in Authoritarian Regimes
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Catholic Church
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Catholic Films
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OCIC - Office Catholique International du Cinéma (1928-2001)
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Animated Cartoons, Animated Films
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Aesthetics in Film & Visual Communication
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Awards & Prizes: Film Awards
1
Fédération Panafricaine des Cineástes (FEPACI)
1
Film and Society
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Film Criticism
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Ethnographic Films
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Violence in the Media: Film
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War & Political Violence in Cinema
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Film Editing
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Film Semiotics
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Film Studies & Research
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Film Technologies
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Media Assistance: Film Funding
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Videos
1
Plagiarism
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Oral Cultures & Traditions, Oral History, Oral Testimonies
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Anthropology of Media & Communication
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Visual Anthropology
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Theatre
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Cultural Dependency
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Cultural Traditions
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Cultural Studies
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Cultural Systems
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Tales, Legends, Traditional Literary Lore
1
Social Change & Media / Communication
1
Convergence of Media
1
History of Internet & Digital Media
1
Economics of Media
1
Film Economics
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Humour, Parody, Satire
1
Soap Operas & Telenovelas
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History of Media & Communication
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History of Printing
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History of Television
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Nazism
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Democracy
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Political Transition and Media
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Mythology
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Ethnographic Research
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1
Revolutions
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Society & Media, Media Sociology
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Theories of Communication & Media
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Postcolonial & Decolonial Communication Approaches
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Urban Communication, Urban Media
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Language
Document type
Countries / Regions
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Cinema in Ghana: History, Ideology and Popular Culture
Bergen: University of Bergen (2011), 303 pp.
"Cinema in Ghana- History, Ideology and Popular Culture, is an attempt to start a dialogue about national cinema in Ghana. The primary purpose of this thesis is not simply to provide a historical account of cinema in Ghana, but rather to question and dialogue with the history in order to locate the
...
Os Moçambicanos perante o cinema e o audiovisual: Uma historia polÃtico-cultural do Moçambique colonial até à República de Moçambique (1896-2010)
Top Insights
Maputo; Holsbeek: Dockanema; Afrika Filmfestival (2011), 677 pp.
"This is the first monograph on the history of film culture ever for lusophone Africa. It consists of three parts: the colonial period (1896-1974), the first years of independence (1975-1991) and the years of the liberalization of the media (1992-2010). In these three periods attention is given to t
...
Apuntes para una historia del video en Chile
Santiago de Chile: Ocho Libros Editores (2010), 244 pp.
How to Read a Film? Movies, Media and Beyond
New York: Oxford University Press, revised and expanded 4th ed. (2009), 729 pp.
Film Production in Cambodia: Conditions and Structure of the Cambodian Film Production Market - Demand and Supply in Consideration of Film Genre
Erfurt: Thüringisch-Kambodschanische Gesellschaft (tkg) (2009), 177 pp.
"The glories past of the Cambodian cinema, with international well known filmmakers like the former King Sihanouk, seems to be well and truly over. The current breakdown of the Cambodian cinema industry shows an alarming circle and reflects a desolate situation. In this book the author Kirstin Wille
...
Images et paix: Les Rwandais et les Burundais face au cinéma et à l'audiovisuel. Une histoire politico-culturelle du Ruanda-Urundi allemand et belge et des Républiques du Rwanda et du Burundi (1896-2008)
Top Insights
Leuven: Afrika Filmfestival (2008), 605 pp.
"Les Rwandais et les Burundais ont une culture cinématographique et audiovisuelle captivante et centenaire. Elle a été introduite pendant l’époque coloniale allemande et est ensuite tombée dans les mains des Belges qui l’ont développée après. Au Rwanda/Burundi, ils produisaient des films
...
Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria
Durham: Duke University Press (2008), xi, 314 pp.
"In this groundbreaking work, Brian Larkin provides a history and ethnography of media in Nigeria, asking what media theory looks like when Nigeria rather than a European nation or the United States is taken as the starting point. Concentrating on the Muslim city of Kano in the north of Nigeria, Lar
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Images et démocratie: Les Congolais face au cinéma et à l'audiovisuel. Une histoire politico-culturelle du Congo des Belges jusqu'á la République démocratique du Congo (1896-2006)
Top Insights
Kessel-Lo: Afrika Filmfestival (2006), 487 pp.
"Les Congolais ont une histoire et une culture cinématographique et audiovisuelle fascinante. Dès la naissance du cinéma, ils ont été confrontés à cette invention qui était à la fois un art et un instrument de propagande. La politique du gouvernement colonial, dans un premier temps, puis ce
...
Der Filmkanon: 35 Filme, die Sie kennen müssen
Bonn: Bundeszentrale für politische Bildung (bpb) (2005), 272 pp.
Cine argentino: Entre lo posible y lo deseable
Buenos Aires: Ediciones CICCUS, 2a ed. actualizada (2005), 375 pp.
Enciclopedia temática del Perú, vol. 13: Opinión pública
Lima: El Comercio (2004), 190 pp.
Traumfabrik Bollywood: Indisches Mainstream-Kino
Bad Honnef: Horlemann (2003), 214 pp.
Film: An International Bibliography
Stuttgart: Metzler (2002), 479 pp.
Handbuch der Mediengeschichte
Stuttgart: Kröner (2001), xiv, 575 pp.
Afrikanische Kinowelten: Die Dekolonisierung des Blicks
Bad Honnef: Horlemann (2001), 311 pp.
"Der erste Teil verfolgt die Entwicklung des afrikanischen Kinos von der kolonialen Vereinnahmung hin zum Afrozentrismus. Im zweiten Teil des Buches werden einzelne Filme vorgestellt und analysiert, wobei besonders auf typisch afrikanische Stilmittel wie der Gebrauch von Stille, der mündlichen Übe
...
Film verstehen: Kunst, Technik, Sprache, Geschichte und Theorie des Films und der neuen Medien
Reinbek: Rowohlt Taschenbuch Verlag, überarb. und erw. Neuausg. (2000), 699 pp.
Prix de l'OCIC dans les festivals de cinéma: Grands prix de l'OCIC 1947-1966
Bruxelles: OCIC (1999), 69 pp.
Mirada al cine cubano
Brussels: OCIC (1999), 153 pp.
The Oxford Guide to Film Studies
New York: Oxford University Press (1998), xxii, 624 pp.
