"Die Autorinnen stellen theoretische Modelle der Geschlechterforschung vor und beschreiben ihre Anwendung in der Medienforschung. Zentrale Begriffe werden erläutert und Fragen zur methodischen Anlage von Gender Media Studies diskutiert. Zahlreiche Fallbeispiele verdeutlichen den spezifischen Ertrag
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der Geschlechterforschung für die Medien- und Kommunikationswissenschaften. Zugleich liefern sie Material, um die konkrete Umsetzung von Forschungsfragen in eigene empirische Arbeiten zu erproben. Wie wandeln sich Geschlechterverhältnisse in Journalismus und PR? Wie lassen sich Medientexte in Zeitung, Fernsehen oder Internet analysieren? Das Buch integriert sowohl sozial- als auch kulturwissenschaftliche Perspektiven zum Verständnis von Geschlecht im gesamten Spektrum der Medienkommunikation." (Verlagsbeschreibung)
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"This article examines the depiction of women and gender within Coptic Orthodox video films or “hagiopics” produced between 1987 and 2010. As part of a recent religious renewal, hagiopics have expanded, altered, and reinvented traditional stories of saints and pious figures and have also generat
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ed, within this traditionally patriarchal setting, a wider space for the articulation of female voices. While their inclusion can be seen as potentially empowering for women, this paper suggests that during Pope Shenouda III's reign (1971–2012), the films became a powerful vehicle for broadcasting the church's conservative teachings on female power and authority, marriage and marital dissolution, spousal abuse, and femininity. By highlighting an array of exemplary female characters, hagiopics capture women's role as custodians of a distinctive Coptic ethos and of family and communal cohesiveness. The films’ emphasis on women's physical modesty, submissiveness, and obedience to male figureheads also hints at the modern church's anxieties about women's increasing autonomy in choosing marriage partners and their growing demands for more equal treatment within the church." (Abstract)
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"Aims to map the implication of the political economy dynamics of the media on citizens’ right to media from the perspective of citizens, in particular those who are vulnerable and weak(ened). Due to the effect of the contemporary political economy of media in Indonesia, the premise of equal citiz
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ens’ right to media has not yet been met. Business-powered media tend to prioritise the concerns of the majority over those of the minority. Since the existence of media remains vital to the society, it is essential that the media (industry) should first serve the interests of society, in particular in providing for the needs of minority groups and the vulnerable. The report provides four case studies from vulnerable groups (Ahmadiyya, Diffable, LGBT and Women-Children), in order to map the bigger picture on citizens’ right to media." (CIPG website)
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"The articles contained in this special issue build on the conversations initiated at the Cairo Symposium and try to make sense of the shifts and transformations in media and gender relations in Africa. Some bring new perspectives to bear on how traditional media (newspapers, magazines, radio and te
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levision) continue to be implicated in questions of gender, while others address new questions raised by new media forms and formats. Four articles (three in French and one in English) tackle the impact of ICTs and social media from different theoretical perspectives, locations and experiences (see Palmieri, Kane, Rouamba and Mbure). Three other articles examine the representational practices of newspapers and magazines in political and social discourses relating to gender (see Anate, Ossome and Eshiet). The contribution by Chiweshe and Bhatasara reflects on popular culture, specifically the construction of gender in music, while that of Yeboah and Thompson examine on the outstanding qualities that enable three women to rise to decision-making positions in the public relations, advertising and broadcast industries in Ghana." (Introduction, page 2-3)
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"El monitoreo de medios de comunicación fue realizado con el apoyo de Solidaridad Internacional y AECID en los meses de setiembre y octubre del 2012 a los medios televisivos (América Televisión, ATV, Frecuencia Latina) y medios de prensa escrita (Trome, El Comercio, Ojo y Perú 21 y en Piura, La
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Hora, Correo y el Tiempo) [...] Las noticias sobre violencia de género son abordadas en su mayoría como temáticas policiales o judiciales, y en menor medida son vistas como una problemática social, evitando con esto que se pueda manifestar la magnitud del tema, las diversas expresiones respecto a este, así como sus causas y consecuencias, entre otros elementos que resultan importantes para el análisis. Por lo tanto, se alimenta un formato informativo que convierte al espectador en un simple receptor y no se le toma en cuenta como un actor dentro de la problemática, recortando las posibilidades de una posible intervención por parte de quien recibe la noticia. Las especialistas proponen que los medios apuesten por nuevos formatos informativos en los que se indague acerca de lo que significa la violencia contra la mujer e invite al público a reflexionar y crear en ellos una visión crítica que colabore a la prevención y atención de manera oportuna ante este tipo de casos." (Página web CONCORTV, 23.11.2012)
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"This learning resource kit aims to provide an answer to the current gender gap in news content and lack of existing self-regulatory mechanisms to confront gender bias. It is organised in two books that may be read independently of each other. Book 1 discusses conceptual issues pertaining to gender,
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media and professional ethics, while Book 2 presents gender-ethical reporting guidelines on several thematic areas [...] Book 1 also contains case studies of experiences in the adoption and implementation of gender-focussed media codes in 2 countries – Canada and Tanzania. A third case study profiles the experience of the Inter-Press Service in a groundbreaking initiative to cover stories on gender equality and women’s empowerment related to the third Millennium Development Goal (MDG3). All case studies distill lessons learnt through the processes. Book 1 will appeal to media decision makers as well as to civil society actors interested in gender media policy adoption or improvement." (Preamble, page 3)
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Este estudio analiza 67 programas emitidos por los siete canales de televisión de señal abierta de diversos géneros: serie/telenovela, informativo, humorístico, magazín familiar, cultural, musical, infantil, concurso.
»Bollyworld Neukölln« ist nicht nur die erste umfassende Studie zum Hindi-Kino in Deutschland, die spezifische, inoffizielle und migrantische Rezeptionswege mitberücksichtigt, sondern zeigt auch neue empirische Perspektiven auf Migranten und Medien auf. Anstatt MigrantInnen unreflektiert nach be
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stimmten ethnischen Gruppen auszuwählen und zu kategorisieren, betrachtet die Medienethnografie junge, migrantische Rezipienten in einem konkreten urbanen Raum: Berlin Nord-Neukölln. Distributions- und Rezeptionsaktivitäten zur Populärkultur Bollywood (wie etwa Tanzkurse oder Vorführungen außerhalb des regulären Kinoprogramms) zeigen, dass die Grenzen zwischen migrantischen und »mehrheitsdeutschen« Medien fließend sind." (Klappentext)
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"There is a vast scholarly literature tracing western stereotypes of Arab women from medieval times to the present. From 1800, the dominant western stereotype of Arab women depicts them as passive and oppressed. Thirty years of social science media research in the west has shown that media images of
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Arab women reinforce this two hundred year old stereotype. Much of this research has studied silent "image bites" of Arab women, where women are pictured in veils and their own voices are replaced by western captions or voice-overs. This book sets out to answer this question. To answer it, we contracted with a global news translation service from the Middle East to collect and translate a sample of 22 months of new summaries from 103 Arab media sources belonging to 22 Arab countries. Filtering the summaries that contained one or more female keywords (e.g., woman, mother, aunt, sister, she) yielded 2, 061 summaries between September 2005 and June of 2007. Using the 2,061 summaries as input data, a coding scheme was developed for "active" and "passive" female behaviors based on verb-phrase analysis and conventions of English-language news-reporting." (www.bloomsbury.com, January 19, 2015)
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"In der medialen Repräsentation von Migrantinnen überwiegt das Klischee des hilfsbedürftigen, weiblichen Opfers, das dem Rollenmodell der westlichen, emanzipierten Frau gegenübergestellt wird [...] Die Lokalpresse mit alltagsweltlichen Bezügen einerseits, die Boulevardmedien mit Fokus auf Berü
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hmtheiten andererseits stellen Lebensentwürfe und Rollenkontexte von Migrantinnen vielfältiger dar: als Nachbarinnen, als Erfolgreiche, als Prominente. Die dominante Grundstruktur bleibt jedoch bestehen: Migrantinnen werden als Andere, als Fremde markiert - und selten als 'normale' Bürgerinnen wahrgenommen." (Klappentext)
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"Two major conclusions can be drawn on the basis of our case study. First, our analysis confirms that war reporting is characterized by a confluence of nationalist and sexist discourse. This discursive universe restricts the lives of women to a rather limited set of roles tied to the private domain
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– caring mothers, loving wives, dutiful daughters and sisters – and expects them to reproduce the nation both biologically and culturally. Indeed, the television coverage of the military conflict between the Yugoslav People’s Army and the Slovenian Territorial Defence in 1991 was almost devoid of female actors, let alone women who would appear in professional, public capacity. Out of all news reports dedicated to the conflict over the course of 20 days, women appear as participants in fewer than 5 percent of them and, of these, the vast majority are identified as wives and mothers, whose main concerns are achieving biological reproduction and protection of their families and their nation." (Conclusion, page 1057)
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"Women have yet to enter to Bahrain’s parliament despite being permitted to run for some years. With its king promoting social and economic change, the media has portrayed positive images of Arab women as professionals against a backdrop of religious conservatism. The communications strategy adopt
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ed by some women candidates to attain election to parliament and the response of the local media are analysed utilizing content analysis. Despite some variation of coverage, the media in this Persian Gulf country were found to be fair to all women candidates and generally gender-neutral. Although the women candidates who applied a well thought-out communications strategy did better in media coverage and voting results, ultimately none were elected. This article explores the reasons for this failure in terms of Islamist religious interpretations of the role of women and Arab cultural conventions regarding family life. Finally, the authors speculate briefly about the prospects of political communications by women challenging Arab cultural conservatism in the future." (Abstract)
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